Sunday, June 24, 2007

Boreal Tordu

Boréal Tordu links to this page...and this is a repost of an earlier post...in recognition of their work...

info on the group:

http://www.borealtordu.com


Tonight, Wednesday, February 15 at 6pm Charlie Gaylord of Cornmeal Records
interviews Robert Sylvain of Boréal Tordu on 98.9fm WCLZ, now streaming on the web at: http://www.989wclz.com/

If you miss it tonight, the program will be re-broadcast and webcast on Sunday, 2/19/06 at 11am.

Also, Chris Busby chimes in with a review of the CD, in The Bollard, online at: http://www.thebollard.com/story_music/boreal_tordu.html

Hope to see you all at the CD release party at the Franco-American Heritage Center in Lewiston Maine on March 4. More information and tickets can be found at: http://www.francoamericanheritage.org

Au revoir,
Robert, Steve, Ron et Pip

--
Boréal Tordu
La musique originale d'Acadiens du Maine
Original music of Maine-Acadians
30 Mechanic Street
Portland, ME 04101
(207) 761-3931
tordu@gigafone.com
http://www.borealtordu.com

Wednesday, May 24, 2006

New News Blog Created, This site index

New News Blog Created, This site indexed

This site has been "retired" and indexed...go to FAWI News and Events page for the index...
http://www.fawi.net/FANews/newsandevents.html

or, conduct a search on this blog.

A new NEWS and Events blog has been created to continue this work of looking at the French, Franco-American phenomenon on the Glocal Scale...

See listing of all News and Events blogs to the right, OR,

Go to http://www.fawi.net/FANews/newsandevents.html
to access the newest blog of news...

merci for your reading attention!

Monday, February 27, 2006

Today's posts

If article does not appear in listing at the right, click on the date and conduct a search. Bon lecture!
archives/2006_02_27

2006/02/oui-je-parle-francais.html
2006/02/way-of-life.html
2006/02/new-life-in-maine.html
2006/02/mardi-gras-beyond-colored-beads-and.html
2006/02/safe-in-her-shadow.html
2006/02/family-unties.html
2006/02/americans-of-today-and-of-tomorrow.html
2006/02/opinions-clash-over-lauded-brokeback.html
2006/02/in-france-baby-boom-and-bust.html
2006/02/brokeback-owes-nod-to-gay-film.html
2006/02/frances-baby-boom-isnt-enough-to.html
2006/02/female-resistance-to-male-authority.html
2006/02/berlin-film-festival-revealing-dream.html
2006/02/do-you-parlez-vous.html
2006/02/conversations-in-french-made-simple.html
2006/02/doyenne-of-mag-trade.html
2006/02/first-nation-art-from-native-american.html
2006/02/honolulu-celebrates-mardigras.html
2006/02/vagina-monologues.html
2006/02/bishopaccountabilityorg.html
2006/02/winning-new-converts.html
2006/02/puppets-figure-in-african-culture.html
2006/02/doucet-and-beausoleil-bringing-30.html
2006/02/making-strides-toward-bilingual.html
2006/02/history-too-often-left-untold.html
2006/02/american-folk-festival-plans-coming.html
2006/02/love-potion.html
2006/02/shoulda-coulda-woulda.html
2006/02/artists-plan-acadian-festival.html
2006/02/mardi-gras-in-new-orleans-american.html
2006/02/in-nutshell-portrait-of-elizabeth.html
2006/02/longfellow-days-in-brunswick.html

A way of life

A way of life

By Bonnie Washuk,Staff Writer
Lewiston Sun Journal
Published : Sunday-February 05, 2006

As consolidation looms, parishioners say Catholic schools are essential.

LEWISTON - Every day before she drives from her Sabattus home to work in Auburn, Yvette Pouzol drops off her daughter at Holy Cross School in Lewiston.

Julia DeLong, 13, is the third child Pouzol has enrolled in parochial schools.

It's not convenient, and the costs aren't covered by property taxes.

Tuition at Holy Cross is about $2,000 a year, the same as at the other two Catholic elementary schools in Lewiston-Auburn.

Soon, there will be only one.

The Catholic diocese of Maine has announced it will consolidate the elementary schools by this fall or next because of declining enrollment and increasing costs.

Pouzol was not surprised to hear that St. Peter and Sacred Heart, St. Joseph's and Holy Cross schools will soon be one.

But she was saddened.

"Catholic schools have been such a tradition," she said. "It makes me wonder whether kids who leave the schools, do they lose out on a way of life?"

That way of life has been essential to her family and many others for generations.

Pouzol, 48, grew up in Lewiston and attended Holy Family School. At her stepfather's insistence, she went to St. Dominic Regional High School.

She wanted that experience for her children, too.

"Catholic schools support the religious values and morals I believe in," she said. "Praying, unfortunately, doesn't happen in public schools."

Pouzol's mother, Lilly Gagnon, went to the now-closed St. Mary's school. Her stepfather, Richard Gagnon, went to Saints Peter and Paul's, then to St. Dom's.

Catholic schools strengthened religious convictions - and there was little tolerance for bad behavior, said Gagnon, 71.

"We had total discipline," he said. "I remember one guy who wouldn't buckle down." That student had to leave the school.

Today, rising tuition keeps many parents who share those values from enrolling their children in Catholic schools.

When Gagnon attended St. Peter's parochial school, families who could not afford tuition didn't pay. Parishes didn't have to hire lay teachers. "It was all nuns and brothers," he said.

When he graduated from St. Dom's in 1954, tuition was $50, up by $10 from the year before. When his children attended high school there, tuition was $200 to $300 a year. Tuition at the high school today is $5,430.

That means some parents have to choose between paying for either elementary or high school tuition.

However, parish scholarships are available for people who can't afford to pay the full amount, said the Rev. Mike Seavey, the parish priest of St. Joseph's.
Franco tradition

In the 1950s and '60s, there were eight parochial elementary schools in Lewiston-Auburn: Holy Family, Holy Cross, St. Mary's, Saints Peter and Paul, St. Joseph's and St. Patrick's. in Lewiston and St. Louis and Sacred Heart in Auburn.

"Every church had its own school, and they were populated," said Rita Dube of the Franco-American Heritage Center.

When Gagnon attended grade school in the 1940s, 2,000 youngsters were enrolled at St. Peter's, including his seven brothers and two sisters, he said. This year, a total of 656 students attended all three of L-A's Catholic elementary schools. Ten years ago, enrollment was 935.

Sixty years ago, Franco-American children, who were often treated as outsiders at public schools, found a haven in Catholic schools.

"They were being ridiculed and laughed at," Dube said. "They were not allowed to speak French. Many times, they didn't know any other language."

At Catholic school, they spoke French in the morning and English in the afternoon. Virtually all students were from French-speaking families.

"Catholic schools were the force behind the education of 90 percent of the Franco-American children," Dube said. The largest enrollments were from the 1940s through the 1960s, she said.

She credited one priest as being the most responsible for the schools: the Rev. Herve Drouin.

"He was a genius in many ways," Dube said. "His personality was outstanding. He was able to get money for the schools like you wouldn't believe. He had followers, was totally charismatic. He deeply cared about the French children."

Committed to improving the education of French children, Drouin founded St. Dominic high school.

"He was a friend of the family," Dube said. "My father died when I was 5. We grew up poor. But Father Drouin always told my mother, ‘Don't worry Jeannette. Your children will be able to go to St. Dom's. I'll take care of it.'"

She teared up as she spoke. "He was like that with so many families. He would not refuse anybody."
Empty pews, less money

Drouin had something that is gone today: pews filled each Sunday by parishioners.

In the past 20 years, attendance at Catholic churches has dwindled.

Dube remembered what Sunday services used to be like at St. Peter's. Five Masses every weekend, three upstairs, two downstairs. "They were always packed, and it's a massive church," he said. Attendance is now about one-fourth of what it once was, she said. "And it's mostly gray-haired people."

Life used to revolve around church and prayer. "You don't see that today," Dube said. It's not as important to send children to Catholic schools. "That has a lot to do with declining enrollment."

In announcing the consolidation last week, the Most Rev. Richard Malone, bishop of Portland, said paying for the three schools puts too heavy a burden on the four parishes. For example, St. Joseph's School costs the parish $160,742 a year, which accounts for 40 percent of its expenses.

The schools need more money to cover the bills, but increasing tuition would burden parents. Parishes are already contributing significantly and cannot afford more, said the Rev. Daniel Greenleaf of Holy Cross School.

If creating one new school means the survival and betterment of Catholic education, Dube is all for it, she said. But to see the numbers diminish, "when you think at one time there were nine Catholic schools (including St. Dom's), and now there'll be two, it's heartbreaking."

Seavey believes the consolidation will evoke both sadness and hope. People will grieve, but the new school will be stronger and healthier, he predicts.

Like other local pastors, he officiates at more funerals than baptisms. It's not that way everywhere, he pointed out.

His uncle was ordained last year in Georgia. In that parish, the church is packed every weekend. The school is so full that they are building a new one, Seavey said.

When his uncle was introduced to the parish, the congregation was asked how many were from the North. "Two-thirds raised their hands," Seavey said. "Our young people are having a hard time staying in Maine," he said.

http://www.sunjournal.com/search/story.php?ID=143471#

Oui, je parle Francais!

Oui, je parle Francais!

By Eileen M. Adams,Staff Writer
Lewiston Sun Journal
Published : Monday-February 20, 2006

RUMFORD - A 78 rpm record played the foot-tapping sounds of a Madame Bolduc singing "La Bauce," the Canadian, Quebec and Montreal flags hung colorfully along one wall, and young and old feasted on crepes.

It was the end of a three-week unit in Catherine Charles' classroom at Mountain Valley High School on learning how to speak better French by talking and interviewing local people of French ancestry. Dozens of students and adults chatted, ate and got to know one another.

"It's a great experience for them and for us," said Marcelle Miller, who'd been interviewed by Larissa Cayer and Joshua Burke. "We don't have an opportunity to do this anymore."

Her last name, Miller explained, was actually Anglicized from Meunier, meaning a miller of flour.

She and Larissa learned at lot. Larissa discovered that her great-aunt once operated Georgette's Hat Shop in downtown Rumford, and that her grandmother and mother had worked there.

"Marcelle knew my grandparents, and my grandparents used to speak French, but now they've lost it. I'm picking up on my heritage and can understand the language better," she said.

Arthur Boivin, whose original language was French, discovered much of it coming back and getting better the more he spoke with Brendan Kreckel and D.J. Gerrish.

"Using it makes it a lot better," he said.

And hearing it, said Gerrish, is a real learning experience.

"We've just heard our teacher speak it. This is firsthand," he said.

Roland Belanger saw the invitation in the newspaper asking French-speaking community members to attend and have a chance to speak their language.

"I thought it might help the teacher, especially with the dialect," he said as he placed a 78 rpm French record on the record player for everyone to listen to.

Charles, who is in her second year at the high school, said she'd tried a similar project when she taught at Foxcroft Academy.

"This gives the students a real-life situation to practice speaking French," she said.

Students interviewed community members, then shared their results through PowerPoint demonstrations.

http://www.sunjournal.com/search/story.php?ID=145570

A new life in Maine

A new life in Maine

By Scott Taylor,Staff Writer
Lewiston Sun Journal
Published : Monday-February 13, 2006


LEWISTON - When Abdirizak Maalin's 1-year-old daughter said her first words, they were in English.

It will be her mother tongue.

"We are very careful to talk only English around her," Maalin said. "She can learn the others, but first she must learn in English. I want her to be able to think in English."

Maalin, 22, a Somali Bantu refugee, is one of an estimated 300 Bantu - about 50 families - who have moved to Lewiston.

Like the ethnic Somalis before them, they see promise of a new life in Maine: a better economic future, a good education for their children and a chance to live safe and free.

But they are not the same as the ethnic Somalis, who began arriving in Lewiston five years ago and now number more than 2,300. The Bantu come from a different culture, speak a different language and have a different history.

"If you are from Somalia, people assume you are Somali and that you speak the same language," said Rilwan Osman, 21, another Bantu living in Lewiston. "We don't."

Lewiston's ethnic Somalis speak a dialect of common Somali. The Bantu speak a language called Maay Maay. They might know some words in Somali or English but are more comfortable in their native tongue.

The language difference leads to problems, Osman said. He's one of the five Bantu who serve as unofficial translators for the community. Friends and neighbors call him at all hours to help with job applications and meetings with doctors and government aid workers.

His unofficial status makes it hard, though. He has accompanied friends to important meetings several times, only to be asked to leave.

"They have their own translators but they speak Somali, not Maay Maay," Osman said. "They think that we must speak the same language, since we are from the same country. And I have to leave."

His friends come out of the meetings confused about what happened.

"Sometimes, we think the translator gives an answer just to get it finished," Osman said.

He and the other unofficial Maay Maay translators are working with Coastal Enterprises Inc. to gain official status. They're taking tests and getting permits. As official translators, they'll be paid for their efforts.

The Bantu's lack of English and Somali language skills has also been a challenge for local schools.

The city hopes to hire six new language teachers to help an expected 150 Bantu students. The increase in the English Language Learners program is part of a proposed $2.2 million spending increase, which won't affect local taxes because the city is getting a big increase in state aid.

The city's newest immigrants are melding with a diverse community. Lewiston has as many Spanish-speaking people as Bantu, and almost as many Sudanese and Ethiopian refugees.

The city's response to such influxes has improved since the first wave of Somalis arrived in 2001, said Phil Nadeau, Lewiston's deputy city administrator.

"We have systems to respond to non-English speakers of all types. We've been down this road before, but this time we know what to do," he said.

For example, having people on hand to help with translations has made a big difference. The city doesn't spend more money but it is more sensitive to non-English speakers, Nadeau said.

"We're more careful how we convey information," he said. The forms, informative posters and reminders all around City Hall are now written in English and three other languages - French, Spanish and Somali. Several city employees are fluent Somali speakers, and they're readily available to help.

So far, the city has relied on Somali speakers to translate for the Bantu, Nadeau said.

Osman hopes that will change when he and others become official Maay Maay translators. But the best solution is for the Bantu to learn English, and that is their priority.

Most have found jobs working as janitors and laborers at area businesses, but they also have enrolled in English classes through Lewiston Adult Education. Osman is working toward his GED, and both he and Maalin hope to go to college.

"Economically, we have a better chance here," Maalin said.

http://www.sunjournal.com/search/story.php?ID=144558

Safe in Her Shadow

'All Will Be Well: A Memoir,' by John McGahern

Safe in Her Shadow
Review by VERLYN KLINKENBORG
February 26, 2006

IMAGINE a flock of birds somewhere in the west of Ireland, suddenly rising from a hayfield and settling in a line on a telephone wire. That's something like the effect of reading John McGahern's powerful memoir, in which the fragments of the life that lies scattered across his remarkable novels and stories seem to disentangle themselves from their embodying fictions and come home to roost.

If you've read McGahern before, you'll already know his territory — the fields and rivers, the villages and bogs. And you'll know both the subtlety and the plainness of the people who live here, on the border of County Leitrim and County Roscommon. If you haven't read McGahern before, this is a good place to start, at the heart of a lyric grief and an embittering passion.

The grief is for his mother, a teacher who died of cancer when McGahern, the oldest child in his oddly sorted family, was still a boy. They lived in a small bungalow outside the village of Ballinamore in County Leitrim. McGahern's father — a police sergeant and an occasional visitor in a blue Ford — lived 20 miles away in the barracks at Cootehall. Theirs was an unequal contest for the child's affections, made all the more unequal by his father's violent and unstable character. McGahern's young life was shaped by this imbalance: knowing one parent too briefly and the other (as far as he could be known at all) far too well.

"People did not live in Ireland then," McGahern writes. "They lived in small, intense communities which often varied greatly in spirit and character over the course of even a few miles." In his fiction, McGahern is one of Ireland's supreme topographers, mapping the nuances of minute shifts in neighborhood and class. The singular accomplishment of "All Will Be Well" is to show us, with almost blinding emotional clarity, the small, intense community of a particular young boy growing up in a certain set of fields and lanes by the side of his dying mother, a boy tortured, at irregular intervals, by the attentions, desirable and undesirable, of his parsimonious yet emotionally wasteful father. McGahern has hinted at all of this before — in his stories, in novels like "The Barracks" and "The Dark." But here he takes up his own life in his own hands.

I don't know another writer who grounds his fiction as inevitably in the natural world. Neither foreground nor background, it has no emotional fallacies to perpetrate on McGahern's behalf. It is simply the stuff of perception itself. In "All Will Be Well," McGahern reminds us of the way our appreciation of nature is grounded in repetition. The lanes near Ballinamore are overgrown with hedges, "and in the full leaf of summer," he tells us, "it is like walking through a green tunnel pierced by vivid pinpoints of light." What makes those lanes even more vivid is McGahern's memory of walking along them with his mother.

Woman and boy beat a long path through their short life together, and it is the familiarity of that path — its persistent emotional echo — that McGahern wants us to understand. "With her each morning," he writes of her walks with her young family, "we went up the cinder footpath to the little iron gate, past Brady's house and pool and the house where the old Mahon brothers lived, past the deep, dark quarry and across the railway bridge and up the hill by Mahon's shop to the school, and returned the same way in the evening."

That simple route recurs like a litany in "All Will Be Well." Walking by his mother's side — after she returns from an inexplicable absence and in the dim foreknowledge of her death — he is "safe in her shadow." The doubleness of that phrase — the fact that as a grown man he is still safe, even in the shadow of her death — haunts the book and also McGahern's understanding of life's purpose: "I am sure it is from those days that I take the belief that the best of life is life lived quietly, where nothing happens but our calm journey through the day, where change is imperceptible and the precious life is everything."

From the reassuring mystery of his mother's love, the boy was suddenly plunged at her death into the impenetrable mystery of his father's overbearing presence. "Which of us knows who we are?" the neighbors said evasively when McGahern, later in life, asked them about his father. "He had a physical attractiveness that practically glowed," McGahern explains, "but seldom was he able to sustain it: he demanded that the whole outside world should reflect it perfectly back. Once this mirror dimmed or failed, his mood would turn."

The cardinal elements of this man's being were vanity and self-pity, which is all the more striking since McGahern's dying mother seems never to have grieved for herself. That the core of such a brutal man, so ready to beat his children, should turn out to be cowardice and weakness hardly seems surprising. Until the boy comes of age and stands up to his father, the children's only defense is their wicked mockery of a grown man — and a police sergeant at that — bemoaning his fate.

The course of "All Will Be Well" takes us through the writer's life, almost down to the present. And yet what makes this memoir so moving is its insistence — shared with many of McGahern's stories and novels — on the power of the single day that passes before us. For McGahern, daily routine is the root of our being, the arena of our noticing. It has an ontological glow, as if life were best understood in the episodic rhythms of daylight and darkness.

It is also a rhythm of expectation and disappointment. That is the world McGahern describes in his short story "Sierra Leone": "The rich uses we dreamed last night when it was threatened that we would put it to if spared were now forgotten, when again it lay all about us in such tedious abundance." But the day can also be one of epiphany, as in "The Wine Breath": "This, then, was the actual day, the only day that mattered, the day from which our salvation had to be won or lost: it stood solidly and impenetrably there, denying the weak life of the person, with nothing of the eternal other than it would dully endure."

There must, of course, come a day when the dying are removed into a separateness all their own. As a boy, McGahern clung to his mother, to the paths they walked. But as a man he comes to understand the true nature of her vanishing. "Those who are dying," he writes, "are marked not only by themselves but by the world they are losing. They have become the other people who die and threaten the illusion of endless continuity. Life goes on, but not for the dying, and this must be hidden or obscured or denied. . . . All the pious platitudes are like a covering of dust or chaff."

Verlyn Klinkenborg writes editorials for The New York Times. His new book, "Timothy, or, Notes of an Abject Reptile," has just been published.

http://www.nytimes.com/2006/02/26/books/review/26klinkenborg.html

Mardi Gras: Beyond colored beads and cat masks

Mardi Gras: Beyond colored beads and cat masks

Jenna Lefever
Etownian Staff Writer
Elizabethtown College


    Beads, beer, endless parties and un forgiving indulgences … the way to celebrate a holiday rooted in religion? It sounds like many college students' dreams, but Mardi Gras - as we know it - has actually evolved over hundreds of years in the Catholic faith.
   Mardi Gras, literally meaning "Fat Tuesday" in French, arrived in the United States at the end of the 17th century when French explorers first came to the U.S. and established New Orleans. However, this holiday is also celebrated internationally. Known as Carnival, Fasnacht Day and Shrove Tuesday in different parts of the world, Mardi Gras signifies the same thing the world over.
   In a religious sense, Mardi Gras is the last chance to indulge or celebrate before Lent begins on Ash Wednesday. It is the last day of the season known as Carnival, which is a time of feasting before fasting during Lent. Carnival - literally meaning "farewell to meat" in Latin - generally lasts from Epiphany, which is the 12th day after Christmas, to Ash Wednesday, culminating the very last day as Mardi Gras.
   The reason people partake in all of the feasting and indulging during Mardi Gras is because during Lent which follows immediately, Catholics are to fast. "It is custom for Catholics to fast by consuming less food during the duration of Lent - 40 days - and abstain from eating meat on Fridays and now Tuesdays, too," Rev. David Danneker said. "Complete fasting on Ash Wednesday and Good Friday is still obligatory."
   Danneker, campus Catholic minister and faculty member in the department of philosophy, said that Lent is about more than just fasting.
   "One point of Lent is penance - to do something for yourself and for others. Too often, though, it is done in a selfish way that will only benefit the individual doing it," Danneker said. "The Church would prefer you do something positive by helping others - maybe helping the poor or the elderly."
   The world celebrates Mardi Gras in many unique ways. The most recognizable Mardi Gras celebration to Etown students would be the parties in New Orleans. Although Hurricane Katrina devastated the city last year, it wasn't enough to stop the Mardi Gras festivities. The traditions will take place once again this year.
   Included in the New Orleans festivities are parades, which own the streets of New Orleans from Saturday, Feb. 18, through the day of Mardi Gras, Feb. 28, an abundance of masks and costumes and the traditional devouring of King's cakes.
   What is a King's cake? According to www.mardigrasday.com, the official site of Mardi Gras New Orleans, the King's cake was traditionally made on Epiphany, which is the day in the Christian religion that the three kings brought gifts to the Christ child.
   "A very popular custom that is still celebrated is the making of the King's cake, which represents the three kings who brought gifts," the site explains. "A plastic baby is baked inside the King's cake, and the tradition is whoever receives the baby in their piece of cake must buy the next King's cake or throw the next party."
   And what is with all of the purple, green and gold? These are the colors of Mardi Gras in New Orleans. Purple symbolizes justice, green symbolizes faith and gold symbolizes power.
   Rio de Janeiro is considered the Carnival capital of the world. During the four-day celebration ending the Tuesday before Ash Wednesday, Carnival includes the crowning of a Fat King and performances from numerous singing and dancing groups and ultimately ends in the samba parade.
   In Nice, France, people celebrate with floats, masquerades, fireworks and parades. But what are Etownians doing for Mardi Gras?
   Danneker expects the Newman Club to have their Mardi Gras party Tuesday night, Feb. 28. Then there will be an Ash Wednesday service at 5 p.m. March 1. This service is growing in attendance each year, and Danneker said that the ashes used in the service make it unique.
   "The ashes are made from the palms from the year before," Danneker said. "They get burned on Monday so they are ready to be used before Ash Wednesday."
   If you're a senior just in the mood to celebrate, head to Bube's Brewery in Mount Joy from 10 p.m. to 2 a.m. Thursday, Feb. 23. The night is planned to celebrate the 2006 hours left until graduation, but the theme of the night is Mardi Gras. Students who go to Bube's can celebrate two occasions in one exciting night.

http://www.etownian.com/060223/features-mardi_gras_beyond.asp

Family (un)ties

SHELF LIFE
Family (un)ties

MARTIN LEVIN
Globe and Mail
POSTED ON 25/02/06

One of the most difficult aspects of this job is deciding which fiction titles should be reviewed in these pages. Obviously, with the Atwoods and Urquharts and Philip Roths and Ian McEwans of the world, that's not an issue. Ditto such Roman candles as Zadie Smith, Lisa Moore and David Mitchell. Rather, it's sorting out those thousands of novels published by unknowns, little-knowns and somewhat-knowns that vexes us. Since our priority is Canadian fiction, we simply try to cover as much of that, from presses large and small, as we can. Which leaves precious little turf for the rest.

All of which means that a combination of judicious attention, research and luck is required to sort out the likeliest candidates. Given the sheer volume, your editors rarely have opportunity to examine more than a page or two of a new novel, or to check out who's supplied the dust-jacket blurbs (that's another issue entirely).

One way of deciding which of these many young wines might lay down well is through the intermittently reliable grapevine -- industry and individual buzz. Publishers are supposed to wax ecstatic about their literary children, but often, one can pick up an extra vibe, a measure of true enthusiasm beyond the hype. A better way is to consult colleagues in the business.

A while ago, I asked the editor of a U.S. books magazine what enthused her this season. Unhesitatingly, she fired back: A Family Daughter, by Maile Meloy (Scribner, 325 pages, $32).

In recent weeks, I've devoted columns to two marvellous British women writers of a certain age (Rose Tremain and Jane Gardam). So now, it's a pleasure to discover a younger American fictionist-- a kind of old world, new world thing.

I hadn't read Malloy's first novel (following a short-story collection), Liars and Saints, but when a debut novel is extravagantly praised by the disparate likes of Philip Roth, Ann Patchett and Helen Fielding, one pays attention. Our own reviewer, Cynthia Holz, called this chronicle of an American Catholic family "resonant and moving."

That now beloved California family was the Santerres, who are back for another round in A Family Daughter. "Dazzling" is a word perhaps too promiscuously employed by book reviewers, but in this case, I think it entirely applicable. I still haven't read Liars and Saints, but shall remedy that deficiency in short order. . . .

. . . Two hours later.

I still can't say that I've read Liars and Saints, but I have looked into it, as Dr. Johnson once replied to an interlocutor who questioned whether he'd actually read a book he'd reviewed.

I'm glad I did because, although either book can be read by itself with considerable gain, neither is quite comprehensible without the other. Think of A Family Daughter as a companion piece to Liars and Saints, a gloss, an extension, a re-imagination, a literary unsettling.

The earlier novel is a half-century history of the Santerre clan of California, headed by French-Canadian matriarch Yvette (nationalists will be glad to learn that she is almost certainly the "saint" in question), and involves family secrets and lies, family hopes and family dysfunctions: Think Buddenbrooks, but with incest and lesbianism.

The central character of the new novel, which opens in 1979, is Abby, who played a very different part in its predecessor. (Note to readers of that book: Prepare to be surprised and initially perplexed by the opening of this one.) She is sick with the chicken pox, and it is with the efforts to rouse her out of bored illness that Meloy's elegantly tangled web begins its weaving. Abby, it turns out, is a novelist. And that's all I'll say about that, not wanting to interfere with the many pleasures that await you in the tale itself.

But you may think that this complex interplay is but tricksy postmodernism, and that Ian McEwan has already pulled off the novel as constructed by one of its characters in his masterpiece Atonement. But you'd be wrong. Though the linking of the two novels is an impressive technical feat, it's much more than a game in which the author denies reader expectation by contradicting events we thought settled in the earlier book. Meloy also investigates the nature of faith, love and betrayals of various sorts.

To be sure, these are all consistent elements of family sagas, one of literature's enduring forms. But rarely are they executed with such range and depth of intelligence and feeling, such nuanced development of character, such richness of perception. And all written in a prose that is captivating without being showy. Not least impressive is Meloy's ability to marshall the elements of melodrama without ever descending into it.

Maile Meloy has a most impressive understanding of the vagaries and contradictions of our humanity. In the Santerre family, she has fashioned a clan that we half love, half despair of. More than a writer to watch, Maile Meloy is a writer to read. Maybe she'll even become a writer to treasure, one whose works go directly to the Must Review pile.

http://www.theglobeandmail.com/servlet/story/LAC.20060225.BKLEVI25/TPStory/SpecialEvents/columnists

The Americans of today and of tomorrow - Visions of a Newropean (I)

The Americans of today and of tomorrow - Visions of a Newropean (I)

Written by Franck Biancheri   
Thursday, 23 February 2006
This particular article was finished only a few days before the September 11th attacks. The author chose to keep it as it had been written knowing sthat it can provide elements of clarification on the current reactions and their consequences. It constitutes a truly European view, open and friendly, but far from any fascination, on the people and country that have been at the centre of History since the beginning of the 20th century. This view is not that of a passive spectator, but of someone curious to identify what tomorrow is made of, as much for the sake of the Americans themselves, as for the sake of this Europe with a future so uncertain.



The future Americans : Growing diversity and growing ignorance of the outside world - Why the Americans … and not America ? 
Because it is a choice : to talk about the Americans , and to forget America for a while ! Because it is easier : indeed, the word, the concept " America " conveys such a mass of clichés, prejudices, images… that it results in more opacity than clarity Because it is lucid : America is diverse, a lot more diverse than we, Europeans, want to admit. Therefore talking about the people renders the task easier while stressing the fact that the subject is multiple.
Because there is this profound conviction gradually gained by the author : America is the creation of the Americans (and not of God Himself, as many Americans prefer to believe !); and just like any human creation, it is in constant evolution. And this evolution is all the more unpredictable that the history of America is so short. Moreover it is strongly shaped by immigration knowing that the demographic evolution of the US can record important changes in 2 or 3 decades.

Therefore these Americans of tomorrow, who will they be ?

Americans less white, and a lot less " European "
Of course, they will in the first place be yesterday's and today's Americans. If we look towards 2020, we shall find the same ethnic components than in 2001 … but in very different proportions. The human cocktail that America is will have a colour, a flavor and therefore a relation to the world, fundamentally different from that of today. Whites, Afro-Americans, Asians, Native Americans, Latinos, Arabs…. ; catholics, protestants, jews, muslims, buddhists, members of all sorts of sects. All of them will be there … but nothing will be like the mythical America as it has been fixed by the images dating back to the 1950's-1960's, and that we, as much as most Americans, still bear in mind.
The last census (Census 2000, http://www.census.gov ) clearly states these trends : the Latinos precede the Afro-Americans in percentage of population, the Asians continue to grow and belong increasingly to the richer category, California has lost its white majority. Here are three examples of a trend that has already begun and that will most certainly carry on and intensify.

When you look at the immense space of the United-States on the map of a world that is more and more " full ", you can not but suppose that the migration pressures coming from Asia, Africa and Latin America will increase. The Europeans occupied the American space namely because their populations were in full expansion and poor ; but for the last few decades already, it is no longer Europe which has a problem of population " surplus " … and it is rich now, mostly. The American West Coast already records a growing Latin and Asian (mainly Chinese) presence ; the South-West is practically " reconquested " by the Hispanics. Florida has become the " gate of Latin America " (Miami is de facto becoming the capital of South America) and no longer belongs to the " WASP " cultural model. By addressing the Hispanic community in Spanish, candidate George W. Bush proved that he was more adapted to these Americans of tomorrow's American than candidate Al Gore, incarnation of the East-Cost, WASP, culturally European model that now belongs to the past of this country (not as an individual of course, but as the incarnation of a future America).

These trends are dominant and growingly present. These populations whose political, cultural, economic influence grows rapidly, carry a vision of the world where the importance of the transatlantic axis is more relative. The United-States were conquered/constructed by Americans from Europe. In 20 years-time, they will predominantly be in the hands of Americans from America or Asia. From a Newropean's point of view, this means that the EU/US relation will be more complex, more fragile and will require to be founded on new bases in order to reinforce the historical foundations of a community of values and culture : something which in the coming years will be incumbent upon the Europeans and their descendants in the United States. This key-population, dominant but declining, must absolutely start thinking about how to handle these evolutions … rather than cling to this sense of immutability of the United States (see next article on the political system).

Americans ethno-geographically more divided
… in a European way, so to speak
It has always been possible to identify certain geographical areas in relation with certain ethnic groups : Scandinavians in the Middle-West, Afro-Americans in the South… But in the last few decades, this identification has become more acute due to the decreasing will of certain groups to assimilate to the dominant WASP model, sometimes even rejected (Hispanics and Asians, namely). This tendency is reinforced by the "politically correct" movement, which in the end aims at dividing the " minority with a majority tendency " (non-WASP and white catholic) into myriads of sub-minorities competing with one another, and results in legitimating a multitude of identity claims from which the territorial aspect can not be excluded a priori. It is striking to hear a "chicanos" leader explain how the Hispanics of Arizona and New Mexico managed to build the instruments of their cultural autonomy through the development of small community funds, schools, companies, media and universities … exactly like Quebec did it 50 years earlier.

The South-East region of the United-States is also characteristic of another "very European" phenomenon that does not correspond to what the Europeans tend to believe : the true conquest of New-Mexico, Texas, Arizona, California … through a war over Hispanic local populations. A war of territorial conquest … here is another very European feature. And here again, as History changes, the demographic and economic data can bring surprising processes of questioning of what was taken for granted yesterday … the Europeans know this very well - we shall come back on this aspect.

But it is certain that one of the important factors of territorial unification (scarcely populated spaces, associated to a unique and powerful dominant cultural model) is fading away with no obvious replacement in sight.

This may seem paradoxical but it can it be seriously considered today that, under certain cultural or ethnic aspects, the Americans are more diverse than the Europeans. When driving from a "dry-county" in Arkansas (where reigns a complete prohibition on alcohol, and where churches are more numerous than shops, a region that wavers between 17th century-Puritanism and 1920's-prohibition) to a metropolis like Denver, Las Vegas or New-York; or when living in a 2000-inhabitant village amidst Wyoming surrounded by cow-boys and guns, and 300 miles away from the first 50.000 inhabitant city, a whole range of cultural, religious and ethic values is experienced. Behind the radical uniformity, rather oppressing for a European, of the " material " standard and cheap way of life (food, cars, equipments of all sorts, TV programmes), there is an " immaterial " galaxy surprizing by the scope of its diversity.
In Europe, it is no longer possible (since WWII) to find such radical expressions of difference (or even divergence) between the founding values of a modern society. In the middle of Kansas, it requires an immense effort to remember that there is "another" world, somewhere far (Westward or Eastward, the first foreign frontier is over 10.000 miles away; Southward it is 1.500 miles away, and Northward … well, it does not even really exist / In Europe, a frontier is always less than 300 miles away). The Americans of tomorrow bear an extraordinary diversity that can become explosive if the transition between Golden-Age-America (which ended in the 60's) and tomorrow's America is not anticipated today by the ruling elites
The mix between " geographical insertion " and " growing ethno-cultural diversity " will result in a radical questioning of the common unifying fact, if it continues to be solely handled by the dominant group/model. This will be increased by the double religious trend which polarizes society around increasingly diverging groups : those who continue to consider that God is the only master America can find for itself (including in the school programmes); and those who think that God's place is not at the heart of the political and social system.

Americans less and less able to understand the world that surrounds them
A world which begins in their own country. In the last decade, I was struck by a gradually increasing double-process concerning the new generations

On the one hand, there is the general and overwhelming statement regarding the drift all along the last 2-3 decades of the primary and secondary educational system.

On the other hand, there is the flagrant lack of intellectual curiosity of the young Americans.
These two aspects must be related to a major fact : for the elder generations, the statement is the reverse, i.e. presenting good quality of education and a real intellectual curiosity, particularly when it comes to the “foreigner".

Something has therefore happened, or is happening, which modifies radically (in the wrong sense) the level and quality of education of the new generations of Americans.
We shall come back more in detail on the difficulties of the educational system in some next article. At this stage, let's concentrate on the result : an important part (the poorest one) of the growing generations of Americans have a very weak level of education (confirmed by American and international studies), reaching close to 25% of illiterates. Moreover the international approach is so much ignored that President Clinton had to place international education as a priority of "national security" in an "Executive Order" in 2000. At the centre of the global exchequer, the Americans educate their children to ignore the rest of the world.
Worrying for them … worrying for us ! It could be useful that the Europeans bring some active support to those in Washington or in the various networks of teachers and economic leaders, who try to counter this dangerous tendency.
Educated by "Multiple Choice Items" rather unlikely to develop intellectual curiosity and autonomous thinking, without any external reference enabling the comparison, fed to the ideal image of Golden-Age-America, intellectually anaesthetized by a system that favours systematic encouragement and political correctness, the American growing generations are in fact the great unknown in the landscape described before. One thing is already certain : the America of multinationals will increasingly draw their executives from non-American human resources. It has already began.
Moreover one of the main factors of opening to the outside world that had affected generations of Americans since 1942 gradually disappeared in the 90's, and that is the presence of numerous American troops all over the globe (and Europe, particularly). This phenomenon enabled millions of young Americans from various social backgrounds to discover something else than their own country … today, this "window" on the outside world is closed, already affecting those generations which were 20 in the 90's. While the " family window ", that of the family links of the white majority from Europe, is closing now that the time of massive migrations is that of the grand-parents and even great-grand-parents.
And it is not the recurrent problem that Afro-Americans are confronted with in their effort to appropriate American history (which they were forced to join … contrary to the other ethnic groups that reached the US following their own will) and identity, which will lead to a better opening to the world. Between the fascination for a completely made-up history (in which Egypt is a black mother-civilization of all following civilizations, or where the "blackitude" of Jesus is a basic fact - I witnessed edifying diatribes in this respect during the meetings celebrating the Black History Month in Cleveland), and the feeling to have been trapped by the integration offered by the Whites in the 60's-70's (brilliant Afro-American lawyers, children of the civil rights, recommending to the black students of the Stillman College not to integrate with the whites, and taking as an example of the problems African-Americans face the persistence of racism within schools even in the richest and most liberal areas). The myth of a dreamed-Africa, in the end ignored, and the rejection of the European axis, provide no perspective in the short- nor in the middle-term.

The Internet appears de facto as the only means to attract the massive attention of the younger generations of Americans to the rest of the world … under the condition that in the US as well as in Europe, the awareness is raised on the risk that there is that whole generations from the most powerful country in the world become totally alien to everything that is not themselves. For the moment, it seems that some American officials (State Department, Ministry of Education/FIPSE, academics) try to act (like in the organisation of the International Education Week in November) ; but the internal inertia is heavy while outside there is no awareness of the importance of these challenges whatsoever.

To make it short, we must imagine the Americans of tomorrow profoundly different from those that the world knew in the 20th century.
They will also be submitted to new constraints that yesterday's Americans could afford to ignore, but that will weigh over that of tomorrow*. Their common heritage is only partly common and their collective appropriation is not yet given. It is a population in transition towards a new model yet to be defined, which shall be marked by the end of the classically dominant WASP model. Let's hope that the transition will be handled smoothly. But there again, nothing is certain.
Finally and that's the most worrying point, the younger generations of Americans are today among the most ill-prepared to confront and understand globalization, its constraints, and consequences. Contrary to a general idea among the younger Americans, globalisation is not the "americanization" of the rest of the world, but rather it requires to understand better diversity and different cultures; and paradoxically, this implicates an increased influence of the rest of world over the United-States themselves. Internal ethnic diversity could contribute to widen their horizon but only if the sollicitations exist.
As a Newropean, it is clearly this aspect which appears to me as the most likely to convey negative consequences for Europe and for the rest of the world, and which requires an original action from the Europeans in particular. Indeed the problems of transition (not only demographic) that this country is about to encounter could bring very prejudicial over reactions.
The responsibility of the ruling generations as well as of the coming one (the 40 years old) is crucial. Making education a priority as President Bush is doing, is essential ; but the historical challenge is to do it, not only to try to do it.

Franck Biancheri 
President of Newropeans
President of Tiesweb

This series, online namely on the TIESWEB derives from the very concrete experience gathered by Franck Biancheri in over a decade on the United-States and the EU/US relations. Not pretending to be either a scientific study or a report, this series of texts reflects the visions of a 40-year-old European in an attempt to cast a European eye on the Americans, the United-States and their future. It is the expression of the learnings drawn from an unusual succession of discoveries/cooperations with the Americans :

-- - invitation in January/February 1991 (during the Gulf War) by the American State Department to a 1-month-stay in the US in the frame of the "Young European Political Leaders" programme
- launch of the Prometheus-Europe network towards North America in 1996
- launch in 1997 in Wahington at the Blair House on the occasion of the EU/US Summit, of the Transatlantic webportal TIESWEB addressed to the civil societies of both sides
- development of TIESWEB since that time (F. Biancheri is the President) along meetings/symposia/conferences held everywhere in the US
- contribution to the launch of the first North American student network (North American Student Forum in Vera-Cruz in 1999)
- launch of the Transatlantic 2020 project in cooperation with the EU Center of theUniversity of Atlanta in April 2000, in presence of Jacques Delors
- survey on the United-States from the " interior " during the Summer 2001
- co-animation of the " September 11th - Transatlantic Response " Internet discussion list, in partnership with various American NGOs.
In a decade, Franck Biancheri visited 34 American States and met with the highest levels of the " Wahingtonian " circles, with academic and NGO leaders from all over the country, and with simple citizens on their living, working or leisuring places.

http://www.newropeans-magazine.org/index.php?option=com_content&task=view&id=3495&Itemid=85

Opinions clash over lauded 'Brokeback'

Opinions clash over lauded 'Brokeback'

By Bob Withers
The Herald-Dispatch
Huntington Herald Dispatch, WV
Huntington, WV
LOCAL NEWS | Monday, February, 13, 2006
Herald-Dispatch.com

HUNTINGTON -- It's a cowboy film the Holly-wood crowd praises as "one of the greatest cinematic love stories of all time."

So do the Gay and Lesbian Alliance Against Defamation and other homosexual groups.

But churches and parachurch goups such as Focus on the Family are howling about it. And, last month, a subtle President Bush told a bunch of Kansas ranchers -- three times in the same speech -- that he hadn't seen it.

"Brokeback Mountain," now showing at Marquee Cinemas in Pullman Square, has received eight Oscar nominations, and the Venice Film Festival gave it a Golden Lion last year.

The movie is a tale about two young cowboys portrayed by Heath Ledger and Jake Gyllenhaal who become lovers while tending sheep in Wyoming in 1963. They both eventually marry and have children, but keep arranging fishing trips as an excuse to get away together from unhappy family lives.

Whatever your position on the issue, it's likely intractable.

"It's not something you want to explore with your children," says Karen Sellers of Barboursville, a member of Christ Temple Church. "I believe the Word of God when it says homosexuality is an abomination. Even though God loves sinners, he hate their sins and wants everybody to turn from their wicked ways."

The Rev. Chuck Lawrence, Sellers' pastor, says he hasn't seen the film but has researched its content.

"Even though the movie comes highly acclaimed in the area of filmmaking, I am concerned about the message it is sending out, especially to our young people -- that it's OK to disregard covenant marriage vows and leave children behind for the sake of an affair," he says. "That message is detrimental to our society."

Jason Arthur, co-owner of Java Joint, has read the short story by Annie E. Proulx upon which the film is based and wants to see the movie, too. He's glad gays are finally being portrayed in a positive way.

"If the gay community is forced to watch love affairs between straight couples on TV -- even in sitcoms -- and have no problem with it, it's about time they have a movie that shows that any two people can fall in love with each other. If it was between a man and a women or two women, it would be considered a 'chick flick,' and no one would have a problem with it. But because its about two men who happen to fall in love with each other, it's a huge problem."

Douglas Evans, co-director of Marshall University's Lesbian-Gay-Bisexual-Transgender Outreach Office, thought it was great.

"It does provide a different perspective of how a gay or lesbian relationship would play out in a society where they're dealing with repression of themselves and having to fit in." he says. "That causes a lot of issues."

The Rev. Paul Willis, pastor of First Baptist Church, says the film destroys his heroes.

"Roy Rogers, the Lone Ranger, John Wayne, those guys created my image of cowboys. They were macho -- masculinity at its finest," he says.

But, Willis adds, he plans to see the film.

"I'll get some sermon material," he says.

Bill Smith, one of Willis' deacons and superintendent of Cabell County Schools, is planning to see the film if he has time and doesn't want to comment on its controversial nature.

"People have told me it's excellent," he says. "It's a movie that's well done and stars actors who are well-known."

Nolan Grubb, an insurance and investment representative who sometimes teaches Sunday School at Fifth Avenue Baptist Church, isn't going.

"I've read enough to know it's a movie that presents an agenda rather than an honest look at homosexuality in rural America," he says

http://www.herald-dispatch.com/apps/pbcs.dll/article?AID=/20060213/NEWS01/602130306/1001/NEWS

In France, baby boom and bust

In France, baby boom and bust

By Celestine Bohlen Bloomberg News

TUESDAY, FEBRUARY 21, 2006
PARIS Even though the French government has promoted large families for 200 years, the country still is not producing enough babies to pay for its aging population.
 
Cash payments, tax breaks and subsidized child care have helped make France's fertility rate the second highest in Europe. It still is not high enough to rescue the country from an aging population that threatens state spending on pensions and health.
 
"Even France, with its great juggernaut of family policies, can't say they are a success," said Jonathan Grant, director of Rand Europe, a research institute based in Cambridge, England, and the author of a 2004 report on fertility in Europe.
 
Aging populations are straining government budgets throughout the region, as the number of workers supporting each pensioner declines. The working-age population of Europe will drop to 57 percent in 2050, from 67 percent today, according to Eurostat, the European Union's statistics agency based in Luxembourg.
 
France's fertility rate, or the number of children per woman of child-bearing age, rose to 1.94 last year, second only to Ireland among EU countries. Germany, which has the largest population in the Union, had a fertility rate of 1.37, below the EU average of 1.5. Italy, Spain, Greece and seven countries in Eastern Europe reported even lower rates.
 
The fruitfulness of French women is a matter of national pride for the country's politicians. Prime Minister Dominique de Villepin forecast last month that the baby boom and immigration might make France the most populous country in Europe by 2030. "Rejoice," he told the Paris press corps.
 
The reality is likely to be different.
 
France's population in 2030 will be 68 million, said Guy Desplanques, head of demography at the National Institute of Statistics and Economic Studies, in a recent interview. That would leave it behind Germany, where the population is expected to remain steady at about 82.7 million.
 
"There is a side of people which puts an emphasis on the 'grandeur' of France," Desplanques said.
 
France's pride in population growth dates from the end of the 18th century, when it had fewer people than Britain. "Natalist" policies, designed to encourage women to have more babies, have been part of the French political tradition ever since, Desplanques said.
 
"It is a consensus shared by all politicians," he said. "You will not find a single political party in France that supports a drop in the birthrate.'
 
'
 
By 1940, France's population, hit hard by World War I, was 40 million, roughly where it had been in 1840. By 2000, it had jumped to 60 million, the largest increase in Europe.
 
In addition to financial incentives, government policies encourage working women to take time off to have babies. State-supported day-care centers and nursery schools are available for infants starting at the age of 3 months, with parents paying a sliding scale according to income.
 
Last September, Villepin proposed changing benefits to encourage women to have a third child, without having to take too much time off work. Instead of receiving a government payment of €512, or about $612, a month for three years, the mother could opt for €750 a month over one year.
 
Even with such policies, France's population, now 60.7 million, will continue to age. A third of the country's population will be more than 60 years old by 2050, up from 21 percent now, Desplanques forecasts. That ratio is in line with a European average that will strain budgets across the Continent. Immigration, now increasing by about 100,000 a year for a total of 4.2 million foreign-born residents in France last year, will not change that, experts say.
 
"One of the biggest challenges the EU faces is how to respond to demographic changes," Odile Quintin, the European Commission's director general for employment and social affairs, said last spring.
 
Barring changes to national pension programs, Europe's aging population will mean an increase in spending on pensions by 5.25 percent of gross domestic product by 2050, a commission study in 2001 found.
 
France's welfare system, including health care, retirement and support for families, is already in deficit, with a budget shortfall of €12.9 billion.
 
"I am convinced that we go even further" in raising the birth rate, Finance Minister Thierry Breton said. "It is part of the solution to high growth, above all in face of the aging of our population."

http://www.iht.com/articles/2006/02/21/business/boom.php

Female Resistance to Male Authority, Part Two



Female Resistance to Male Authority, Part Two

February 21, 2006

by Mary Arnold

Female Code of Conduct in the Court Life of France

The Heptameron is a collection of seventy stories told by five men and five women, including discussion of the stories. Taken together, these tales depict the lives of women in sixteenth-century France. Like their Eastern counterparts, women were expected to be governed by the men in their lives, either husband or father. The dominant attitude is that "women are made solely for [men's] benefit" (Navarre 119). The men assert that "it becomes [women] so well to be soft and gentle" in their relationships with men (Navarre 187). A lady who withholds her love and favors from a man is deemed 'cruel.' One of the storytellers compares this withholding of love to starvation from lack of food:

Saffredent: Nevertheless, if a lady refuses to give bread to some poor wretch dying of hunger, then she is regarded as a murderess.

Oisille: If your requests were as reasonable as those of the poor begging bread in their hour of need, then a lady would indeed be extremely cruel to refuse them. But the malady you are talking of only kills those, thank God, who would die anyway within the year!

Saffredent: Madame, I cannot think that a man can have any greater need than that which makes him forget all other needs. Indeed, when love is truly great, a lover knows no other bread, knows no other meat, than a glance, a word from his beloved. (Navarre 426)

Like Genji, the men in The Heptameron employ the rhetoric of lovesickness in attempts to gain favors from women. If a woman doesn’t love a man who purports to love her, she is accused of inflicting "diabolical torture" that is more painful than "all the torments in Hell" (Navarre 283). Also like Genji, sixteenth-century French men believed their "honour ruined" if they failed in their conquests (Navarre 97). Therefore when a man is faced with a woman who is "too sensible and good to be tricked" and "too well-behaved to be won around by presents and talk," he is "justified" in taking her "by force" (Navarre 219).

The double standard prevalent in sixteenth-century France was promoted by women as being the proper conduct for women. Parlamente (the character who is thought to be Marguerite de Navarre) asserts that:

Women who are dominated by pleasure have no right to call themselves women. They might as well call themselves men, since it is men who regard violence and lust as something honourable. When a man kills an enemy in revenge because he has been crossed by him, his friends think he's all the more gallant. It's the same thing when a man, not content with his wife, loves a dozen other women as well. But the honour of women has a different foundation: for them the basis of honour is gentleness, patience and chastity. (Navarre 397)

It's interesting to note some of the male storytellers refuse to believe "the hearts of men and women [are] any different" (Navarre 254). Since women desire the same things as men, i.e. love and passion, a man is able to destroy "the fortress of the heart where Honour dwells" if he only perseveres long enough to persuade the lady to give "herself up to that which she had never wished to resist" in the first place (Navarre 214).

The male storytellers and the male characters have difficulty believing a woman whom they desire might not desire them also. They ascribe female reluctance to their sense of modesty, not faithfulness to their husbands if she is married or chastity if she is not married. While social standards of female conduct in sixteenth-century France are very similar to those of tenth-century Japan, the female storytellers and women depicted in the stories possess an important difference from their Eastern counterparts: They are more assertive in resisting male dominance, particularly in controlling their own sexuality.

Female Resistance to French Code of Conduct

Although some of the male storytellers advocate rape if the woman refuses all sexual advances, in the majority of the stories told in The Heptameron rape and attempted rape rarely go unpunished, unlike The Tale of Genji. In Story Five after the ferrywoman escapes the two friars' attempted rape, she rounds up a mob from her village to return to the islands and seize the two friars (Navarre 99). All the villagers were "anxious to join in the hunt and have his share of the fun" (Navarre 99). The two friars were tied up and paraded through the village streets "to the shouts and jeers of every man and woman in the place" (Navarre 99).

Some women in the stories are threatened into submission, like the nun in Story Seventy-two who "dare[s] not resist" the monk whom she considers "the most pious man in the place" (Navarre 540). However, the majority of the women actively resist unwanted advances. Unlike the women in The Tale of Genji, most of the female characters will physically fight with their male oppressors. In Story Four, the Princess fends off her attacker by biting and scratching his face horribly (Navarre 92). Also in Story Forty-Six, a wife of a judge kicks a friar down the attic stairs when he refuses to heed her warning not to follow her into the attic (Navarre 406). These are only two of the many instances when women will physically engage in fights with men; in this regard, they are very different from the women in tenth-century Japan.

The women agree it is "reasonable" that husbands should govern their wives but stipulate that husbands should not "abandon them nor treat [them] badly" (Navarre 361). The majority of the wives who are treated badly resist their husbands' ill behavior in some manner. Some women try to change their husbands' behavior, and others seek out means to avenge themselves.

In Story Thirty-seven, a wife embarks upon a campaign to win back her husband's love after he begins cheating on her. When he returns to his wife in the morning, she gives him a bowl of water to wash his hands, saying it is "only decent to wash one's hands when one had been somewhere foul and dirty" (Navarre 359). She hopes to induce her husband to "acknowledge and abhor his wicked ways" (Navarre 359). This ritual continues for a year, but the husband’s behavior does not change. The wife then decides more drastic measures are needed; she hunts all over the house until she discovers her husband in a bed with "the ugliest, dirtiest, and foulest chambermaid in the house" (Navarre 359). She sets fire to straw in the room and when the husband fails to wake, the wife shakes him awake. She tells him if he does not change his ways, she doesn’t know if she "shall have it in [her] power a second time to save [him] from danger" (Navarre 359). Her husband promises "never again to give her cause to suffer on his account" (Navarre 359).

Other wives in the stories attempt to shame their husbands for their philandering by conspiring with the women their husbands have been pursuing. In Story Eight and Story Fifty-Nine, wives instruct the chambermaids to set up a rendezvous with the husbands. In the first, the wife takes the place of the chambermaid (Navarre 109), and in the second the wife arrives at the rendezvous and catches the husband in the act of seducing the servant (Navarre 467). These two examples reflect a growing resistance to the double standard of sexual conduct. No such resistance to this double standard is seen in The Tale of Genji. In the court of Japan, it is a given that men will have more than one wife and/or concubines.

In the circumstance of cheating husbands, some women decide to avenge themselves by taking lovers also. The wife in Story Fifteen tried "everything in her power to win [her husband] around," but he refused to give up his illicit affairs (Navarre 190). The lady became depressed, and earned the pity of a noble lord who attempts to console her. The King puts this friendship to an end, but she soon discovers another man willing to be her lover. Her husband, finally realizing his wife's beauty and desirability, begins to pay more attention to her; but it is too little, too late. By this time, the wife has "a desire to pay him back for the sorrows that his lack of love had brought her in the past" (Navarre 192).

French women also attempted to seclude themselves from men who had dishonorable designs upon them. In Story Forty-two, a townswoman is pursued by a young prince who believes she would be an easy conquest. The prince sends a messenger to declare his intentions, but the young woman feigns disbelief and insists the messenger must have made it all up without his master's knowledge (Navarre 382). The prince begins to court her by letters, but she refuses to answer. She also avoids attending events in which she might see him. When he arranges a ploy to gain access to her house, he pleads with her to "give [him her] love in return," admonishing her for her "spite" in continuing to refuse him (Navarre 384). However she says she "would rather die" than do anything that would damage her virtue (Navarre 384). She continues to remain chaste, earning the enduring respect of the prince who arranges an honorable marriage for her.

In The Heptameron, one can discern rising levels of consciousness that women should be allowed to choose their own husbands. One example of this resistance to others determining a woman's marital state occurs in Story Forty. In this story, the Comte de Jossebelin refuses to let any man marry his sister. She and a young man who lives in the household fall in love and are secretly married (Navarre 368). Even though the sister is old enough to marry whom she wants and is legally allowed to do so, her brother has the man killed when he becomes knowledgeable of the marriage. The Comte, wary that his sister might "seek revenge or would appeal to the law" has a castle built in the middle of the forest in which he locks her away "forbidding anyone to speak with her" (Navarre 370). After a time, he attempts to "regain her confidence" and even insinuates he will allow her to marry (Navarre 370). But his sister resists all appeasement and, in effect, places a curse upon her brother for his evil actions with the result that he and his six sons "all die[ ] miserably" (Navarre 370). Although the common social custom is still that women should seek guidance and permission in their choice of husbands, there is a growing attitude that women should marry for love and not as a matter of convenience or financial gain.

In The Heptameron, there are many women who resist the customary sexual norms imposed upon them. The majority of these women though usually experience punishment for their transgressions; one of the few exceptions to this occurs in Story Forty-Nine, which also depicts the extremity of female promiscuity. A foreign Count and Countess are visiting the court of King Charles, when the King becomes enamoured of the Countess (Navarre 417). King Charles sends her husband away on business so he can have the Countess "to himself" (Navarre 417). But the wayward Countess is not content with the King only; she 'imprisons' a succession of men in her dressing room for a week at a time, installing another one whenever she releases the one currently hiding there (Navarre 418).

Each of the men knew that the others desired the Countess, but they each believed that he was the only one to "have his wishes granted" and each man "secretly laughed at the others for having failed to win such a prize" (Navarre 418). Eventually however the six men who were the Countess' captives could no longer keep from bragging about their sexual conquests, and so they all learned what the Countess had been doing (Navarre 419). They decide to punish her by accosting the Countess on her way to Mass, all dressed in black and wearing an iron chain around their necks to signify their 'slave' status (Navarre 420).

The Countess realizes she has been found out, but she refuses to let the men succeed to humiliate her; she does not "become angry or change her behaviour in any way" (Navarre 421). The six prisoners of the Countess "were so abashed at this that the shame they had desired to bring down on her fell upon them and remained in their hearts" (Navarre 421). The Countess' evenness of temper conveys to the men the idea her behavior is no more shameful than their own had been. While the female storytellers condemn the Countess' actions harshly while not commenting on the men's behavior, this story and many others exhibits an increasing hostility towards the double standard of male and female sexuality.

If one compares male attitudes towards women in The Tale of Genji and The Heptameron, one will see little difference regarding their views of female inferiority and subjectivity to males. The primary difference exists in how the females themselves comprehend their roles in society. Women in tenth-century Japan are taught to be completely docile and submissive to the male figures in their lives. The only resistance they exert is of the passive kind, i.e. with admonitions, feigning illness, and concealing themselves as much as possible from men. In contrast, the women of sixteenth-century France are much more assertive in defending themselves from physical abuses and ill treatment from men. However the prevailing attitude is still that women should be submissive to their fathers, brothers, and husbands as long as those men do not treat them badly. A woman is only justified in opposing male authority if she is not treated with the kindness and consideration that is due to her.

Bibliography

Navarre, Marguerite de. The Heptameron. Trans. P.A. Chilton. London: Penguin Books, 1984.

Shikibu, Murasaki. The Tale of Genji. Trans. Edward G. Seidensticker. New York: Random House, 1990.

Mary Arnold holds a B.A. in literature and history. She is an author on http://www.Writing.Com/ which is a site for Fiction Writing. Her writing portfolio may be viewed at http://www.Writing.com/authors/ja77521


http://www.dailyindia.com/show/3690.php

France's Baby Boom Isn't Enough to Reverse Aging Population

France's Baby Boom Isn't Enough to Reverse Aging Population

Feb. 21 (Bloomberg) -- France, where the government has promoted large families for 200 years, doesn't have enough babies.

Cash payments, tax breaks and subsidized child care have helped make France's fertility rate the second highest in Europe. It still isn't high enough to rescue the country from an aging population that threatens state spending on pensions and health.

``Even France, with its great juggernaut of family policies, can't say they are a success,'' said Jonathan Grant, director of Rand Europe, a research institute based in Cambridge, England, and the author of a 2004 report on fertility in Europe.

Aging populations are straining government budgets throughout the region, as the number of workers supporting each pensioner declines. The working-age population of Europe will drop to 57 percent in 2050, from 67 percent today, according to Eurostat, the European Union's statistics agency in Luxembourg.

France's fertility rate, or the number of children per woman of child-bearing age, rose to 1.94 last year, second only to Ireland among European Union nations. Germany, with Europe's largest population, had a fertility rate of 1.37, below the EU average of 1.5. Italy, Spain, Greece and seven countries in eastern Europe reported even lower rates.

National Pride

The fruitfulness of French women is a matter of national pride for the country's politicians. Prime Minister Dominique de Villepin last month, claimed the baby boom and immigration might make France the most populous country in Europe by 2030. ``Rejoice,'' he told the Paris press corps.

The reality is likely to be different.

France's population in 2030 will be 68 million, Guy Desplanques, head of demography at the Paris-based National Institute of Statistics and Economic Studies, said in a Jan. 13 interview. That would leave it behind Germany, where the population is expected to remain steady at about 82.7 million.

``There is a side of people which puts an emphasis on the 'grandeur' of France,'' Desplanques said.

France's pride in population growth dates back to the end of the 18th century, when it had fewer people than Britain or Russia. ``Natalist'' policies, designed to encourage women to have more babies, have been part of the French political tradition ever since, Desplanques said.

``It is a consensus shared by all politicians,'' he said. ``You will not find a single political party in France that supports a drop in the birth rate.''

World War I

By 1940, France's population, hit hard by World War I, was 40 million, roughly where it had been in 1840. By 2000, it had jumped to 60 million, the largest increase in Europe.

In addition to financial incentives, government policies encourage working women to take time off to have babies. State- supported day-care centers and nursery schools are available for infants starting at the age of three months, with parents paying a sliding scale according to income.

Last September, de Villepin proposed changing benefits to encourage women to have a third child, without having to take too much time off work. Instead of receiving a government payment of 512 euros a month for three years, the mother could opt for 750 euros a month over one year.

Even with such policies, France's population, now 60.7 million, will continue to age. A third of the country's population will be over 60 by 2050, up from 21 percent now, Desplanques forecasts. That ratio is in line with a European average that will strain budgets across the continent. Immigration, now increasing by about 100,000 a year for a total of 4.2 million foreign-born residents last year, will not change that, experts say.

Demographic Challenge

``One of the biggest challenges the EU faces is how to respond to demographic changes,'' said Odile Quintin, the European Commission's director general for Employment and Social Affairs, speaking in Brussels in April 2005.

Barring changes to national pension programs, Europe's aging population will increase spending on pensions by 5.25 percent of gross domestic product by 2050, a 2001 European Commission study found.

France's welfare system, including health-care, retirement and support for families, is already is the red, with a budget shortfall of 12.9 billion euros ($15.6 billion).

Finance Minister Thierry Breton says he wants French women to have more babies.

``I am convinced that we go even further in this area,'' he said. ``It is part of the solution to high growth, above all in face of the aging of our population.''

To contact the reporter on this story:
Celestine Bohlen in Paris at cbohlen1@bloomberg.net.

http://www.bloomberg.com/apps/news?pid=10000085&sid=aUK_fW2GrWcg&refer=europe#

Berlin Film Festival: Revealing the 'dream girls' of the 1950s

Berlin Film Festival: Revealing the 'dream girls' of the 1950s

By Geoffrey Macnab
Published: 24 February 2006
from The Independent & The Independent on Sunday

Who needs stars when you can have Volkswagens? That seemed to be the philosophy behind the art installation conceived to support the "Dream Girls" retrospective at the Berlin Film Festival. A fleet of 30 tiny red cars was parked in a street leading up to the main festival hub, every one of them celebrating a glamorous starlet of the 1950s. Their windows were frosted, but each had a peephole. Voyeurs and passing pedestrians were thus able to peer at clips from movies by the likes of Anna Magnani, Sophia Loren and Marilyn Monroe.

The one actual actress who came to Berlin to take part in the retrospective - 45 films showcasing 30 "screen heroines" - was Harriet Andersson, Ingmar Bergman's muse and lover in the early 1950s. Back in 1952, when she played the voluptuous greengrocer's daughter in Bergman's Summer With Monika, Andersson helped define a new kind of sex symbol: to put it crudely, one without a bra.

"At that time, the (Hollywood) films had no possibility to show the breasts," the retrospective's curator Hans Helmut Prinzler confides. "The form of presentation of an attractive, erotic person was different from today."

In Sweden, though, different rules applied. Monika is shown splashing naked in the water and frolicking in the woods with her boyfriend Harry (Lars Ekborg), though Andersson tut-tuts at any idea that her back-to-nature scenes with Bergman paved the way for Brigitte Bardot, Russ Meyer and the rest.

"I started in a private theatre school when I was 15 years old and I started working in the theatre in 1949," she says, emphasising her "legitimate" credentials. When I try to talk to her about representations of femininity in European and Hollywood films of the 1950s, she clams up. "I didn't think about that. I was working. That was my life," she says. "Also, in the 1950s, women didn't talk so much. They were supposed to look sweet and nice and keep their mouths shut."

That, Prinzler argues, is precisely what makes the decade so fascinating. Andersson sums up the contradictions in a decade in which prudery and liberation walked hand in hand. In Europe, the 1950s marked the beginning of the Nouvelle Vague, a time when directors and their actors embraced a new, far less inhibited style of film-making, There were cracks, too, beginning to appear in the patriarchal world of Hollywood. The women were beginning to talk back. (Witness Jane Russell and Monroe in Gentlemen Prefer Blondes, as the golddiggers terrifying any male they meet.)

With television threatening to suck away the cinema audience, the studios began to present their biggest stars in ever more strident and exaggerated formats. Monroe stands alongside 3D and Technicolor as one of Hollywood's secret weapons. Fox showcased her in a series of big-budget star vehicles. Meanwhile, they promoted her as the star "whose kisses fired men's souls". There was a sense, though, that they couldn't contain the force that they had unleashed.

Sounding like an anthropologist describing rare tribes, Prinzler lists the different kinds of femininity that Hollywood portrayed in the era. There was Doris Day, "a good comrade, very practical and active"; Audrey Hepburn, "romantic and a little bit sentimental"; Monroe, "expressive but naive". And then there was Lana Turner, the blowzy star whose colourful private life made even her most lurid movies (Peyton Place or An Imitation of Life) seem understated. She changed lovers and husbands with such frequency that gossip columnists struggled to keep up.

In the austere, post-Nazi era, German audiences were fascinated by such exotic figures. "We were not familiar with [Hollywood] movies of the 1940s because in the middle of the 1930s there had been a break," Prinzler explains. "I remember that we were very interested to see American movies [in the 1950s]. People were open to new faces."

In stark contrast to the Hollywood "glamour queens" were the actresses in Europe: self-consciously defiant types like Andersson or Bardot who were open about their sexuality and chafed against the male-dominated society in which they lived. "Many actresses [in the 1950s] play self-confident characters, shaped by existential experiences, who want to assert themselves in a male-dominated world," Prinzler notes.

Stardom can't help but seem slippery and elusive as a subject for scholarly debate. By discussing the careers of the Dream Girls in political and sociological terms, the experts risk ignoring what made them special the first time - namely the pleasure they gave to audiences. Nonetheless, as the British film critic Raymond Durgnat once noted, you can tell the social history of a nation through its film stars.

Prinzler, who acknowledges that many of the retrospective's films were the ones he enjoyed discovering as a young cinephile/ adolescent male, is unapologetic about taking a highbrow approach to populist material. He argues that any retrospective has two main goals: to "open a chapter of film history for young people" and to spark debate. With this retrospective, there was a third purpose: to put the Dream Girls back where they belong, on the biggest screens possible.

http://enjoyment.independent.co.uk/film/features/article347304.ece

Conversations in French made simple

Conversations in French made simple

By Kate Irish Collins
KeepMEcurrent.com, ME Staff Writer

SACO (Feb 24): What could be better than learning to say the words, “I love you” in any language? That most wonderful of phrases is just one of the many everyday sentences people of any age can learn through Patricia Mailman’s “Fun with French” program.

Mailman, a fourth grade teacher for 30 years, created her simple French language program with the intention of using it in her classroom at the Kennedy School in Biddeford. But she retired from teaching before completing work on the program, which teaches beginners to communicate in French.

The program includes a workbook, which is part coloring book, part vocabulary builder, and part conversation builder, and an accompanying CD with the phrases and words pronounced in English first followed by the French.

Mailman, a Saco resident, first began researching a fun and simple way to teach French to her students about eight years ago. She finally decided to create her own program after discovering she didn’t like anything that was being offered in more traditional French language textbooks.

Mailman’s program does not include instruction on how to conjugate verbs, the difference between masculine and feminine objects, the French alphabet, or numbers, except one through 12 so anyone learning the program is able to tell the time.

She said her whole approach to Fun with French was to create a program that would allow people to almost immediately speak basic French. A child learns to speak before being taught to read and write, and the same is true for learning a foreign language, Mailman believes.

She thinks that learning basic words and phrases is more helpful than starting out with a list of vocabulary and learning the alphabet. Those ways of learning have their place, with more advanced study, but to learn to communicate, Mailman believes practicing basic phrases a little everyday is the most effective.

She suggests that people using her program focus on saying one thing at a time, over the course of a week, until it really sticks and begins to become second nature.

Mailman sells the Fun with French workbooks and CDs for $20. She has sold close to 200 workbooks and CDs locally, mostly to home-schoolers, but she is now starting to get repeat orders with customers saying they’re sending the workbooks to friends and relatives out of state.

The conversationalists on the CD are locals, Sandra and Alexa Dumont. The two go through the short phrases and sentences used in each of 12 everyday scenes found at the beginning of the workbook.

It starts with a mother entering her child’s bedroom and saying good morning, “Bonjour,” and telling her child she slept a long time, “Tu as dormi longtemps.” The scenes then go through the child saying J’ai faim,” I’m hungry. Then eating breakfast, doing the dishes, having a friend over for the day, and going to bed.

The back of the book includes basic words, including various feelings such as, “Je suis malade” – I am sick; “Je suis content” – I am happy. There are also basic words for cutlery, salt and pepper, bread, the rooms of the house, animals, body parts, running errands, family members and words and phrases for eating and drinking.

“I think learning to express your basic thoughts and needs is a good way to start learning any language,” Mailman said. “Where will counting or knowing the alphabet get you?” she added.

“I know what kids need to learn. You need to make learning fun and easy,” she said. “I did a lot of research and realized no one else has a program like this. I wanted to design something fun, easy and appropriate.”

Mailman decided to start with a simple French language program because of the many people of French heritage living in the area and because she herself is of French descent.

Under Maine’s Learning Results standards by the time a student graduates from high school they must have learned a second language well enough to communicate fluently, both orally and in writing.

The elementary school standards include being able to describe people and things using short phrases, express feelings, make and respond to simple requests and ask and respond to questions in social situations.

Elementary school students will also be expected to demonstrate a clear understanding of brief messages, commands and directions, select the main ideas and identify the principal characters in illustrated stories and recognize sounds and speech patterns.

They must also be able to describe daily life and personal likes and dislikes in short narratives and concentrate on correct pronunciation.

In addition elementary school students should be able to draw a floor plan of a typical house, using the second language to identify the rooms and the furnishings.

These are all things one can learn using Mailman’s Fun with French program, because she designed it with the Learning Results in mind.

Mailman is willing to make presentations on her Fun with French program to small groups or individuals. For more information, or to set up an appointment, call her at 282-4468.

Based in Saco, Staff Writer Kate Irish Collins can be reached at 207-283-1878 or by e-mail at kcollins@keepmecurrent.com.

http://www.keepmecurrent.com/Community/story.cfm?storyID=15405

Do you Parlez-Vous?

Do you Parlez-Vous?

By Joshua Bodwell
jbodwell@seacoastonline.com
York County Coast Star
2-24-2006

KENNEBUNK — The world is smaller. The marketplace is without borders. To be truly effective, the new workforce Maine is graduating must be globally proficient.

Maine is ranked eighth in the country when it comes to the percentage of employees working for foreign corporations — that’s 6.4 percent of our private sector workforce employed by some 17 Maine-based international businesses.

Mainers are no longer going to faraway lands in search of work; the world has come to Maine.

Despite this fact, Kennebunk High School students – even those deemed to be on the college track – are not required to be proficient in a foreign language in order to graduate.

When 150 educators from 40 high schools across York and Cumberland counties gathered in Portland in late January for a conference on re-designing Maine’s high schools, Maine’s Commissioner of Education, Susan Gendron, gave the day’s opening address. The topic of foreign language came up.

As a key to the future success of Maine students, Gendron cited at least two years of study in another language as an important element in a “rigorous core curriculum” for all Maine students.

Kennebunk’s is not the only high school in the area lacking language requirements. A sampling of southern Maine schools found that Wells, Biddeford, Sanford, York, Noble, and Portland high schools are among those that do not require the study of a language other than English.

It’s a surprising gap when you consider that KHS met nearly all of the commissioner’s curriculum suggestions and that Kennebunk’s own literature states “a global economy requires knowledge of a second language.”

Spanish teacher Jane Matheson is also the Foreign Language Department Chair. Matheson was one of the three KHS teachers who attended the January conference. Matheson says she’s not aware of any high school in Maine that considers foreign language a graduation requirement.

“Here at KHS, we advise a minimum of two years,” Matheson says. “However, we also tell students that to be ‘college ready,’ they should take three, four or even five years of the same language.”

Reviewing her statistics, Matheson said, “We usually have almost 70 percent of our students enrolled yearly in a foreign language.”

During a recent foreign language presentation to the school board, the numbers showed that 71 students are currently studying Latin, 104 German, 255 Spanish, and 118 French.

Of the high schools polled regarding foreign language requirements, all the guidance counselors and/or administrators said they “recommended” or “encouraged” it to kids “going on to college.”

This train of thought raises two questions.

First, when and how are kids deemed to be college bound? If students don’t decide until their junior year that they’d like to attend college, they may end up with serious ground to make up when it comes to a foreign language. Will the lack of a solid foreign language requirement hurt these kids?

Second, how is a student determined to be “college material”? Does this mean foreign language is only taught to students that teachers and advisors consider “college material”?

Looking again at Kennebunk’s literature, it states, “Learning a foreign language provides a competitive edge in career choices.” Does this mean that students who are not tracked as college-bound don’t deserve a “competitive edge”?

MSAD 71 is making attempts to introduce language at an earlier age; some classes are available at the middle school and, via a Service Learning course, high school students teach a foreign language class to fifth graders in the district.

Patrick Manuel, Curriculum Director for MSAD 71, says he isn’t sure how the district will move around the language gap.

“We are trying to prioritize what the kids need,” he said.

Manuel also chairs the Curriculum Committee that would propose a foreign language requirement to the school board. Manuel says he’d love to see more language studies in the elementary schools but that the district is lacking the money to implement such programs.

Another item worth considering in the foreign language debate is what languages are being taught. Kennebunk’s Modern and Classical Languages options (French, German, Latin and Spanish) are Eurocentric. While certainly beneficial, do these options mirror the changes sweeping the globe, and will they help prepare these students to compete in the new marketplace?

Ted Sanders, former President for Education Commission of the States: “Language instruction does not reflect today’s realities. For example, while one million students in U.S. schools study French, a language spoken by 80 million people worldwide, fewer than 40,000 students study Chinese, a language spoken by almost 1.3 billion people.”

This page has been printed from the following URL:
http://www.seacoastonline.com/news/yorkstar/02232006/news/89293.htm

The doyenne of the mag trade

The doyenne of the mag trade

Globe and Mail Update
2/24/2006

Lise Ravary, editorial director of Rogers Media's large and lucrative empire of women's magazines, curls a critical lip at the muted grey tones of the abstract painting on the wall of her temporary Toronto office. “It draws in energy,” frowns Ravary. “It's not exploding with energy.”

Ravary, 49, does explode with energy. A small dynamo with a large, gusty laugh, she is currently involved in (take a deep breath): hiring a new editor for Chatelaine's English edition; hiring a new editor for the about-to-be-launched Canadian edition of the celebrity magazine Hello!; overseeing the launch of two new Rogers Media magazines on home decor; and relaunching Rogers's French-language health and beauty magazine Éclat (probably with a new title). She also “keeps an eye on” content delivered on Rogers websites.

Arguably, Ravary is the most pivotal force in Canadian consumer publishing today. And in both official languages — probably no one else more closely experiences this country's two cultures of magazine journalism.

One obvious difference, she notes: Quebec has a much stronger celebrity culture than English Canada. Quebec readers spend $3-million a month on locally produced celebrity magazines. Some editions sell as many as 150,000 copies on newsstands. By contrast, few English-Canadian magazines break into the five digits on newsstands; most survive by subscription or controlled circulation. No wonder Rogers Media has turned to a Quebecker in its relentless drive to increase English-language newsstand sales (catnip for advertising dollars).

Another difference: French-language women's magazines have tended in recent years to be edgier than their English counterparts. Ravary produced her first mainstream magazine article, on plastic surgery and breast reduction, in 1981, submitting it to both Châtelaine and Chatelaine. The Montreal edition bought it; the Toronto editors' rejection note said the subject was “inappropriate.”

Yet back in the 1960s and 70s when Ravary, the daughter of a businessman and a stay-at-home wife, was growing up in East End Montreal, English Chatelaine fearlessly tackled everything from divorce to disarmament. In the early 1970s, as Ravary was moving through “difficult” teen years, failing math and writing for Pop Rock, a Montreal music magazine, English-language Chatelaine was “a ground-breaking publication that informed and enlightened millions of women about emerging new issues,” as author Erna Paris has written.

By the early 1970s, Ravary was no longer writing for Pop Rock, she was editing it. She recalls it as a wild time: “ Almost Famous, that's me, but without the sex. I was a good Catholic girl.” In 1975, she left Quebec for England, ostensibly to see the world. Instead, she married an Englishman. Back in Montreal in the early 1980s, a single mother with two young daughters, she took a job as director of public relations for Canadian Pacific Airlines and in 1988 moved with her family to Calgary.

The next year, she was once more in Montreal. By this time, across anglophone North America, women's magazines were moving from public issues into private realms of mental and physical health.

Meanwhile, Ravary, who by 1994 had joined Quebecor, was gaining a reputation for a keen commercial sense. Drawing on her airline-industry background, she persuaded Quebecor to take over enRoute, the bilingual Air Canada in-flight magazine, which at the time was known as a serious market for ambitious feature writers. The takeover prompted consternation: Morris Wolfe, then magazine columnist for this newspaper, warned that under Quebecor, “writers who actually have something to say” would be replaced by those concerned with “lifestyle.”

Ravary, still piqued with Wolfe, points out that enRoute was a finalist in 1996 for two National Magazine Awards, one by Ravary herself. She had converted to Judaism (“I fell in love with a cerebral approach to religion”) and wrote about trekking around the Holy Land. Keeping the sabbath as a time apart from the world must be what a fireball like Ravary needs. And she has brought the controversial subject of religion into magazines she has edited: One 2002 Châtelaine story dealt with Quebec women converting to Islam.

Observers says Ravary will likely help steer English Chatelaine in a more edgy, newsy direction. Indeed, she says she and Chatelaine publisher Kerry Mitchell want the magazine's next editor to be someone capable of playing a role in public life —“someone who might appear before a Parliamentary committee.”

Yet she's clearly fascinated by consumerism and can wax rhapsodic about a new vacuum cleaner. After serving as editor of Elle Quebec, founding editor of Elle Canada, and editor and publisher of Châtelaine (she recently relinquished the latter role), she unleashed the shamelessly shopaholic LouLou, which currently sells about 66,000 copies in Quebec and 130,000 copies in English. And she acknowledges that Rogers's new decor magazine could be called “a LouLou for the home.”

“Her big strengths are her energy and her ability to get inside readers' heads,” says former Chatelaine editor Rona Maynard. “Vivacious — the French Bonnie Fuller,” says Dianne Rinehart, former editor of Homemaker's. Some Ravary watchers add that she's a candidate for burnout. She lives with her two daughters in West Montreal but commutes to Toronto often to deal with her long to-do list. Soon, she says, Rogers will announce the new editor for Hello! (“Someone with a good Rolodex”). Chatelaine is taking longer.

Meanwhile she is dreaming up new projects for herself: “I'm thinking of starting a cookbook. I have a passion for English food. How about Kosher English Cooking?”

http://www.theglobeandmail.com/servlet/story/RTGAM.20060223.wxravary0223/BNStory/Entertainment/home

First Nation art from a Native American point of view

First Nation art from a Native American point of view

February 24, 2006
By Anne Galloway Times Argus Staff
Barre Montpelier Times Argus, VT



Above: A recreated ceremonial headress made with turkey feathers and bead work, by Johnson State College students Left: "The Columbian Triad," by N. Scott Momaday Above left: A recreated chip-carved bentwood box by Aaron York, a western Abenaki.
Photo: Photos by Jeb Wallace-Brodeur/Times Argus
Helen Day Arts Center Public programs
"Meeting the Dawn: First Nation Art from the Northeastern Woodlands" is on view in the Main and West galleries at the Helen Day Art Center through April 5. "Then and Now II: Janet Fredericks/Language of Water, Intimate Conversations on Paper" is in the East Gallery. The center, located on School Street in Stowe, is open noon to 5 p.m. Tuesday through Saturday. Admission is $3 for adults. For more information, go online to www.helenday.org or call 253-8358.

Saturday, March 11: Family day, noon to 4 p.m.; basketmaking workshop, 12:30 to 3:30 p.m., free.
Friday, March 24: Viewing of film, "Against the darkness: Abenaki Material Culture, Forensics and Sovereignty," and discussion led by Fred Wiseman, free, 7 p.m.
Friday March 31: Viewing of Terry Jones' film, "What the Hell is Corn Soup?" traditional Iroquoian corn soup and fried bread dinner, discussion with Chief Paul Thompson and Chief Francis Booth, "Who Discovered America?" $5, 7 p.m.

None of the stereotypes hold in the Helen Day Art Center's exhibition of Native American art from the First Nation peoples of the Northeast. And that's because our pop culture understanding of the native arts is based on a pan-Indian lineup of totem poles, patterned rugs, eagle-feather headdresses, buffalo skin loin cloths and fringed pants, and heavily beaded clothing from tribes that lived throughout North America.

The Helen Day's exhibition may seem foreign to viewers because it is specific to the First Nation peoples of the Northeast, a region that encompasses southern Quebec, Maine, New Hampshire, upstate New York, Massachusetts and Vermont. The western Abenaki tribes of Vermont and eastern Abenaki of Maine, the Mohawk of Massachusetts and the Iroquois of New York are represented in "Meeting the Dawn: First Nation Art from the Northeastern Woodlands."

The show, an assortment of contemporary re-creations and historic pieces, is not organized chronologically like a natural history museum display. There are far too many omissions to allow for a linear arrangement. And the gaps stand out as painful reminders of the extreme forms of racism tribes in the region endured. Vermont's Abenaki, for example, were subjected to "voluntary" sterilization in the 1930s.

Many of the ancient arts were lost as tribes went underground. Curator Jacquie Leven Mauer says, "Parents wouldn't tell their children that they were Abenaki."

So it's no wonder that First Nation peoples were reluctant, for much of the 20th century, to engage in activities, including ceremonial arts and traditional handicrafts, that might reveal their identities.

This show isn't an accumulation of artifacts from the usual suspects: anthropologists, natural history museums or white collectors. All of the artwork in "Meeting the Dawn" is on loan from collections held by First Nation museums or individuals of Native American descent.

It's this adherence to authenticity that sets this exhibition apart.

The artwork reflects the aesthetic values of the First Nation peoples and the materials they had at hand, and the way in which their work changed as they have adapted to white society. There are a substantial number of early, functional objects – a 17th century barking axe, a 19th century wooden box, a carved wooden maple granulating spoon – and 19th century ash and sweet grass baskets and wood trinkets made for the tourist trade.

Today, descendants have re-created traditional headdresses, baskets, chip-carved wooden boxes, canoes and ceremonial clubs. The artists have also interpreted these forms with modern materials.

The examples of traditional works are displayed side by side with their contemporary versions. Certain themes and materials are ubiquitous, though. The predominant motifs are derived from floral patterns, leafy curlicues or blossoms, and beading, carving and basketmaking are the common forms. There are a few paintings in the show – most notably a triptych by N. Scott Momaday, a renowned author, activist and artist – but by and large, two-dimensional art isn't a medium favored by these First Nation artists.

Basketmaker Judy Dow has collected traditional ash baskets decorated with delicate cowiss loops made by Abenaki artisans. And she has made her own line of interpretive vessels, from Ritz cracker boxes and telephone wire. Fred Wiseman, a professor at Johnson State College, worked with students to fashion two traditional headdresses, one composed of a deer pelt, the other of eagle down, both with beaded velvet headbands.

Momaday's acrylic painting "Columbian Triad" is a meditation on the psyche of the explorer. In the first image, the large sunken-eyed face of a sailor is dwarfed by a mountain. In the second, a ghoulish blue-tailed, pink-chested mermaid swims above another sailor. In the third, a nude, dark-skinned native is dwarfed by an amorphous white man, apparently Columbus himself. The triptych is a psychological progression that doesn't cast aspersions per se; it merely states what is. And therein lies its power.

Momaday is the only exception to the rule, to the self-imposed limitations Maurer placed on the exhibition. He is the only Native American artist in the show who isn't from the Northeastern woodlands, but given his stature in the pan-Indian world as a poet and academic, his presence in the show is something of a coup.

Otherwise, Maurer has emphasized the works of artists who are closest to home. And studying the many exquisite examples of works by Vermont Abenaki is perhaps one of the best ways to understand their culture – present and past.

http://www.timesargus.com/apps/pbcs.dll/article?AID=/20060224/NEWS/602240304/1011

Honolulu celebrates Mardi Gras

Honolulu celebrates Mardi Gras

Star-Bulletin staff
features@starbulletin.com

Downtown Honolulu transforms itself into a local version of New Orleans' French Quarter next week, with Mardi Gras celebrations planned at Aloha Tower Marketplace and along Nuuanu Avenue.

Generally recognized as Fat Tuesday, the last day before the start of Lent provides one last opportunity for believers (and everyone else, for that matter) to party. While the actual date varies from year to year, Fat Tuesday is always followed by Ash Wednesday and, later, Easter.

Aloha Tower Marketplace kicks things off at pau hana, with live entertainment on multiple stages from 5 to 9 p.m. Slim Junior and Slim Mango will perform at the Center Atrium, while Robert Cazimero plays at Chai's Island Bistro and Bluzilla takes over the space formerly known as Kapono's.

New Orleans Zydeco Jazz and Zanuck Lindsey will be on stage at Gordon Biersch, and Hooters will entertain with a chicken-wing eating contest. A Brazilian-themed Mardi Gras Parade will make its way throughout the marketplace at 7 p.m.

AT ABOUT the same time, the sixth annual Nuuanu Mardi Gras Celebration gets started on Nuuanu Avenue between Pauahi and King streets.

Both events feature free admission, although the Nuuanu block party also aims to raise funds for the Honolulu Culture and Arts District. The organization plays a large part in the revitalization of Chinatown and will receive a portion of the proceeds from food booths set up in the street. More than a half-dozen local restaurants have signed on to help.

Entertainment will definitely have a Cajun flavor, with New Bayou and Bayou Cadillacs scheduled to perform along with Downtown Charlie and the Humbones and African drumming group Jammarek. A costume contest will take place at 9 p.m. Tuesday, and there will be jugglers, clowns and other street performers on hand to entertain.

ON THE club front, it appears that the Wave Waikiki is the only spot actively promoting a Mardi Gras theme on Tuesday.

With help from promoter Silvana, the Wave presents "Carnaval," complete with Brazilian dancers and a "Miss Mardi Gras" contest. DJs KSM and Byron the Fur will be in the mix at this 18-and-over party. Call 306-1940.
Honolulu Star-Bulletin -- http://starbulletin.com

http://starbulletin.com/2006/02/24/features/story04.html

The Vagina Monologues

Diversions
Behind the scenes of The Vagina Monologues

Monologues cast revels in taboos
By Jeff Amoros
February 24, 2006

“Vagina!”

The shout rang out across the stage at Wednesday night’s rehearsal, causing 22 actors dressed in eclectic blends of black, pink and red to quiet down and turn to the blonde girl in the front row.

On the set of the feminist production The Vagina Monologues, this is code for “listen up.”

It’s also a greeting, a salutation, a nickname and an essential theme to nearly every discussion the cast has.

“I have to tell you, if I was in awe of vaginas before this moment, I’m in deep worship now,” the show’s final character says, segueing into a graphic description of the birth of her granddaughter.

Backstage, the act set off a debate among the cast about the significance of the act of giving birth. Does having a vagina define a woman as a receiver? Does birth transform a vagina into the ultimate giver?

“It’s the epitome of womanhood,” said Brittany Graham, a sophomore English and theatre major, before she was cut off by another call for attention from the director.

“Vagina!”

The on-set culture reflects the spirit of the play, a collection of monologues based on real interviews with women about their take on their vaginas, returning this weekend for its annual campus production. As the cast appeared on stage for a curtain call, co-director Carrie Rohrbach, a sophomore French and education major, ticked off a list of the play’s strong women:

“She’s the one who talks about hair, they’re the transgendered women, she’s just angry.”

Rohrbach was referring to the play’s characters, but the actors who portray them are just as bold, and many have their own stories to tell about womanhood.

For instance, Shaun Salmon, a sophomore American studies major, said her mother inspired her to audition for the show.

“My mom had me when she was very young,” Salmon said. “The whole woman power thing is very big in my family.”

For others, being part of the production helped them to grow and let go of their inhibitions.

Julia Suszynski, a freshman journalism major, was actually auditioning for a different show the day of auditions for this one.

“I heard about the auditions the day of and decided to try out,” Suszynski said. “Going into rehearsals, I wasn’t really comfortable with it, but the show has really opened me up.”

Sophia Franklin, an academic adviser for the College of Chemical and Life sciences, said she decided to join the cast after, as an undergraduate at Morgan State, she went to see a production of the show and was misquoted in a student newspaper as saying the lesbian themes made her uncomfortable. On the contrary, she said, she thought the show was great and decided she wanted to be involved in it.

Regardless of their attitudes coming into the production, cast members now share an openness about their womanhood, from hair to menstruation, sex to abuse — and, of course, the word “vagina” itself.

“It’s changed for all of us,” Graham said, in reference to the word.

The cast has also become tight-knit over the course of the rehearsals. Kate D’Allevar, a junior math and theatre major, performed in the show while she was a student at Frostburg University.

“This is the most non-cliquish group of females I have ever worked with,” D’Allevar said.

Rohrbach, who was in the show last year, said although the show itself creates camaraderie among the cast, the closeness of this particular group is unique.

“It’s just amazing the chemistry these girls have,” Rohrbach said. “The show has potential, but I saw it this year much more than last year.”

As the rehearsal drew to a close and the women prepared to go home for the night, they discussed what made the show important.

Audrey Edmonds, a junior English major, brought up the letter to the editor “Student finds women sports boring” from Wednesday’s Diamondback. In it, a reader claimed “no one cares about women’s basketball,” calling it slow and lacking in exciting plays.

“This is the reason — people have such uneducated opinions,” Edmonds said.

For Franklin, the show gains meaning from its relevance to people from a variety of backgrounds.

“For a lot of women, there is something in this show, and for a lot of guys too,”# Franklin said. “This is real life for so many people.”

Contact reporter Jeff Amoros at amorosdbk@gmail.com.

http://www.diamondbackonline.com/vnews/display.v/ART/2006/02/24/43fedf5fc5056

Winning new converts

Winning new converts
Admit it. Don't you from time to time think about sharing with your neighbor, your friend, your family member, your colleague the joy that it is in your heart in enjoying the fullness of our Faith in the Catholic Church?
 
Friday, February 24, 2006
Father John McCloskey
 
As the Catechism reminds us, winning converts to our Faith should be a constant concern for all Catholics: "The true apostle is on the lookout for occasions of announcing Christ by word, either to unbelievers...or to the faithful" (#905). How should we go about it? People are brought to the Church one by one. God pours out his saving grace in many ways, but He normally requires, and we could even say desires, the willing collaboration of his sons and daughters in this joyful task. Winning converts is your task and there is no more endlessly satisfying and challenging work than that of saving souls. The famous Catholic philosopher (and convert) Dietrich von Hildebrand said that we should look upon all people we encounter as Catholics in re (in fact) or in spe (potentially). I agree.

Admit it. Don't you from time to time think about sharing with your neighbor, your friend, your family member, your colleague the joy that it is in your heart in enjoying the fullness of our Faith in the Catholic Church? No apologies here (except in the "Pro Vita Sua " sense), thank you. Perhaps already some of you have had the wonderful experience of being the godparent or sponsor of a friend whom, by God's grace, you have guided into the Church. You know then the joy that fills the heart in being God's instrument. The only comparable joys are marriage, becoming a parent, and performing in "persona Christi" the sacraments of the Church as a priest!

This delight in a friend's baptism or reception into full communion with the Church is always a cause for holy celebration, but it is a particular joy in the present circumstances of our culture and in the present ecclesial moment as we await the third millennium of the Christian era. We see ourselves surrounded in our "culture of death" by so many persons bereft of any real meaning in their lives. Has there ever been in the Christian era a more joyless, aimless, lonely society than our own, a society that is truly "Clueless," a society that has appeared to have gained the whole world but forgotten the existence of its own soul? On the other hand, has there ever been a Roman Pontiff at the head of our Church who has so incessantly and hopefully proclaimed the Gospel in all its fullness throughout the world, addressing the fallen yet redeemed world's hopes and anxieties so completely?

The constant growth through the first three centuries of the infant Church up to the Edict of Milan in the early fourth century took place through the witness and personal influence of thousands of Christians and their families. With the passage of more centuries, Christian ideals lived out in the world by persons and families gradually transformed the West into a form of a Christian culture which we know as the Middle Ages. In our own time, following the gradual dissolution of that particular culture through, in part, such historical events as the Reformation, the Enlightenment and the titanic struggles of ideas and ideologies of the last two centuries (Darwinism, Marxism, Freudianism, and so on), we are called to do the same. The partial success of these various heresies and ideologies on the world stage has been due in part to the fact that a large portion of the Catholic laity have been "missing in action" in the apostolic sense through the last several centuries, ignorantly content to let the clergy and religious do the "heavy lifting."

This article aims to give some insights, largely based upon my own experience, into how we can more effectively spread the gift of faith through example and friendship, or what Cardinal Newman referred to as the "apostolate of personal influence." As we rapidly draw to our crossing the "threshold of hope" into the third millennium, it is the historical moment to throw off our timidity, our fear, and let our light shine out not only from under the basket but upon the shining hill. Why do you think it is that at the end of this century our Faith, so abused, attacked and vituperated, has drawn to it well known Jewish atheists, Protestant ministers by the dozens, prominent politicians, etc.? Why did the Holy Father in his last pastoral visit to the U.S. in October 1995 virtually conquer the heart of New York, the capital of secularism? Why is it that in the media today when the word "Church" is used, it is always understood to mean the Catholic Church and not pan-Protestantism? Certainly not because membership in the Church is the road to riches, affluence, fame, good health, and a care-free future! It attracts those seeking eternal verities that promise eternal life, "life everlasting."

If now is "the age of the laity," as is incessantly proclaimed, its success will be measured not by the ever-increasing participation of the laity in ecclesiastical "ministries" but rather by the growth and spiritual health of the Church as manifested in an increase both in numbers and in the intensity of laymen's prayer, sacramental participation and apostolic fervor. This, in turn, will lead inevitably to a gradual transformation of culture into one that reflects faithfully Christ's teaching as mediated through the Church. As the Pope said in his address to the American Bishops in Los Angeles in l987, "Primarily through her laity, the Church is in a position to exercise great influence upon American culture. But how is American culture evolving today? Is the evolution being influenced by the Gospel? Does it clearly reflect Christian inspiration? Your music, your poetry and art, your drama, your painting and sculpture, the literature that you are producing -- are all those things which reflect the soul of a nation being influenced by the spirit of Christ for the perfection of humanity?" To be able to answer in the affirmative may take decades but the effort will start with our own personal conversion which will result in the conversion of others.

The prophetic message of the Council and the present pontificate have led to this thinking about the laity... The Holy Father believes that, as we enter the third millennium, we are crossing the "threshold of hope" into "a new springtime for the Church." If this is to happen, it will depend ultimately on the apostolate of millions of persons and families. He said in his letter on missionary activity: "The witness of a Christian life is the first and irreplaceable form of mission. Christ, whose mission we continue, is the 'witness' par excellence and the model of all Christian witness. The first form of witness is the very life of the missionary, of the Christian family, and of the ecclesial community."

We may refer to this sharing of our faith as evangelization, giving witness, etc. I prefer the word used most often by the Conciliar fathers in this regard, apostolate: The second Vatican Council tells us: "The individual apostolate, flowing generously from its source in a truly Christian life, is the origin and condition of the whole lay apostolate, even of the organized type, it admits of no substitutes (my emphasis). Regardless of status, all lay persons (including those who have no opportunity or possibility for collaboration in associations) are called to this type of apostolate and obliged to engage in it."

In a later encyclical on the laity by John Paul II, the point could not be made clearer: "The entire mission of the Church, then, is concentrated and manifested in evangelization... In fact, the 'good news' is directed to stirring a person to a conversion of heart and life and a clinging to Jesus Christ as Lord and Savior; to disposing a person to receive Baptism and the Eucharist and to strengthen a person in the prospect and realization of new life according to the Spirit." In short, the buck stops with each one of us to evangelize those who surround us. No excuses. "Every disciple is personally called by name; no disciple can withhold making a response: 'Woe to me if I do not preach the gospel' (I Cor 9:16)."

Perhaps we should firmly establish our right, as well as our duty to bring our friends to Christ's Church. First, it is His Church, with the successor of St. Peter as the Vicar of Christ. As the Holy Father points out in the encyclical On Commitment to Ecumenism, "the one Church of Christ subsists in the Catholic Church. The Decree of Ecumenism emphasizes the presence in her of the fullness (plenitudo) of the means of salvation. Full unity will come about when all share in the fullness of the means of salvation entrusted by Christ to his Church... The Catholic Church is conscious that she has preserved the ministry of the Successor of the Apostle Peter, the Bishop of Rome, whom God established as her 'perpetual and visible principle and foundation of unity.'"

If we can put it more succinctly, all who are saved are saved through the Church even if they are not aware of it on earth. Everyone in heaven is a member of the Church. Belloc had it right, I think: "One thing in the world is different from all other. It has a personality and a force. It is recognized and (when recognized) most violently loved or hated. It is the Catholic Church. Within that household the human spirit has roof and hearth. Outside it, it is the night."

Second, there is a mistaken notion that is fairly widespread in our society that the second Vatican Council was about the role of the lay Catholic in the Church. It was not. It was about the role of the lay Catholic in the world. This role can be summed up in the search for holiness that is our baptismal right and duty and consequently in assuming the right and privilege of extending the kingdom of God here on earth through witnessing to our faith through the Christian example of our family and friendships.

A few words of caution. We are not speaking of proselytism (in the pejorative sense). That is to say our sharing, witnessing, speaking, giving, forming, educating and so on has absolutely nothing to do with coercion, or, perish the thought, lack of respect for the "freedom of the children of God," particularly in that which refers to our "separated brethren" Christians. Quite the contrary. I am in total agreement with the landmark ecumenical statement from Evangelicals and Catholics Together in l994, written by Charles Colson and Richard John Neuhaus and co-signed by many other prominent churchmen of both Catholicism and the Evangelical faiths, which says: "It is understandable that Christians who bear witness to the Gospel try to persuade others that their communities and traditions are more fully in accord with the Gospel." We realize that only God's grace can effect a conversion and that pressure, other than our prayer, sacrifice, good example, and friendship, would not only in the long-term certainly be counter productive but would also not respect "the dignity of the human person" so central to the teachings of the 2nd Vatican Council and of John Paul II.

"Christian witness must always be made in a spirit of love and humility. It must not deny but must readily accord to everyone the full freedom to discern and decide what is God's will for his life. Witness that is in service to the truth is in service to such freedom. Any form of coercion, physical, psychological, legal, or economic corrupts Christian witness and is to be unqualifiedly rejected...." No, we are interested only in our personal total "gift of self" which is never more complete than when we act as God's collaborators in communicating the gift of divine life, God's grace. Cardinal Newman, the proto-convert of the last two centuries, made it clear that "to believe is to love" and that grace of the fullness of faith is only given to those who are freely seeking it.

But now on to more practical matters. How do we "make" converts? First of all, we don't, God does. Having made that abundantly clear, what is our first step in approaching someone to consider becoming a Catholic? Naturally the desire will flow out of our prayer life. To paraphrase the epitaph written on the tomb of the famous London architect Christopher Wren, If you seek converts, circumspice (look around you). We come into contact with dozens if not hundreds of people in the course of our daily lives each month. They range from dearest family members and intimate friends to the butcher, baker, and candlestick maker. We look at them and ask ourselves "could this person be open to our Faith?" If the answer is yes, on to the next step. It is said that the most effective way to raise money for a good cause is to simply ask for it. The same may be applied to our situation. The question "Have you ever thought of becoming a Catholic?" addressed to many people over the course of our life will certainly produce not only converts but also interesting and thought provoking conversations and new personal relationships. You may have to practice this line in front of a mirror a few times just as you did before asking out your first date. You generally will be surprised at how flattered, if somewhat surprised, people are at the question. Naturally it has to be emphasized that we are not approaching perfect strangers. Indeed, if we are not in the process of developing a deep and lasting friendship with the potential new member of the Church, then our question lacks authenticity and will be rightfully judged as impertinent and insincere. The great majority will say that you are the first person who has ever asked them that question, and more than a few will say they have been waiting for someone to ask them that question all their lives! A few will react negatively, but after all, not all "have eyes to see or ears to hear." We "shake the dust off our feet" and go on. We are not looking for success. It is the "love of Christ that compels us." We may also be surprised to see after the passage of time, even many years, people coming back to us looking for answers because we had the courage to offer them at an earlier time our Faith.

We are challenging people to consider making the most significant decision they will ever make in their lives, infinitely more important than the choice of school, profession, or spouse; one that will affect every fiber of their being for the rest of their lives, and have serious consequences in the hereafter. It is essential that you get to know them well, particularly their religious background, if any, so, as is said in the vernacular, you "know where they are coming from." Of use in this regard would be a thorough reading of Separated Brethren (Our Sunday Visitor), a survey of Protestant, Anglican, Eastern Orthodox, and other denominations in the U.S. by William J. Whalen. By engaging in conversation on this point you will be inviting your friend, and committing yourself, to go deep below the surface of everyday trivialities into the heart of the matter. Why are we here? What is truth? Is there a right and wrong? Is there a God? An afterlife? Is Jesus Christ God? Did he found a Church during his lifetime? If so, which one? Do we need to belong to it to be saved? Of course, you need to be not only willing to discuss and answer these queries but prepared.

"Be ready always with an answer to everyone who asks a reason for the hope that is in you" (I Peter, 3:15). To be an evangelist in today's world means to be an apologist. This is the work of a lifetime, but that does not excuse us from evangelizing while we learn on the job. Remember, no matter how little we know, our friends knows less. And what is more important, we know where to go for the answers. A lot of our catechetical work with our potential convert friends will be, happily, simply to refer them to the best sources. Obviously we should have a good grasp of the New Testament and the Catechism of the Catholic Church, our fundamental texts. However we should also slowly but surely read and study the great English and American apologists: Newman, Lewis, Chesterton, Benson, and Knox and the more modern masters, Sheed and Kreeft. Many of their works are in print. It is also useful to be familiar with the magisterial teachings of the Pope for the most current teachings on matters of faith and morals.

Reviewing our own preparation leads directly to the question of recommending reading for friends who express an interest in our faith. An increasing number of people simply don't understand the basic vocabulary of what it means to believe. An excellent brief volume is Belief and Faith by the famous German philosopher Josef Pieper. He draws heavily on Cardinal Newman's much more complex Grammar of Assent. Many people today need a book to awaken their interest in Christianity or a volume that helps to make Christianity "reasonable" and understandable. Several books come immediately to mind. Both Orthodoxy and The Everlasting Man of G. K. Chesterton will stimulate the reader. I am thinking also of a basic primer, A Map of Life (Ignatius) by Frank Sheed, and the famous Mere Christianity of C.S. Lewis. Most fundamental, of course, is the New Testament. An excellent version with ascetical commentary is The Navarre Bible (Scepter Publishers). And we might recommend a good Life of Christ (try Goodier, Sheen, Riccioti, Guardini). Your friends simply must come to know the life of Jesus Christ if they are going to be able to join His Church. Second is a good Catholic catechism so that they may come to know the Church and her teachings. There are many excellent ones in print, by Frs. Trese, Hardon, Lawler, Noll, and the list goes on. Just choose one that you are comfortable with and one that reflects the sound teaching of the Church updated for the Second Vatican Council and the authoritative recent Catechism.

I would recommend that you whet their appetite for conversion by giving them a book or two on stories of conversions: Spiritual Journeys (Pauline Publications) or Surprised by Truth (Basilica Press) come immediately to mind. Our friends will be intrigued to read about the contemporary conversion stories of so many people drawn to the faith from such varied backgrounds and are sure to find at least part of their story in one of these histories. Don't forget, either, the classic spiritual autobiographies of St. Augustine, John Henry Cardinal Newman, Thomas Merton and Malcolm Muggeridge and the more recent one of Dr. Bernard Nathanson. They have changed millions of hearts and minds.

You should also familiarize your friends with the richness of the history of the Church. They clearly will see the continuity of the Faith through the apostolic succession and read the dramatic story of evangelization through the centuries with its ups and downs. I would recommend Msgr. Philip Hughes's Popular History of the Church for a short synopsis of Church History, and the first three volumes of the magisterial History of Christendom by Warren Carroll (Christendom College Press). The latter volumes read like novels, are painstakingly researched, and reveal the Church in all its heights and depths, in its saints and sinners.

An important part of our work of introducing our friends to the Faith will be exposing them to the beauty of the Catholic liturgy and to the art, literature, and music of Catholic inspiration. Accompanying them to the Holy Mass and other liturgical events, such as the celebration of solemn Benediction, a baptism, a wedding, the Easter Vigil, an episcopal consecration, or the ordination of new priests, or a Rosary-filled pilgrimage to a Shrine of the Virgin, will bring them to a deep appreciation of the incarnate aspect of our Faith and its sacramental nature. To listen to Gregorian Chant, today so strangely popular, or the great classical compositions centered on the Mass, the Psalms, or various events in the life of Christ and our Lady will also draw them closer to the heart of the Church. Listen with them to the great works of Mozart, Beethoven, Bruckner, and to the more contemporary Gorecki and Messiaen for starters. Surely such beauty in music could only be inspired by the Truth.

Introduce them to the great Catholic authors, starting with Dante and continuing on down the centuries to Manzoni and Sienkiewicz in the last century to the Undsets, Waughs, O'Connors, Bernanos', Mauriacs, and Endos of our own day. They will thus understand that the truth really does make us free and no one so free as the artist who has the standard of a faith-filled metaphysic that gives him full rein of expression in capturing the divine in the human.

Let's be realistic. Not all of your friends, by any means, are going to be receptive to this heavy "intellectual" approach. You may have to be much more selective in what you recommend to your friends: pamphlets rather than books, Catholic hymns rather than symphonies, a more contemporary (although sound) version of the New Testament rather than the Douay-Rheims, the stained glass in your parish church rather than Chartres. Listen to their needs, their questions and try to satisfy them. A time of prayer spent with them or a visit to poor or elderly people may be much more influential in the process of their movement towards the Church than any possible reading you might give them.

Oh yes, let's not forget the parish and the priest. After all, our friend wil most probably spend the rest of life normally worshipping in a parish setting. If our friend has not been baptized, the Church normally asks that the budding catechumen be enrolled in the R.C.I.A. program (Rite of Christian Initiation of Adults) in his local parish which will take him through a month by month program of initiation in the Church that culminates normally in Baptism during the Easter Vigil (hopefully with you there as his godparent!) If he has been baptized, he will make his first confession and then receive the Sacrament of Confirmation and first Holy Communion within a Mass on Easter or at another time. It is useful and proper to establish a team approach in dealing with your friends. Find a prayerful, zealous (they really are synonomous) priest with whom you can work and triangulate, which is to say both of you working together can offer your insights and wisdom, your prayer and sacrifice to your friend, The priest may be able, perhaps, to enter better into some areas that you cannot on account of his sacramental power. He will also be able to advise you as to the best way and moment for your friend to be incorporated in the Church, taking careful notice of personal circumstances.

What happens if over a reasonable amount of time your friend doesn't react, he just doesn't "get it?" He claims he doesn't see it. His difficulties with Christ and the teachings of the Church still result in doubt. His family, parents, spouse present what appear to be insuperable obstacles. Do you throw him overboard in order to sail off for other prizes? You wouldn't think of it! The answer is prayer, persistence, and patience. The violence of your prayer (remember Who is in charge of this operation) will eventually bear him away. Your persistence and constancy in your true friendship will eventually win him over by showing that your love is unconditional. Remember you may be the one person in his life who is interested only in his salvation. No ulterior motives of any sort. By patience we show our realization that conversion takes place at God's pace, not a minute sooner or later. The conversion may not happen until he is is on his death bed, and you may witness it from heaven.

Good, thanks be to God, he finally made it; he is in! What now? Naturally it is on to the next person, or perhaps you are already dealing with several people at the same time. However, don't forget your new-born Catholic friend. He is just a very young child, taking his first tottering steps into a bright new world that will have its storms and shadows. He will be surrounded by some who regard Catholicism and his conversion to it in Chesterton's words as "a nuisance and a new and a dangerous thing." He needs nurturing, your encouragement, your friendship, your support. Blessed Josemaria Escriva says, "Sanctification is the work of a lifetime" and as your friend's godfather, sponsor, or guide, you have to be with him every step of the way. Perhaps you will introduce him to other institutions and spiritualities of the Church that can further his spiritual progress. He will be eternally grateful to you and you in your turn will echo the words of a famous French convert and poet, Paul Claudel, who said, "Tell him his only duty is to be joyful."


First appeared in Catholic World Report in the August/September 1997 issue.
Spero

http://www.speroforum.com/site/article.asp?idCategory=34&idsub=127&id=2690

BishopAccountability.org

BishopAccountability.org — documenting the sexual abuse crisis in the Catholic church.

http://www.bishop-accountability.org/

Puppets figure in African culture

Puppets figure in African culture



Yaya Coulibaly ran his right index finger along punched-out tin, tracing the zigzag lines on this detail of a wooden antelope head. In Mali, firelight would glint off of the antelope's pattern, signifying water, as puppeteers danced.

"When you're seeing a puppet, you're not seeing an object," Coulibaly said in French. "You're seeing something that's embedded in the philosophy of the whole culture."

Coulibaly, founder of the Sogolon Puppet Company, said puppet shows have held together the social fabric in Mali since the fourth century B.C. This form of communication can simultaneously correct wayward leaders and honor divine spirits.

Pausing her French-to-English translation, Janni Younge of South Africa's Handspring Puppet Company said the aim of her company, founded in 1981, is to do much the same thing.

Standing near the likeness of a witness for the post-Apartheid Truth Commission, the body that let those who had committed crimes go free if they told the truth, Younge said the woeful face carved out of obechi wood can symbolize more than people.

"At the end of the day, a human being is just a human being, whereas that is a representation of a larger picture," she said.

The exhibit of 100 puppets, sculptures and marionettes could have focused on far more. But the emphasis remains on puppet theater, said Enid Schildkrout, chief curator of the Museum for African Art, which is co-presenting "At Arm's Length: The Art of African Puppetry" with the World Financial Center.

Heather Fletcher

"At Arm's Length: The Art of African Puppetry" ends April 15. World Financial Center, Courtyard Gallery, 220 Vesey St. www.africanart.org or (718) 784-7700, ext. 2.

http://www.nydailynews.com/entertainment/story/394210p-334236c.html

Doucet and BeauSoleil bringing 30 years of music to Baton Rouge

Doucet and BeauSoleil bringing 30 years of music to Baton Rouge

By JOHN WIRT
Advocate entertainment writer
Published: Feb 24, 2006
 


Photo by RICK OLIVIER
Beausoleil includes, left to right, first row, Jimmy Breaux and Michael Doucet, second row, David Doucet, Tommy Alesi, Al Tharp and Billy Ware.

Last year was even more eventful than usual for Michael Doucet, the high-spirited, fiddling vocalist of BeauSoleil, Louisiana’s best-known Cajun band.

A purveyor of Cajun music and culture, Doucet received the National Endowment for the Arts’ National Heritage Fellowship award. He joined other honorees — including country and rockabilly singer Wanda Jackson, gospel singer Albertina Walker and country music’s Janette Carter — on Capitol Hill for the Sept. 23 awards ceremony.

When he got the call telling him he was a National Heritage Fellowship recipient, Doucet thought someone had dialed the wrong number.

“It was a wonderful thing, not only to receive but to be amongst those people,” Doucet said last week. “The most unique people who just do their thing. That’s a wonderful thing to instill (in aspiring artists). It doesn’t matter what you do, you just do the best you can, no matter what it is.”

In September, too, Doucet’s nearly 200-year-old Acadian house just beyond Lafayette provided refuge for 12 New Orleans residents who fled from Hurricane Katrina. The guests included his guitar-playing brother and fellow BeauSoleil member, David, and Hackberry Ramblers drummer Ben Sandmel. 

The sudden collision of New Orleans culture and Acadian culture made Lafayette a hopping place, Doucet said.

“It was amazing to see everybody around here,” he said. “Everybody really helped out. They had meetings and a big concert the Saturday night after the hurricane hit. There were great things and good feelings.”

While touring in the country in the tragic wake of Katrina, BeauSoleil became a tangible symbol of Louisiana.

“The idea of helping the musicians here out, we promoted that on the road, too,” Doucet said. “People believed in the Red Cross and Habitat for Humanity, but they wanted something direct. Or you could be like Marcia Ball (in Austin). She just gave money to musicians. There’s no middleman with Marcia.”

Last year also saw BeauSoleil’s second performance at the Grand Ole Opry and the band’s Grammy nomination for Gitane Cajun, its tenth nomination. BeauSoleil’s previous CD, 1999’s Cajunization, also received a nomination. The group’s L’amour ou la Folie won the Grammy for best traditional folk album in 1998.

Excitement continues swirling around BeauSoleil in 2006 via a series of 30th anniversary concerts. These retrospective shows feature music from every BeauSoleil album released since the band’s 1976 debut. Each performance features a different set list.

Having already played anniversary shows in Lafayette, New Iberia and New Orleans, BeauSoleil’s next retrospective concert is March 3 at the Manship Theatre in Baton Rouge.

BeauSoleil, formed in 1975 and officially named in 1976, dubbed its 25th anniversary tour the 2001 Cajun Space Odyssey. The band toyed with naming the 30th anniversary tour The Agin’ Cajuns. Aging though the group may be, there’s still lots of life and artistic ambition in BeauSoleil.

Looking over its extensive discography is something the band doesn’t normally do. Doucet and BeauSoleil prefer to look forward. The band has a history of keeping traditional Cajun music kicking while simultaneously adding blues, zydeco, Caribbean and Tex-Mex flavors to the gumbo.

“We’re always looking at what we’re gonna do next,” Doucet explained. “But when you’re asked to look back, you take a pause. When you get to a 30th anniversary, it’s pretty cool to see what you’ve done and who you’ve influenced. Seeing the effect of what you’ve done is good for awhile, but then you go beyond. You keep on going because it doesn’t stop.”

BeauSoleil had been performing for more than a decade when, in 1986, it decided to do its Cajun thing full time. The mid-’80s was an era when Cajun cooking, culture and music were on the upswing. BeauSoleil and other Louisiana acts received national exposure through the 1987 film The Big Easy. BeauSoleil also recorded the soundtrack for 1986’s Belizaire the Cajun, which got the group its first Grammy nomination. 

Thinking the time was right, BeauSoleil’s band members left their day jobs with the understanding they’d invest six months in being a full-time Cajun band. They also decided that Louisiana, not Nashville or Los Angeles, would be their base of operations.

“We wanted to live here because you have to be a part of this,” Doucet said. “If people wanted us, we’d bring this music to them. The door was open for us to do that and that’s what we did. It was great because there was no road. We couldn’t do anything wrong because it had never been done before.”

The choice to be a Cajun musician was an extension of a choice Doucet made nearly 20 years before. In the late ’60s, choosing to identify oneself as a Cajun was a rebellious act against mainstream America.  

“I decided I really liked gumbo and crawfish. I really liked speaking French and having fun times with these people. It’s more earthy, more real, more grounded than all this aspiration thing for what people in California or New York are doing.

“The inspiration happened here. They have oak trees all over the world, but not like we have here. The word Creole means homegrown. From that you develop gratitude for where you came from. And then it’s like, ‘What can I do to maintain and continue this?’ That’s when you go get knowledge from where you live, from elder people, be it music, history or language. It’s something that just fits.”
BeauSoleil
WHERE: Manship Theatre at the Shaw Center for the Arts, 100 Lafayette St.
WHERE: March 3, 8 p.m.
TICKETS: $20-$40

http://www.2theadvocate.com/entertainment/music/2361126.html

Making strides toward a bilingual America

Making strides toward a bilingual America

by Al Stainback, Daily Dispatch Youth Writer
Southern Vance HS alumnus attending Campbell University

Well, it certainly has been a long time, and it is definitely a pleasure to once again resume my role writing, in an editorial nature.

In the last four years, I think many of our readers, including those abroad (yes, you wouldn't believe how mad people in Bangkok, Thailand, can get) have misinterpreted my main “objective” as one trying to cause conflict. This is quite to the contrary. I write to make you think. If I make you think, I have met my objective.

And now, today's topic: bilingualism.

For some odd reason bilingualism has become a very divisive issue in American politics, education systems and even the economy. For the life of me, I can't figure out why.

Language has always been one of my passions, be it English or a foreign tongue.

But, for the purposes of this editorial, I'm going to concentrate on Spanish.

And I do this because I've taken my share of Spanish and it is pertinent to Vance County and states with agriculture being a main base in the economy.

I always find it interesting to go out and ask people their opinions on the language “issue,” and I always get the classic response of “English is the only language that I know” and “I don't need to learn another stupid language. The whole world needs to know English.”

My favorite response so far has been “I speak American,” and this phrase blows my mind, to the point I can't think - I just stare.

Let us examine Vance County.

According to the United States Census Bureau, in 2004 there were 1,957 Hispanics living in Vance, and that number has certainly risen. That means Hispanics made up approximately 5 percent of the population two years ago.

Now, according to the same data, in 2004 Vance County boasted a population of 42, 954 and out of that 2,324 spoke a language other than English at home, which was 5.8 percent in Vance.

This brings up two interesting questions: How many of those are children? And, how many know English?

As many of us know, many Hispanic children are taught English through ESL (English as a Second Language) programs.

Students who don't know English are at a disadvantage in our schools because generally only other Hispanic students and ESL instructors can talk with them. Unfortunately, many Hispanic children fall through the cracks because of this lack in the system.

Many people are going to go crazy and most will disagree with me, but it's getting to the point that if you want to work in public service (i.e. teacher, police officer, or some other civil servant) you need to have a working knowledge of the Spanish language to communicate vital information.

In the case of those working within the school system, I'm not proposing that teachers need to teach a separate class in Spanish, but simply to have a working knowledge of the language to provide assistance, and to speak to those Hispanic children's parents who most likely don't know English as well. And for those of you not aware of the state's constitution, in North Carolina secondary education is a RIGHT not a PRIVILEGE.

It's beneficial for local businesses to advertise and be able to assist and help Hispanic customers because Hispanics are part of the economy.

But Spanish isn't the only language out there that we need to know. We need to know a variety of languages from French to Chinese.

I'm going to make a statement that the majority (being students) reading this are going to disagree with, but I am going to say it anyway.

I think students should meet language requirements, regardless of career paths in high school. I think everyone should take two semesters of a foreign language of their choice, but of course that will never happen.

And I think a foreign language should be taught to children in primary school as well, and not just numbers and how to pronounce the alphabet, but really teach the grammatical nature of the respective language.

According to a Washington Post article in June 2004, “Bilingual speakers are better able to deal with distractions than those who speak only a single language, and that may help offset age-related declines in mental performance, researchers say.”

It added: “In studies conducted in Canada, India and Hong Kong, psychologists determined that individuals who spoke two languages with equal proficiency and used both equally did better than monolingual volunteers on tests that measured how quickly they could perform while distracted.”

One of the components to build memory is to have an increased vocabulary. Think of the benefits that could be produced by having a superior grasp on two languages and two sets of vocabulary. The mental power it can build is quite inspiring and, quite honestly, enviable.

But, before this will ever happen, people need to learn the English language itself. In order to jump into another language, I think it's vital to have a firm grasp in your native language.

Right now the national government is in huge need of people fluent in other languages for intelligence collection and dissemination, and in today's world, especially Asian and Middle Eastern languages (because of obvious threats).

According to the Harvard Gazette, in May 2004, Harvard University President Lawrence Summers opened a conference on bilingualism conferring that it's to everyone's advantage to learn as much as we can in a lifetime, especially language.

The Gazette added: “The paradoxical approaches to bilingualism set up by Summers and Lagemann in their opening remarks reverberated throughout the day's talks. Modern Languages Association President Mary Pratt gave an insightful overview of the ‘Ecology of Language,' noting that the 9/11 terrorist attacks and ensuing wars have brought a new urgency to language acquisition. ‘Nowhere is concern about languages more intense right now than in government agencies,' she said. ‘English-only America is facing the fact that English isn't enough.'Š Yet those government agencies have learned that the level of language competency they require- it's not enough to be able to chat with Grandma, speakers must also be able to discuss a policy article in The Washington Post, she said- make it almost impossible to gain security clearance.”

I cannot begin to do justice to the benefits of domestic and foreign bilingualism in this meager opinion piece. Bilingualism is something that people really need to embrace, yet they shun it.

I have so many languages that I want to learn that it will truly take a lifetime. At the present, I am rebuilding my Spanish and I will readily admit that learning another language isn't the easiest thing I could be doing with my time, but I feel that it will have far-ranging benefits.

But for the time being, society as a whole will continue its blind efforts and fumble through dealing with many foreign nationals that don't know English.

In that above statement I'm not suggesting that foreign nationals need not learn English, because they need to learn it to function and live adequately in American society. I'm suggesting that by learning other languages and cultures America can protect itself, and we can use that to help foreigners learn English and integrate smoothly into society.

Many people protect the idea of deporting illegal aliens. Now, I completely agree with this sentiment because the aliens entered the country illegally, but the system is overloaded and deportation is becoming inadequate and hard to do because catching illegal immigrants takes a large amount of time, effort, and man power.

Thus, that leaves the United States with a problem of what to do? How do we integrate these peoples into society so that they are contributing?

These are tough questions that I don't have an answer to. But, I think learning other languages is a gateway and great starting point to understanding other peoples, their cultures, way of life, and how to solve the problem of an overloaded and broken system.

We know we have a problem. The answer, though not simple, is to solve the problem. Language acquisition is the beginning of a solution. Why not take advantage of that?

And “why not” is an unanswerable question.

But for now, aprenda idioma y apréndalo bien.

Al Stainback is a Southern Vance HS alumnus attending Campbell University. E-mail him at astainback@hendersondispatch.com.

The Daily Dispatch

http://www.hendersondispatch.com/articles/2006/02/24/news/opinion/opin03.txt

A history too often left untold

A history too often left untold

By JAMES T. MCLAWHORN JR.
Guest columnist
Posted on Fri, Feb. 24, 2006
The State, So. Carolina's Home Page

February is the shortest month, and it shoulders the mammoth responsibility of celebrating the historical contributions of African-Americans. In an effort to give African-American people their just due, many of us cram a host of culturally diverse activities and celebrations into the four short weeks, while others reach high on the shelf for the annual commemorative items, dust them off and set them out for display. The practice of moving African-American contributions from obscurity to the forefront only during the month of February may be less of a benefit and more of a disservice to the legacy of African-American people than we realize.

The reality is that the history of African-American people in America is American history. The chronology of events affecting African-American people parallels what was occurring with other peoples in other places throughout the world. America is commonly referred to as a melting pot because it welcomes so many cultures and encourages diversity. Unfortunately, we have not been inclusive in recognizing the African-American people’s many contributions to America’s greatness. Significant African-American contributions are omitted from mainstream history texts.

The failure to include significant contributions, discoveries and accomplishments of African-American people in mainstream history books causes many to question the significance of the contributions celebrated each year. For some, the information comes as a rude awakening, once they realize just how integral the contributions of African-American people have been in America’s growth and development. For example, even during times of great peril, the patriotism and personal sacrifice of African-American people is unparalleled. In fact, African-American people have been involved in the defense of the United States dating back to Colonial times. They have fought against Indian, Spanish, French and English forces. The earliest recorded death of an African-American in wartime is 1689.

The lack of ongoing acknowledgment of the contributions of African-American people, along with common negative stereotypical views, causes divisiveness among Americans. Many African-American people feel undue pressure to demonstrate their worth and allegiance, though their contributions helped build this nation. I also believe this causes other ethnic groups who come to America to view African-American people generally as second-class and unproductive citizens.

The omission takes perhaps the heaviest toll on our children. This failure to acknowledge the many contributions of African-Americans has created a void for African-American youths, causing many of them to gravitate to less positive role models. One positive African-American role model I am celebrating this year is James Clark, the son of a tobacco sharecropper from rural Florida who is a trailblazer in cutting-edge technology and respected around the world for his abilities.

James Clark received bachelor’s and master’s degrees from the prestigious Massachusetts Institute of Technology, worked in executive management for AT&T and eventually became chief technology officer for NCR — responsible for driving NCR’s direction for technology. His forward-thinking leadership helped NCR products affect the lives of millions of people throughout the world. Whether it is technological advances for the telephone, a kiosk, ATM machine or the Internet, James’ work helped to make these interactions easier, more convenient and more relevant. A few years ago, James retired at age 49. To his credit, he has been awarded multiple patents because of his discoveries.

Though not from South Carolina, James decided to remain in Columbia after retirement to focus on community improvement projects — specifically, technology development in South Carolina. As president of NextUp Ventures, he heads an intellectual capital firm that helps technology start-ups get ahead of industry trends.

I think James is even more of a role model because he understands how important it is to give back. In 2004, he chaired the 60th anniversary reunion of the Tuskegee Airmen and led the effort to raise $250,000 for this event. To round out his community contributions, James chairs the University of South Carolina Research Foundation and is a member of the Benedict College Board of Trustees, the EngenuitySC Board of Directors and the Celebrate Freedom Foundation Board. He is a past board member of the Lexington Medical Center and the Columbia Urban League.

In his spare time, James pilots his own plane and has a Young Eagles program that provides the first in-flight experience to hundreds of youths each year. Right now, he is building his own high-performance sport airplane. Not bad for the son of a sharecropper.

I want all youth, not just African-American youth, inspired by James’ impressive work. Not just because he is a great African-American role model, but also because he is a great role model. Period.

How do we mainstream standouts like James Clark and not relegate their contributions for discussion only during February? The answer is simple: We need to incorporate African-American history into everyday life. America should have only one history: a history that is inclusive of all.

Mr. McLawhorn is president of the Columbia Urban League. Visit his blog at http://empowerment.thecolumbiarecord.com.

http://www.thestate.com/mld/state/news/opinion/13948319.htm

American Folk Festival plans coming together

American Folk Festival plans coming together
Thursday, February 23, 2006 - Bangor Daily News

BY EMILY BURNHAM, OF THE NEWS STAFF

BANGOR - It's only February, but preparations for the second annual American Folk Festival on the Bangor Waterfront Aug. 25-27 are well under way. The first seven of more than 20 performing groups were announced Wednesday by festival organizers.

Stymied in 2005 when a flight was canceled by Hurricane Katrina, the Bahamas Junkanoo Revue finally will make its festival debut in 2006. The revue, based out of south Florida, will bring its traditional parade, featuring vibrant percussive music and colorful costumes, to the walkways and streets of the waterfront.

"We were so excited to have them last year, but because of circumstances beyond anyone's control they obviously couldn't come," said assistant festival director Debbie Melnikas. "It was definitely important that we get them to come this year."

Always a festival favorite, zydeco music will be represented this year by Geno Delafose and the French Rockin' Boogie, led by Eunice, La.-based accordionist Delafose, who is billed as the "Creole Cowboy."

"People like zydeco so much. It's so fun to have it in the dance tent each year," said Melnikas. "Each year the planning committee sits down and asks 'What do we want to have again, and what are the things that we haven't had that we want to try to get this year?' Zydeco is definitely a favorite. We like to give people what they want."

Make sure to get your lederhosen dry-cleaned, since Karl and the Country Dutchmen, masters of "Dutchman"-style polka, will be delighting dancers at the festival this year. The Wisconsin-based group has been playing German-American polka for decades, complete with "oompah" tuba.

The Whites, a country band from Nashville, Tenn., perform sweet, old-timey harmonies, carrying on in the tradition of the Carter Family and other Appalachian legends. The bluegrass band No Speed Limit, based out of Virginia, also is slated to perform.

Austin, Texas, band Grupo Fantasma plays an inventive, exuberant mix of mambo, merengue, dance hall and salsa. Acclaimed in their hometown and in other cities, the 11-piece "freight train of a Latin band," according to the Village Voice, will surely pack the Kenduskeag Dance Stage this year.

In honor of Maine's rich Franco-American heritage, Michele Choiniere will sing Franco-American ballads. Choiniere, a Vermont singer-songwriter, blends traditional Franco-American and Quebecois folk songs with original and jazz standards, and the occasional Edith Piaf cover.

More artists will be announced in the coming months. As in the three years of the National Folk Festival and last year's inaugural American Folk Festival, the three-day event will feature crafts, storytelling, a children's area, workshops and demonstrations in addition to the five stages for traditional music from around the world. And, of course, vendors will offer an array of foods, from lamb curry to souvlaki and strawberry shortcake.

For more information about the American Folk Festival, visit www.americanfolkfestival.com, or call AFF headquarters at 992-2630.
http://www.bangornews.com/news/templates/?a=129550

Love potion

Book Reviews

Love potion
By DAN NACCARATO
NOW Magazine
The Arts in Toronto
FEBRUARY 23 - MARCH 1, 2006




VANDAL LOVE by D.Y. Béchard (Doubleday Canada), 341 pages, $29.95 cloth. Rating: NNNN

Within minutes of picking up this book, it becomes obvious that D.Y. Béchard - who has only one previous novel under his belt - has a huge command of language.

The mass migration of French Canadians into the United States during the late 19th and early 20th centuries serves as the backdrop for this imaginative tale about several generations of the Hervé family, cursed with the genetic quirk of producing offspring who are either giants or runts. Béchard subtly explores the gradual corrosion of French-Canadian culture and identity in the context of the Hervé lineage.

Rural Quebec in this era is depicted as a barren and oppressive land that compels many members of the family to escape across the border in search of opportunity, often embarking on individual pursuits to find a sense of belonging and a place to call home.

Jude moves to the Southern U.S. and becomes a fixture on the professional boxing circuit until he realizes he is fighting not out of sheer desire but to appease his promoter.

Isa is in a constant struggle for independence, running away from her father's home to enter into a platonic marriage with a lonely old man before breaking off all her ties and starting a new life.

Although Harvey lacks the physical attributes of many of his male ancestors, he experiences the most personal growth as he abandons all bodily pursuits and instead goes on a spiritual quest.

Yet whether they are broad or frail in stature, all the Hervé children are handicapped by their inability to connect with people in the outside world beyond an ephemeral or superficial level.

The author weaves his lyrical and image-rich prose through the pages of Vandal Love with the audacity of a virtuoso. Just two novels into his career, Béchard seems poised to walk among the giants of the Canadian literary scene.

http://www.nowtoronto.com/issues/2006-02-23/books_reviews.php

Shoulda, coulda, woulda

Shoulda, coulda, woulda
These senators found that trying to move to the White House straight out of Congress was tougher than they thought.
Michael Soller


1972

Edmund Muskie: Maine's Muskie won the New Hampshire primary but seemed to lose his composure and his momentum outside a Manchester newspaper shortly after it printed a letter forged by a Nixon staffer alleging that Muskie slurred French Canadians as "Canucks."

http://www.latimes.com/news/printedition/suncommentary/la-op-senatecharticle8jan08,1,7487558.story?coll=la-headlines-suncomment

Artists plan Acadian Festival gathering

Artists plan Acadian Festival gathering

Thursday, February 23, 2006 - Bangor Daily News



 Claude Picard, a renowned New Brunswick artist, discusses plans in his studio for a June artists' gathering in Madawaska with (from left) Jocelyn Bouchard, Juliette Lang and Flo Carpenter, members of the "Rencontre de Nos Couleurs" (Meet Our Colors) exhibition committee. The exhibition will be held from June 29 to July 1. BANGOR DAILY NEWS PHOTO BY BEURMOND BANVILLE
MADAWASKA - An outdoor gathering of artists, possibly a first for those in the Madawaska area, will be held during the Acadian Festival in late June.

"Rencontre de Nos Couleurs," or "Meet Our Colors," is the theme of the demonstration and display that is funded in part by the Maine Community Foundation. A $2,343 grant was given based on backers' hopes to initiate a fine art symposium highlighting area artists.

The St. John Valley has many artists, but few places to display their work except for a gallery in Fort Kent and display places at the University of Maine at Fort Kent and Cafe de la Place in Madawaska.

Juliette Lang, a member of the Madawaska event's committee, has acquired the assistance of Claude Picard as an honorary chairman of the event.

Picard, a well-known northwestern St. Baile, New Brunswick, artist, has works in many galleries across Canada, including in Ottawa, the nation's capital.

He has several series of paintings about the history of Madawaska County in New Brunswick and of the Acadian Grande Derangement in Nova Scotia and Prince Edward Island.

"We hope to provide established and future artists an opportunity to showcase their works," Lang said. "The Acadian Festival is a most festive and beautiful time."

The symposium will be held from June 29 to July 1 in a large tent that will also serve as a registration area and activities center. The tent will be located on the soccer field adjacent to Madawaska's Multipurpose Center on Seventh Avenue.

Along with artists, organizers have planned local entertainment at different times during the three-day event.

The Acadian Festival is one the state's largest cultural events. It is held annually in Madawaska. The festival, which includes an annual family reunion, brings people from all over Canada and the United States to Madawaska.

Funding for the event will come from the grant and assistance from local sponsors. Artists also will be asked to pay a $25 registration fee.

For information, or to register, contact Lang at 419 Summer St., Madawaska 04756. Deadline for registrations is April 1.

http://www.bangornews.com/news/templates/?a=129566

Mardi Gras in New Orleans American Routes

February 22-28, 2006
Mardi Gras in New Orleans
This year marks the 150th anniversary of the first Mardi Gras parade in New Orleans. We take the occasion to remember the life and passing of the leader of the Yellow Pocahontas, Allison "Tootie" Montana, the Chief of Chiefs who passed away in June of 2005. Also a history behind a burlesque tune-turned Krewe of Rex theme "If Ever I Cease To Love." And meet the hottest guys in the parade as we tote a torch with the flambeau carriers, lighting the route and accepting gratuities along the way.
See below for a full playlist, including song title, artist and release.


Click here for a list of stations airing American Routes.
Or click here for a schedule of live webcasts.
Now also available on XM Satellite Radio.

Hour One

"Big Chief (Pt. 2)" Professor Longhair with Earl King
Ultimate Mardi Gras (Mardi Gras)
"Big Chief" Donald Harrison Jr. with Dr. John
Indian Blues (Candid)
----
"Mardi Gras Day" Kermit Ruffins with the Rebirth Brass Band
Throwback (Basin Street)
"Carnival Time" Al Johnson
Mardi Gras in New Orleans (Mardi Gras)
----
SEGMENT: Flambeau Carriers

"Street Parade" Earl King
Mardi Gras in New Orleans (Mardi Gras)
----
instrumental: "Mardi Gras Iko" The Chosen Few Brass Band
New Orleans Brass Bands: Down Yonder (Rounder)
----
"Indian Red" Young Guardians of the Flame
New Way Pockey Way (First Tribe)
"Meet the Boyz on the Battlefront" Anders Osborne with "Big Chief" Monk Boudreaux
Doctors, Professors, Kings and Queens: The Big Ol' Box of New Orleans (Shout! Factory)
----
"My Indian Red" Baby Dodds Trio feat. Danny Barker
Jazz A'La Creole (GHB)
"Jock-A-Mo" Sugar Boy Crawford and His Cane Cutters
Crescent City Soul: The Sound of New Orleans 1947-1974 (EMI)
----
instrumental: "Hiko Hiko" Donald Harrison Jr.
Indian Blues (Candid)
----
SEGMENT: Allison "Tootie" Montana
---
"New Suit" The Wild Magnolias
They Call Us Wild (Polydor)
"Indian Blues" Donald Harrison Jr.
Indian Blues (Candid)
---

Hour Two
"The Second Line" Donald Harrison Jr. and the New Orleans Legacy Ensemble
Spirits of Congo Square (Candid)
----
SEGMENT: Dr. Stephen Hales on "If Ever I Cease to Love"
----
"La Gallina, Opus 53 (The Hen: Danse cubaine)" Louis Moreau Gottschalk
American Piano Music by Amiram Rigai (Folkways)
"Go to the Mardi Gras" Professor Longhair
Mardi Gras Essentials (Hip-O)
----
instrumental: "Pasillo" Sotario Gomez Orchestra
Caribbean Voyage: Trinidad (Rounder)
----
"Carnival Proclamation" Lord Melody
Calypso Awakening (Folkways)
----
"(Talkin' About The) Zulu King" James and Troy Andrews
12 & Shorty (Keep Swingin')
"Mardi Gras Mambo" The Hawketts
Mardi Gras Essentials (Hip-O)
----
"I Know You Mardi Gras" Eddie Bo
Carnival (Putumayo)
"Bourbon Street Parade" Olympia Brass Band
Kickin' Some Brass (Shanachie)
"Walk Through the Streets of the City" Bill Matthews & His New Orleans Dixieland Band
Recorded in New Orleans, Vol. 1 (Good Time Jazz)
----
instrumental: "Double D Two Step" Geno Delafose & French Rockin' Boogie
La Chanson Perdue (Rounder)
----
"La Danse de Mardi Gras" The Balfa Brothers
The Balfa Brothers Play Traditional Cajun Music (Swallow)
"Mardi Gras Song" Coteau
Highly Seasoned Cajun Music (Rounder)
----
End Bed: "If Ever I Cease to Love" John Rankin
Fess' Mess (Rankomatic Music)
-----

American Routes is produced in New Orleans, at Basin St. Station, in collaboration with the College of Urban and Public Affairs at the University of New Orleans.

Major funding is provided by the National Endowment for the Humanities, the Louisiana Endowment for the Humanities, the National Endowment for the Arts, which believes that a great nation deserves great art; and America's Wetland: Campaign to Save Coastal Louisiana, whose world sponsor is Shell Oil.

Reply to this e-mail if you would prefer not to receive weekly updates on American Routes.

IN A NUTSHELL: A PORTRAIT OF ELIZABETH TASHJIAN

Dear friends,
My documentary film, IN A NUTSHELL: A PORTRAIT OF ELIZABETH TASHJIAN, has been included in this year's Cinequest Film Festival's on-line component: Viewer's Voice Competition 2006!
This means that those of you who haven't gotten a chance to see it yet can download and watch it on your computer. It also means you can help the film's chance of winning a screening slot at the actual festival next month in San Jose, CA! After watching the film in its entirety, simply vote for it on-line! The only catch: you must have access to a PC computer... I know, I know. Sadly, the security features of their OMN software does not work on Macs. If you're interested, here's a link to the "How-to" page:
http://www.cinequestonline.org/2006/support/OMN_HowToReg.php
This page will easily guide you through the entire process of registering, downloading, viewing and voting for a film using Cinequest's OMN software. Be warned, the movie quality is pretty darn good for the web, so it can take hours to download a feature film. Be patient. Have a drink. Go make dinner. Take a nap. Let it complete its download, then you can watch! Remember, you must play the entire film in order to vote.
To visit the download page for IN A NUTSHELL directly, go to:
http://www.cinequestonline.org/2006/theater/detail_view.php?m=666
Nuts to you all -- Enjoy!
-Don

Longfellow Days in Brunswick

Longfellow Days in Brunswick: A Cultural Festival Published in the Thursday February 16, 2006 edition of The Portland Press Herald York County "Neighbors" Edition

By Juliana L’Heureux

Maine writer Henry Wadsworth Longfellow is the author of numerous popular American poems including the French-Acadian epic “Evangeline”. In fact, Layne Longfellow, a distant relative of the Longfellow family, thinks “Evangeline” is his ancestor’s most popular epic. Layne Longfellow will actually be in Brunswick celebrating the spirit of Evangeline during a week long series of events appropriately named “Longfellow Days”.

>From February 11-March 4th, an important series of seminars, cultural events and local historic presentations will honor our state’s famous poet and especially his literary contribution to French-American culture. In fact, “Evangeline” is the theme for Brunswick’s “Longfellow Days” festival.

Although Longfellow was born in Portland, he lived in Brunswick around 1825, when he graduated from Bowdoin College.

A few years later in 1829, Longfellow was appointed the first professor of foreign languages at Bowdoin. Additionally, the poet worked as a part-time librarian for the college.

In 1834, Longfellow accepted an academic position at Harvard in Boston. His Cambridge, MA home is a National Historic Site. Longfellow became nationally famous in 1847, when he published “Evangeline”, a historic epic about the 1755 brutal British expulsion of the French-Acadians settlers from their homeland in “Acadie” or Nova Scotia. Although Longfellow’s poetry was sometimes criticized after his death, the poet experienced nothing less than rock star popularity during his lifetime (1807-1882).

Today, “Evangeline” enjoys the rare literary status of a myth that defines history. It’s hard to conceive of how historians might have documented the horrible Acadian expulsion in the absence of “Evangeline”. Perhaps it would have been an unfortunate historic blip if Longfellow did not write his epic love story about Evangeline, a heroine separated from her fiancé Gabriel during le Grand Derangement, or expulsion.

In 1929, Hollywood recognized Longfellow’s “Evangeline” as a popular silent movie starring Dolores Del Rio and directed by Edwin Carewe. A kickoff event for Longfellow Days is the “Spirit of Evangeline Lecture” with slides, presented by Francoise Paradis of Buxton, in the Morrell Room of Brunswick’s Curtis Memorial Library. Refreshments will be served and admission is free from 2:00-3:30 p.m. Moreover, the Evangeline exhibit continues through March 4.

On Saturday, February 18, the silent film Evangeline will be shown with a live piano accompaniment by Doug Prostik, featuring traditional Acadian tunes and melodies, at 11 AM at Brunswick’s Tontine Mall cinema.

On Friday, February 24th, from 7:30-9:30 PM, a traditional French Cajun and Acadian Dance Concert with JimmyJo & the Jumbol’ayuhs with French vocals will perform at the Knights of Columbus Hall, located off of Cressey Road in Brunswick. Instruction in two step dancing will be held from 7:00-7:30 pm and donation at the door will benefits Longfellow Days 2007.

A music and dance performance titled, “Let’s Look at Longfellow’s Evangeline”, will be hosted by Layne Longfellow, featuring ballet performances by Donald Lipfert and Elizabeth Drucker with Bowdoin College music students directed by Delmar Small. The poet’s ancestor will also speak on “The Longfellows” at Bowdoin’s Kresge Auditorium at the Visual Arts Center, from, 2:00-3:00 p.m. and admission is free.

A celebration of the Roman Catholic Mass in French by Reverend Walter Gaudreau, at Brunswick’s Saint John the Baptist Church on Pleasant Street, will be held on Saturday, February 18th, at 4:00 PM. Finally, on Saturday March 4th, a must see electrifying musical concert by “Grand Derangement”, the internationally acclaimed Acadian 6-piece band from New Brunswick and Nova Scotia, performs with 3 step dancers at Bowdoin College. Call for tickets to this concert at 725-3375.

Contact eknox@suscom-maine.net or call 721-0141 for more information about Brunswick’s Longfellow Days.

Wednesday, February 22, 2006

Today's posts

If article does not appear in listing at the right, click on the date and conduct a search. Bon lecture!

archives/2006_02_22
2006/02/woman-takes-on-polar-bear-to-save-7.html
2006/02/new-paltz-awarded-grant-for-local.html
2006/02/gumbo-limbo.html
2006/02/party-mardi.html
2006/02/roux-is-tricky-element-of-gumbo.html
2006/02/new-vocational-director-glad-to-be.html
2006/02/transport-problems-in-nouvelle-france.html
2006/02/its-all-about-maple.html
2006/02/les-jeunes-talents-nine-southern.html
2006/02/canadas-womens-hockey.html
2006/02/hockey-cana-duh.html
2006/02/goyette-opens-doors-of-hockey-hall-of.html
2006/02/lake-champlain-quadricentennial.html
2006/02/love-story-after-all.html
2006/02/march-on-quebec-disaster-but-helped_22.html
2006/02/immigrant-britain.html
2006/02/huguenot-society-of-founders-of.html
2006/02/alternative-rock-cultures-wild-wanda.html
2006/02/guide-to-seduction-of-new-world.html
2006/02/brokeback-shirts-fetch-six-figures.html
2006/02/mother-tongue-day.html
2006/02/toledos-king-of-night.html
2006/02/learn-about-explorers-who-through.html
2006/02/new-in-paperback-american-ghosts.html
2006/02/boat-operators-sought-for-st-croix.html
2006/02/woman-makes-first-appearance-since.html
2006/02/is-french-fact-still-relevant-to.html
2006/02/calumet-club-to-laud-chamber-president.html
2006/02/mardi-gras-parades-by-city.html
2006/02/passions-to-collide-at-film-studies.html
2006/02/caron-family-reunion-acadian-festival.html
2006/02/birth-house.html
2006/02/playboys-stoke-cajun-music-fire.html
2006/02/100000-missing-in-wallagrass-town.html
2006/02/first-to-warn-of-impending-population.html
2006/02/childless-culture.html
2006/02/scholarship-awards-for-maine.html

Woman takes on polar bear to save 7-year-old

Woman takes on polar bear to save 7-year-old

By Paul Waldie Toronto Globe and Mail
SuburbanChicagoNews.com

Lydia Angyiou's kids sure won't be giving her much trouble any more now that they've seen her wrestle a 700-pound polar bear.

Angyiou lives in Ivujivik, a village of 300 people on the shore of Hudson Bay in northern Quebec. One Wednesday evening earlier this month, Angyiou was walking near the village community center with her two sons when a group of children playing street hockey nearby started shouting and pointing frantically. Angyiou, 41, turned around and saw a polar bear sizing up her 7-year-old son.

She told the children to run and raced around to get between the bear and her son. Then she started kicking and punching the animal, according to police reports. In a flash, the bear swatted her in the face and she fell on her back. With the bear on top of her, Angyiou began kicking her legs in a bicycle motion. She was swatted once more and rolled over, but the bear moved toward her again.

Siqualuk Ainalik heard the commotion and came rushing over.

Seeing Angyiou wrestling with the bear, he ran to his brother's home, grabbed a rifle and headed back to the street. He fired a few warning shots. The sound diverted the bear's attention from Angyiou just long enough for him to aim and fire again. According to police, Ainalik fired four shots into the bear before it finally died.



With the help of some neighbors, Angyiou made it to the home of Nelson Conn, a constable with the Kativik Regional Police Force.

"She came in in a panic," Conn recalled. "She was obviously in shock. She was saying 'Bear. Bear.' I just took her over to our nursing station and I asked where and if the bear was dead. She said, 'Yes.' "

Remarkably, Angyiou suffered only a couple of scratches and a black eye. She and the local police have been fielding calls from across Canada ever since the incident first was reported last week in the Nunatsiaq News.

Meanwhile villagers still are marveling at her courage and there is talk of nominating her for a bravery medal. "I've been here 24 years and I've never seen this before," said Larry Hubert, a regional captain with the police force who arrived on the scene just after the bear was shot. "For sure, she saved the kids' lives."

Hubert has known Angyiou for 15 years and he can't believe she took on a bear. He said the bear measured eight feet in length and weighed at least 700 pounds.

Angyiou "is about five-foot nothing and 90 pounds on a wet day," Hubert said with a laugh. "She's pretty quiet. I'm surprised she went and did this. But I guess when your back is up against the wall, I guess we come up with super-human strength."

Ivujivik is Quebec's northernmost community, situated on a peninsula where the Hudson Bay meets the Hudson Strait. While polar bears roam the giant ice packs that float just off shore, Hubert said it's rare for them to wander into the village.

- Distributed by Scripps Howard News Service.

http://www.suburbanchicagonews.com/couriernews/city/3_1_EL22_A9BEAR_S1.htm

New Paltz awarded grant for local historic preservation

New Paltz awarded grant for local historic preservation
Weekend, February 18-19, 2006

Main Street


The New York State Office of Parks, Recreation and Historic Preservation has awarded an almost $9,800 Certified Local Government grant to the Village and Town of New Paltz to prepare National Register Nominations for two historic districts. Located at the opposite ends of New Paltz’s commercial center, the register nominations will help to enhance local efforts to revitalize the Main Street corridor.

Mayor Jason West said the preservation effort is a good thing. “People love the quaint 19 th century village we have built here and I think it makes sense to preserve the whole thing as much as possible in sections rather than piecemeal,” he said.

The architecture of Main Street reflects the gradual expansion of commerce in the village from when Main Street emerged as the commercial axis in the 1800’s – replacing the 17th Century core of the village along Huguenot Street – to the early 20th Century when the State Teachers College stimulated a new surge of growth. Main Street in New Paltz has since become one of the Hudson Valley’s most vibrant and energetic places.

The historic district along Old Route 299 and North Ohioville Road in the hamlet of Ohioville will be the first historic district nominated in the Town of New Paltz. Located on the turnpike connecting the Village of New Paltz with the Hudson River, the crossroads became a small service center in the early 19th Century with stores, a blacksmith, a hotel and other roadside businesses. Ohioville has the largest and most distinctive collection of early 19thCentrury hamlet housing in the town.
Mid-Hudson News Network, a division of Statewide News Network, Inc.
http://www.midhudsonnews.com/News/NP_hist_presv-18Feb06.htm

Gumbo limbo

Gumbo limbo
Displaced by Katrina, these cooks bring their traditions with them

KATHLEEN PURVIS
Food Editor
Posted on Tue, Feb. 21, 2006

Paul Trahan made gumbo the other night. Chicken and sausage gumbo, like his grandmother used to make.

He doesn't have his heavy cast-iron pot anymore. He couldn't find andouille sausage, so he used kielbasa. He didn't have filé, the dried sassafras powder you sprinkle on gumbo at the table as a thickener.

"It wasn't the best gumbo I ever made," he says.

But it was gumbo. And that's a start.

For most of us, gumbo is just one of those dishes we've heard of, even if we're not really sure what it is. If you've been to New Orleans, you might have had a bowl in a restaurant, dark and smoky and spooned over rice.

For people in Lousiana, gumbo isn't just gumbo. It's Creole history and Cajun roots, a bowl of tradition touched with Caribbean influence and thickened with native ingredients.

It's what you eat when you don't know what to eat, made from what you have on hand.

And in Mardi Gras season, the weeks before Fat Tuesday and the start of Lent, it's something you always eat, along with jambalaya and étouffée and all those other foods with names that sound like music.

At least, that was before.

"It's going to be a little different this year," says Cindy Salerno, Trahan's girlfriend.

Parades and parties

In New Orleans, the parades are going on, even through storm-damaged streets. And all around the country, anyone with Louisiana roots is figuring out what to do.Terry Roche and his wife, Cathy, spent four years in New Orleans before returning to Charlotte, their former home, five years ago. Their son Bryson lives down there still.

This year, the Roches are going to Mardi Gras, something they hardly ever do.

"Partly because we want to see our son," says Roche, who is retired. "Partly so we can see our friends. And partly, because we want to put some money in the place."

The Roches usually have a party before Fat Tuesday, which this year is Feb. 28. This time, they'll do it before they go, so they can pass a hat for hurricane relief. Terry always makes the food: jambalayas and red beans and rice, shrimp Victoria and crawfish.

"Even in just four years, I became a purist and a snob," he says. "There's Creole cooking and there's Cajun cooking. They come out of totally different traditions."

U.J. Mollere (pronounced "Mo-LAIR") is building a new restaurant in Mooresville, an offshoot of his family's restaurant, R&O's in Metairie, on the outskirts of New Orleans. Paperwork and permits have slowed him down.

"We were definitely hoping to be open for (Mardi Gras)," he says. "It gives a nice background of where we come from."

Back home, before the storm, he knew where he'd be on Fat Tuesday: "We would get all the family together, pick a spot on Veterans Highway. It's a big festival, where the floats come by."

Everybody takes grills and portable propane burners, everybody brings gumbos, red beans and rice, shrimp creole, shrimp stew, crawfish étouffée.

"My cousin Terry has jambalaya out of this world. You can walk down Veterans Highway, 5 miles long, and 60 to 70 percent of the families have jambalaya."

And this year? "I feel like I was picked up and hurled."

Time to move on

Paul Trahan and Cindy Salerno are looking on the bright side. Trying to, anyway.

"It depends on which day it is," Salerno says. "Some days, it's more depressing than other days."

Trahan had deep roots torn out by the storm: Three generations in New Orleans, maybe five in the bayou. His family descended from Acadians who migrated from Canada in 1794.

But he lost his recording studio and house, and she lost her apartment. She was badly injured right after the storm, when a stranger in line for a pay phone hurled her into a flooded street. She cut her leg to the bone on a broken bottle.

He's 50 and she's 53. They decided it was time to move on.

"If we were younger, we'd probably go back," Salerno says.

They were drawn to Charlotte because it's a Southern city with a strong economy and a growing music scene for Trahan's work. It's been hard, though: Without their network of contacts and friends, they've had trouble finding work.

"It doesn't help to wallow in self-pity," says Salerno. "We're trying."

They found a house in NoDa that was yellow with a purple door: Mardi Gras colors. They've found friends, and familiar music from Lousiana acts that stop at the Neighborhood Theater a few blocks away.

"It's like Tipatina's with chairs," Salerno jokes.

"To me, this is my home now," says Trahan.

They're waiting for a care package from New Orleans. A friend has promised to send beignet mix, filé powder and Zatarain's spices for shrimp.

And Trahan is cooking again.

"Haven't attempted seafood yet," he says. But when a friend came over on a cold Sunday, he made gumbo, to see if he still could.

They never found his cast-iron pot in the piles of things ruined by the flood. Even if they had, years of seasoning would have been ruined by rust.

"It's like the finish on a fiddle," he says.

But he got out a steel pot and made the roux, stirring fat and flour steadily and cooking it slowly, "until it's almost burnt but not quite."

He diced "the holy trinity -- celery, onion and bell pepper." He put in sausage and big pieces of chicken with the bone in, for more flavor.

"Then you simmer it as long as you possibly can, until you can't stand it anymore and you have to eat."

When it was done, it was dark and rich and smoky. It was gumbo.

"It's been six months," Salerno says. "That's a long time to be in survival mode. It's nice to have Mardi Gras, to remind us we're normal people."

Charlotte Observer and wire service sources. All Rights Reserved.
http://www.charlotte.com
http://www.charlotte.com/mld/charlotte/living/food/13927242.htm

Party Mardi

Party Mardi
Laissez les bon temps rouler!

BY BARBARA ROLEK
brolek@nwitimes.com
219.933.3256
Munster Times, IN

This story ran on nwitimes.com on Wednesday, February 22, 2006 12:26 AM CST


Slip on a feathered mask, accessorize with glittery beads and let the good times roll.

But don't wait until Fat Tuesday. That's the time to say au revoir, à bientôt, buh-bye to Mardi Gras festivities.

Do it the Big Easy way -- flashing optional -- and celebrate the entire week leading up to Ash Wednesday.

Despite two-thirds of its half-million population displaced in the aftermath of Hurricane Katrina, New Orleans is putting on the show it's famous for.

Stephen Perry, president of the New Orleans Metropolitan Convention and Visitors Bureau, says it may not be the largest, but it will be the most emotional and important Mardi Gras of all.

Among the side effects of the disaster are short supplies of fresh oysters, crawfish and shrimp, especially for out-of-state restaurants.

"I'm told the oyster beds won't come back for three years or more," says Charlie Orr, owner of The Maple Tree Inn in Blue Island.

"But that hasn't kept us from providing our customers with the same high-quality seafood they're accustomed to."

Orr brought Cajun to Chicago's South Side in 1980 after an epiphany-inducing read of Howard Mitcham's "Creole Gumbo and All That Jazz" (first printing in 1978).

In two weeks' time, he had transformed his 5-year-old country French restaurant, originally on 107th Street and South Western Avenue, into an authentic Cajun-Creole hotspot.

"There are a lot of misconceptions about Louisiana food," says Orr, who makes and smokes his own andouille sausage. "Contrary to popular belief, blackening isn't traditional."

True Crescent City cuisine is a literal gumbo of the flavors of France, Spain, Italy, Africa, the West Indies and Native America.

Creole dishes are more haute cuisine, dependent on roux and finely tuned sauces from the French, and tomatoes, peppers and garlic from the Spanish.

Cajuns, French Acadians exiled from Nova Scotia, on the other hand, cooked country style with whatever was available in the bayous and swamps -- crawfish, oysters, crab, duck and squirrel -- to make robust, one-pot meals.

Slaves used gumbo, the Ethiopian word for okra, as a thickener in their dishes, and the native Choctaw Indians thickened theirs with filé powder made from crushed, dried sassafras leaves.

Orr blurs the line between Cajun and Creole at his restaurant with dishes like Dixie Door Stop Pork Chop (see recipe) stuffed with andouille sausage, braised in beer with Creole vegetables and served over cornbread dressing.

If push came to shove, Jim Fassinger, executive chef of HotOrNot in Portage, would say that quintessential Louisiana ingredients include red pepper, thyme, basil, hot sauce, lots of butter and the holy trinity -- onions, celery and green pepper. Throw in garlic and tomatoes and there you have it.

HotOrNot is keeping the tradition alive this Mardi Gras with a performance by jazz trumpeter Guy Fricano and his sextet and a menu featuring 15 options topped off with Bananas Foster (see recipe) or a slice of owner Judy Joll's King Cake.

King Cakes are made of a cinnamon yeast dough that's braided, coiled into a round and iced with purple, green and gold -- the colors of Mardi Gras, signifying justice, faith and power, respectively.

Traditionally, a coin, bean or ceramic baby was baked into the cake. Nowadays, a plastic baby is inserted after the cake comes out of the oven. The guest whose slice contains it becomes the king or queen for the evening and must host the next party serving King Cake, naturally!

In many European countries, King Cake, whose braided dough symbolizes the circuitous route taken by the Three Kings to avoid detection by King Herod, is eaten on Twelfth Night or the Epiphany when the Magi presented their gifts to the Christ Child. But in New Orleans, it's the preferred dessert for the entire Carnival season -- from Jan. 6 to Fat Tuesday.

No discussion of Mardi Gras would be complete without paying homage to Chicago's Jimmy Bannos.

The owner of the Heaven on Seven restaurants is the author with John DeMers of "The Heaven on Seven Cookbook" (Ten Speed Press, 2000) and "Big Easy Cocktails: Jazzy Drinks and Savory Bites from New Orleans" (Ten Speed Press, 2006).

"When the craze hit in 1985 or so, it was very irritating because there was a lot of fake Cajun food out there and there still is. People would say, 'Let's put cayenne pepper on everything and call it Cajun.' That's NOT what Cajun food is all about," Bannos says.

If you want to experience the real deal, he invites you to Heaven on Seven restaurants on Wabash Avenue, North Michigan Avenue at Rush and Ohio streets, Clark Street and the one in Naperville for what he calls the biggest Mardi Gras party outside of New Orleans.

"This is our 20th year and it's a special one because of Katrina. We'll have music, face painters and King Cake on top of regular menu items like chicken andouille sausage gumbo, jambalaya, red beans, étouffée, hickory BBQ shrimp, crab cakes, brisket smoked for over 12 hours, pulled pork po'boys, just to name a few," Bannos says.

If you decide to try some of his recipes at home, Bannos says a good source for specialty foods like tasso ham, boudin, pickled pork and more is www.cajun.com.

"Even places like Jewel and Dominick's are starting to carry andouille. But the recipes in my new book are so simple -- five or six ingredients at the most -- you shouldn't have trouble finding what you need."

Free stuff

Turn to Foodie Finds and learn how to win Jimmy Bannos' cookbooks and a king cake mix from King Arthur Flour Company.

Mardi Gras specials

* Dixie Kitchen & Bait Shop, 2352 E. 172nd St., Lansing, (708) 474-1378, www.dixiekitchenchicago.com/lansingmenu1.html

4 p.m. to closing all week through Fat Tuesday. $14.95 dinner includes cup of gumbo OR jambalaya, salad, pecan catfish OR Cajun chicken pasta, praline cookie, grab bag and mask. Reservations not required.

* Heaven on Seven Restaurants, 111 N. Wabash Ave., 7th floor, Chicago, (312) 263-6443; 600 N. Michigan Ave., 2nd floor, Chicago, (312) 280-7774; 3478 N. Clark St., (773) 477-7818; 224 S. Main St., Naperville, (630) 717-0777; www.heavenonseven.com.

During regular restaurant hours (call for particulars), face painting, music, favors and fun. Reservations recommended.

* The HotOrNot, 2782 Willowdale Road, Portage, (219) 762-1984, www.hotornotcajun.com

7 to 10:30 p.m. Tuesday. $30 package includes your choice of 15 dishes, including roll, soup, Bananas Foster, King Cake, nonalcoholic beverages and party favors. Optional appetizers, alcohol, tax and gratuity are extra. Entertainment by jazz trumpeter Guy Fricano and his sextet. Reservations mandatory.

* The Maple Tree Inn, 13301 Olde Western Ave., Blue Island, (708) 388-3461, www.blueislandbiz.com/mapletree.html

5 to 9 p.m. Sunday ($20 per person) and Tuesday ($25 per person). AYCE buffet, exclusive of beverages, tax and gratuities. Reservations not required.

COOK LIKE A CAJUN | Crown Point

Chef Vicky Lindsey will teach "Cajun Cookin: Celebrate Mardi Gras Style!" from 6 to 8 p.m. Thursday at The Cooking School at Amelia's, 10839 Randolph St. You'll learn to prepare Cajun Dry Rub Ribs, New Orleans BBQ Shrimp, Jambalaya and Spicy Bean Dip. Register by today.

FYI: (219) 661-5582 or www.ameliasmarket.com

Maple Tree Inn Dixie Door Stop Pork Chop

4 (18- to 20-ounce) center-cut pork chops

Olive oil

1 pound andouille sausage, cut into thin circles

3 cups Creole vegetable mix (see recipe)

3 cups amber beer (not porter or stout)

* Heat oven to 325 degrees.

* Brown pork chops aggressively in olive oil until dark brown on the outside.

* Cut a 1-inch hole in meat edge of chop with a small knife. Enlarge the hole to create a large cavity.

* Stuff each chop with 4 ounces sausage circles. Place chops in Dutch oven. Add Creole vegetable mix and beer. Bring liquid to a simmer over medium heat, then cover and place in oven for 1-1/2 to 2 hours or until done. If you like your pork firmer, test with a fork after an hour.

Makes 4 servings.

Maple Tree Inn Creole Vegetables

1 pound yellow onion, 1/2-inch dice

4 ounces celery, 1/2-inch dice

8 ounces bell pepper, 1/2-inch dice

12 ounces green onion, 1/2-inch cut

1 to 2 ounces garlic chopped

2 ounces flat leaf parsley or cilantro leaves, chopped

2 tablespoons olive oil

10 cups diced tomatoes in juice

1 small can tomato paste

4 bay leaves

1 tablespoon freshly ground black pepper

1/2 teaspoon cayenne

* Sauté vegetables in olive oil, covered, till soft but not brown. Place in 4- to 6-quart nonreactive pot. Add tomatoes, tomato paste, bay leaves, pepper and cayenne. Simmer on stove for an hour or so until sauce is thick.

* Adjust seasoning with salt and more pepper as you feel is necessary. Use what you need for pork chops, freeze rest for later use.

Makes about 9 cups.

 

HotOrNot Seafood Gumbo

Roux:

3/4 cup vegetable oil

1 cup flour

Gumbo:

1 whole bay leaf

1 teaspoon salt

1/4 teaspoon each white, cayenne and black peppers

1/4 teaspoon each dried thyme and oregano leaves

1 cup yellow onion, chopped

3/4 cup green pepper, chopped

1/2 cup celery, chopped

2-3/4 cups seafood stock

3/4 pound andouille smoked sausage, or other smoked sausage

1/2 pound medium shrimp, peeled

1/2 dozen medium oysters

6 ounces crab meat

2-1/2 cups cooked rice

* Combine seasonings with chopped onion, green pepper and celery.

* Combine oil and flour in large pot to make roux, cooking until medium brown in color. Add stock, blending until smooth.

* Add vegetable-seasoning mixture, sausage and seafood. Stir well and cook until seafood is done.

* Remove bay leaf and serve over rice.

Makes 4 servings.

Jimmy Bannos' Barbecue Shrimp on Corn Bread Squares

1 (8-inch by 8-inch) pan baked cornbread

36 jumbo shrimp, peeled

3 teaspoons Angel Dust seasoning Blend (see recipe)

3 cups unsalted butter

1-1/2 cups Abita Turbodog (available at HorOrNot) or other dark beer

3 teaspoons black pepper

3 teaspoons white pepper

3/4 cup Worcestershire sauce

3 tablespoons roasted garlic purée

3/4 cup heavy cream

* Cut cooled corn bread into 36 squares. Season shrimp with Angel Dust and set aside.

* Heat butter in large skillet over high heat. Stir in beer, peppers, Worcestershire, garlic purée and cream. Reduce until thick and creamy, 5 to 7 minutes.

* Add shrimp and cook in sauce just until pink, about 4 minutes. Spoon one shrimp and plenty of sauce over each corn bread square and serve at once.

Makes 36 squares.

Angel Dust Seasoning

3 tablespoons Hungarian paprika

1-1/2 tablespoons Spanish paprika

5 teaspoons salt

1-1/4 teaspoons dried thyme

1-1/4 teaspoons dried oregano

1 teaspoon white pepper

1/2 teaspoon dried basil

1/2 teaspoon ground red pepper

1/4 teaspoon black powder

1/3 teaspoon onion powder

* Thoroughly combine all ingredients in small bowl. Use as needed, storing remainder in airtight container for up to 2 months.

Makes 1/2 cup.

SOURCE: "Big Easy Cocktails: Jazzy Drinks and Savory Bites from New Orleans" by Jimmy Bannos and John DeMers (Ten Speed Press, 2006).

HorOrNot Bananas Foster

2 tablespoons butter

1 firm ripe banana, thinly sliced

2 tablespoons brown sugar

1 dash cinnamon

1 dash nutmeg

1 tablespoon dark rum

1 tablespoon brandy (optional)

1 scoop good-quality vanilla ice cream

* Melt butter in sauté pan over low heat. Cook bananas for approximately 5 minutes on one side. Turn and cook an additional 5 minutes just until fork tender. Don't overcook.

* Sprinkle with brown sugar, cinnamon and nutmeg. Transfer bananas to heatproof serving dish.

* Add rum and optional brandy to skillet, deglazing and loosening caramelized bits of sugar over medium heat. When tip of a finger tells you alcohol is hot, ignite with a long wooden match and pour over bananas.

* Place ice cream in a serving dish and spoon bananas over.

Makes 1 serving.

Barb Rolek's Café Brûlot

1/2 cup brandy

1/4 cup thinly sliced lemon peel

1/4 cup thinly sliced orange peel

3 tablespoons sugar

2 tablespoons Triple Sec

6 whole cloves

1 cinnamon stick

4 cups strong hot coffee (preferably a chickory blend)

* Combine all ingredients except coffee in large skillet. Stir over medium heat until sugar dissolves. Using a long match, ignite mixture.

* Gradually pour in coffee, extinguishing flames. Strain liquid into large glass measuring cup. Divide liquid equally among 8 demitasse cups and serve.

Makes 8 servings.

Jimmy Bannos' Mint Julep

1-1/4 ounces bourbon

1 lime, quartered

1 sugar cube

4 leaves fresh mint

Soda water

Mint sprig, for garnish

* Combine bourbon, lime quarters, sugar cube and mint leaves in a Collins glass. Top with crushed ice and soda water and gently stir. Garnish with mint sprig and serve.

Makes 1 serving.

SOURCE: "Big Easy Cocktails: Jazzy Drinks and Savory Bites from New Orleans" by Jimmy Bannos and John DeMers.

Cajun Martini

2 habañeros peppers, sliced

1 bottle vodka

* Place peppers in vodka and chill for two days.

* For each martini, shake 3 ounces habañero-infused vodka with 1/4 ounce plain vodka. Strain into a martini glass and garnish with a cherry pepper.

SOURCE: Adapted from Jimmy Bannos and John DeMers' "Big Easy Cocktails: Jazzy Drinks and Savory Bites from New Orleans."

http://www.thetimesonline.com/articles/2006/02/22/features/food/a4a35723fb16028e8625711b006502d0.txt

Roux is the tricky element of gumbo

Roux is the tricky element of gumbo

Cooking it right takes precision and attention
KATHLEEN PURVIS
Posted on Tue, Feb. 21, 2006

In Louisiana, people argue over gumbo the way Carolinians argue over barbecue. You can sort some of the arguments into different camps:

Filé gumbos are thickened with filé powder made from dried sassafras leaves. Filé powder will get stringy if it is cooked, so it is sprinkled on at the table. Okra gumbos are thickened with okra that is sliced to release the inner juices.

But there are gumbos that aren't thickened with either.

Gumbos usually have either chicken and sausage (preferably andouille), or seafood, usually shrimp and crab. Some gumbos have tomato.

We based this chicken and sausage gumbo on Paul Trahan's description, plus several books, including "American Cooking: Creole and Acadian," from the Time-Life Foods of the World series (Time Inc., 1971), and "New Orleans" from the Williams-Sonoma "Foods of the World" series (Oxmoor House, 2005). We left out okra; Trahan doesn't use it, and good okra is hard to find in winter. If you want to use it, add sliced fresh or frozen okra after the broth is added.

The one thing all gumbos have in common, however, is roux. Making a Creole roux takes time and attention. It has to be stirred constantly for about 20 minutes so it doesn't burn. Get all the other ingredients ready before you start. Roux goes from dark brown to burned in seconds. If it burns, you have to throw it out and start over.

To make it, use fat, such as vegetable oil, shortening or lard, in a heavy skillet or pot. Add an equal amount of all-purpose flour.

Cook slowly over medium heat, stirring with a wooden spoon and scraping up all the flour and browned bits so they don't stick and burn. Watch carefully: The roux will darken from blonde to khaki to caramel. Once it passes paper-bag brown, it will darken faster. Cook it until it is the color of a penny.

There's one final debate about gumbo: Whether the broth should be hot or cold when it is added to the roux. While some sources call for cold stock, we find hot stock blends in without separating.

OBSERVER-TESTED RECIPE

CHICKEN AND SAUSAGE GUMBO

Makes 6 to 8 servings.

4 to 6 pounds bone-in chicken pieces (we used 6 thighs and 4 legs)

About 1 pound smoked sausage or andouille

1 medium onion, diced

1/2 green bell pepper, cored and diced

2 stalks celery, diced

2 large cloves garlic, minced

8 cups chicken broth

1/2 cup vegetable oil

1/2 cup all-purpose flour

Sliced fresh or frozen, thawed okra, if desired

1/2 to 1 1/2 teaspoons cayenne pepper, or to taste

Salt and freshly ground black pepper to taste

3 to 4 diced green onion, white and green parts

Hot, cooked rice

REMOVE and discard the skin and large fat deposits from the chicken. Slice the sausage into thin rounds. Dice the vegetables and set aside.

HEAT the oil in a large, heavy pot over medium-high heat. (We used a cast-iron skillet to brown the meat and vegetables and added them to a deep pot. It's easier to see the color of the roux in a shallow skillet.) Add the chicken in batches so you don't crowd the pan and brown slowly on both sides, about 10 minutes. Remove and set aside. Add the sausage and cook, stirring occasionally, until lightly browned. Remove and set aside.

PLACE the chicken broth in a pot and heat until simmering. Reduce heat and keep warm.

COOL the oil slightly and pour into a heatproof glass measuring cup. Add 1/2 cup back to the skillet or pot. Add 1/2 cup flour and stir well with a wooden spoon, scraping up browned bits. Over medium to medium-low heat, cook the mixture slowly, stirring constantly, about 20 minutes or until it is very deep brown but not burned.

ADD the celery, onion and bell pepper to the browned fat. (Be careful: The roux is very hot and the vegetables may make it spatter.) Cook, stirring, 5 to 8 minutes, until the onion is getting translucent and softened. Add the garlic and cook, stirring, 2 or 3 minutes, until fragrant.

SLOWLY ADD 1 to 2 cups of warm broth, stirring. (If you're using a skillet to make the base, add it to a large pot with the chicken and sausage now, then stir in the remaining stock.) Stir in the rest of the stock and add the chicken and sausage. Stir in the cayenne pepper, salt and pepper to taste.

BRING to a boil, then reduce heat and simmer, uncovered, about 2 hours, until the chicken is very tender but hasn't fallen off the bone. Place a mound of rice in a serving bowl and spoon the gumbo around the rice. Sprinkle with green onion.

OBSERVER-TESTED RECIPE

SHRIMP AND SAUSAGE JAMBALAYA

Makes about 6 servings. Jambalaya is easier to make and it's popular for Mardi Gras parties because it serves a crowd easily. We adapted this version from "Southern Food," by John Egerton.

1/2 pound lean ham, preferably country ham

1 pound raw shrimp

4 tablespoons vegetable oil

1 cup onion, diced

1/2 cup celery, diced

1/2 cup green pepper, cored and diced

2 cloves garlic, minced

1 (16-ounce) can diced tomatoes

1 tablespoon minced flat-leaf parsley

1/2 teaspoon dried or 1 tablespoon fresh thyme

1/2 teaspoon salt

1/2 teaspoon freshly ground pepper

1/8 teaspoon cayenne pepper

1 tablespoon Worcestershire sauce

About 1/2 to 1 cup chicken broth

1 cup uncooked long-grain rice

CHOP the ham into small pieces (about 1 cup) and set aside. Bring 1 1/2 quarts of water to a boil; season with salt or shrimp boil if desired. Add shrimp and cook until just barely pink, about 3 minutes. Drain and cool, then peel them and set aside.

HEAT the oil in a 4- to 6-quart pot with a lid over medium heat. Add the onion, celery and green pepper. Cover and saute until softened, stirring occasionally. Remove the lid, add the garlic and cook 2 to 3 minutes longer. Drain the tomatoes, saving the juice, and add the drained tomatoes to the vegetables with the parsley, thyme, salt, pepper and cayenne. Stir well and cook a few minutes.

COMBINE the drained tomato juice with the Worcestershire and enough chicken broth to make 2 cups. Add to the pot and bring to a boil. Add the rice. Cover, reduce heat and simmer about 20 minutes.

REMOVE the cover, stir well and add the shrimp and ham. Cover and cook 5 to 10 minutes, until the shrimp and ham are heated through. Serve.
Charlotte Observer and wire service sources. All Rights Reserved.
http://www.charlotte.com
http://www.charlotte.com/mld/charlotte/living/food/13927241.htm

New vocational director glad to be back in the field

New vocational director glad to be back in the field

By LARRY GRARD
Staff Writer
from the Morning Sentinel
Tuesday, February 21, 2006

SKOWHEGAN -- The weekend trips home to Caribou, and the return drives to Skowhegan on Monday, will be long ones for David W. Keaton.

But when he saw an opening for the director's position at Skowhegan Regional Vocational Center, Keaton went for it. Approved last week by School Administrative District 54 directors, Keaton will succeed Ray Arbor when he leaves the job on July 1.

"I love vocational education," Keaton said. "I really miss it."

Currently, Keaton is principal of schools at SAD 33 in Ashland. Before taking that position two years ago, he was director of the St. John Valley Technical Center.

Keaton, 45, leaves his mark in Aroostook County vocational education. He wrote a $100,000 grant for the vocational center in Frenchville, and organized the first vocational education National Honor Society.

The Caribou native said he enjoys keeping up with advances in technology, which are so essential to a vocational education.

"Technology drives vocational education," Keaton said. "Diagnostic equipment for vehicles is just an example. It's second nature with vocational instructors. It's just part of what they do."

Andrew W. McAuliff, assistant superintendent in SAD 54 agreed that technology is integral to vocational education.

"He is very much like Ray in the sense that he is very aware of trends," McAuliff said of Keaton. "He also is a very personable fellow, and we felt that he would work well with not only the vocational staff, but with the principals and superintendents of the sending schools."

Arbour has been director at the Skowhegan center since 1997.

McAuliff said Arbour kept the vocational experience in step with the rest of education.

"What Ray has been working on is to try to make the vocational education more based on the Maine Learning Results and standards-based education," McAuliff said. "He's done a very good job making the vocational school competitive with any vocational school in the state. He's very, very knowledgeable about what is happening statewide and nationally in vocational education. He's just passionate about it."

Keaton, who also has worked at the Job Corps Center in Limestone, has a master's in educational leadership from the University of Maine. His two-year contract calls for an annual salary of $73,500.

He lives in Caribou with his wife and two daughters.

http://morningsentinel.mainetoday.com/news/local/2455098.shtml

Transport problems in Nouvelle-France

LETTER
Transport problems in Nouvelle-France

Article publié le Jeudi 16 février 2006.
La Sentinelle
L'express.mu, Mauritius

We, ladies of Nouvelle-France, are facing great difficulties regarding transport. Every morning, the bus leaves Nouvelle-France at 7.00 a.m and is mainly meant to transport people working in Port-Louis. It reaches Port-Louis at 8.45 a.m. just in time to reach office. But we never get the bus or get only standing accomodation to Port-Louis.

This situation is prevailing since the beginning of the year. Female passengers have now to stand the whole journey from Nouvelle-France to Port-Louis. Some ladies are pregnant. Furthermore, we pay more than the normal fare as the bus is a blue line service. But how uncomfortable is the trip ! We pay more for standing accommodation only.

We have made representations to the National Transport Authority (NTA) but in vain. NTA argues that there are no buses. The following solutions are proposed (1) Individuals buses must be allowed to service this route as from 7.00 a.m , opportunities exist as many buses are idle ; (2) United Bus Service which has a bus depot in Forest-Side, must be allowed to go from Forest-Side through Nouvelle-France-La Vigie-Port-Louis Centre ; (3) Individual buses of Route 9 must be allowed to pass through Nouvelle-France-Forest-Side –La Vigie-Port-Louis. Our situation is very difficult and hard to bear.


A group of ladies


http://www.lexpress.mu/display_article_sup.php?news_id=59560

It’s all about the Maple

It’s all about the Maple

A history of the Festival du Voyageur
The Manitoban Newspaper Publications Corporation
The Official University of Manitoba Students' Newspaper Website
February 22, 2006
Melissa Hiebert Staff


Illustration by Ted Barker

It’s that time of year again. Whenever I see beautifully crafted snow sculptures dotting downtown Winnipeg, I know it’s just about time for the Festival du Voyageur. Held every year at Voyageur Park over a 10-day period in February, the mission of the Festival du Voyageur (as stated on their website) is “to highlight and promote the Franco-Manitoban heritage and culture of the whole community by reflecting the era of the voyageurs and joie de vivre.”

Wow! To me it has always been about getting those delicious maple syrup-covered popsicle sticks.

Well, maybe not all about the maple-covered popsicle sticks. The snow sculptures are always incredible, and I love touring the museum-like Fort Gibraltar, complete with a blacksmith and a general store. Combine that with some amazing music and the wonderful aromas of maple, bonfire and bannock (truly Canadian smells), and the Festival du Voyageur can be a pretty fun time.

The Fort Gibraltar that lies at the Festival grounds is a re-creation of the original fort, which was situated right in the middle of Main Street near the Forks (only one wall of the original fort remains there today). It was built as a North West Company (NWC) trading post in 1810. The Fort was later captured and destroyed in 1816 by the NWC’s rival, the Hudson’s Bay Company. It was rebuilt a year later, after British authorities deemed the take-over illegal. The post was taken over by the HBC in 1821, when the two companies merged, and the fort was renamed “Fort Garry” in honour of the new deputy governor of the HBC, Nicholas Garry.

“Voyageur” means “traveller” in French. Originally it referred to all explorers and traders, but it came to signify traders and canoe paddlers, and pretty much any labourer of the fur trade. They were hard workers, working 14 hours a day or more, all of which was spent portaging, paddling (50 strokes a minute) and carrying out various other laborious tasks.

Most of the Voyageurs contracted by the North West Company were French-Canadians. They also wore those colourful sashes that you see people wearing around the festival, called ceintures fléchées. Apparently they wore the hand-woven sashes for warmth and back support, but they look pretty cool, too.

So there’s a bit of history for those of you who had a hard time recalling grade six French class. After actually paying attention, though, I think I want to be a voyageur. It would be pretty sweet, canoeing and camping and backpacking throughout all of Canada and actually getting paid! Though I’m not sure I’d like to trudge through the snow carrying a canoe and a hundred pounds of furs in the middle of November. Maybe I’ll settle for attending the festival instead.

This will be the 37th year of the festival. It attracts over 100,000 people. This year it will run from February 10 to 19, and I promise there will be enough maple popsicles and beer for all. Ahh, the joys of being Canadian.

http://www.umanitoba.ca/manitoban/2005-2006/0222/2229.its.all.about.the.maple.php

"Les Jeunes Talents: Nine Southern California Art Students Return from France"

Indepth Arts News:

"Les Jeunes Talents: Nine Southern California Art Students Return from France"
2006-02-22 until 2006-03-01
M + B
Los Angeles, CA, USA United States of America


From February 22 until March 1, 2006 at M+B Fine Art in West Hollywood, CA., the "Young Talents, Jeunes Talents" - a group of nine art students from three reputable Southern California art schools - returned from their whirlwind tour of three French regions over the summer. These trips were sponsored by Maison de la France/The French Government Tourist Office and the Cultural Service of the Consulate General of France in Los Angeles as a means of nurturing Franco-American amity and the production of future masterpieces inspired by modern-day France.

“This invitation to France is an opportunity to promote emerging young American talents and to strengthen our partnership with universities,” says Alain Belais, Cultural Attaché at the Consulate General of France in Los Angeles. “Thanks to the participation of Maison de la France it also gives these young people a chance to discover and experience France in a very unique and in-depth way.”

The artists were sent in three groups to three different regions of France – Alsace, Brittany and Provence. Once there, they were instructed to produce at least two paintings each, representing their feelings about France during their trip. The paintings, most of which are now ready, will be exhibited beginning on Wednesday, February 22, 2006 and through March 1, 2006 at M+B Fine Art in West Hollywood. During an exhibition preview on February 22, one work of each artist will be sold during a silent auction and the proceeds will go to a charity especially chosen for this very special evening.

All nine students were chosen from leading art schools in the Southern California area – Art Center College of Design in Pasadena; California Institute for the Arts in Valencia and the Otis College of Art & Design in Los Angeles. Each school was chosen for its fine reputation and for the quality of its student body. The nine participating artists are:

Charles Andrew Bengs from Carlsbad, CA (California Institute of the Arts)
Rebecca Cho from Los Angeles, CA (California Institute of the Arts)
Sarah Cromarty from Winterhaven, FL (Art Center College of Design)
Lauren King from Belleville, IL (Art Center College of Design)
Aida Klein from Toronto, CA (Otis College of Art & Design)
Jennifer Lanski, from Los Angeles, CA (Otis College of Art & Design)
Maryanne Matson, from Seattle, WA (Otis College of Art & Design)
Mae Suzuki from Torrance, CA (California Institute of the Arts)
Shiba Ward, from Seattle, WA (Art Center College of Design)

The three participating regions of France have each left their mark on the modern art world.

Alsace – With its time-honored traditions and distinctive way of life, Alsace is often mentioned in conjunction with French culture, heritage and art. Architecturally, this region was profoundly enriched by the Renaissance, Baroque and Classical periods. Artistic native sons include sculptor and painter Hans Arp; Frédéric Bartholdi, creator of the Statue of Liberty; and painter and illustrator Gustave Doré. Alsace is also the birthplace of f amous illustrators, such as Tomi Ungerer, who produced naïve, but also satirical drawings for many Amerian publications in the 1950s and 1960s, before going back to his homeland where he now lives.

Brittany – It is difficult for visitors to resist the mystical charms of Brittany. The Romans even gave it a mystical name - Finistere – which means “end of the earth”. This is a unique region with its own traditions and landscape – there is even a Breton language. Many artists have been inspired by its coastline of steep cliffs that lead to fine sandy beaches, its tiny fishing villages and lovely seaside resorts, and its heaths and rolling hills. The most famous artist to call Brittany home was Paul Gauguin who made history with his still life paintings from Pont Aven and Pouldu. Designers from Brittany like Ronan and Erwan Bouroullec have produced very original creations, now shown in top museums all around the world. Inspired by Philippe Starck, they worked with prestigious creators such as Issey Miyake or Cappellini, all seduced by their refined, geometrical design.

Provence – There are many images that immediately come to mind when one thinks of Provence. The picturesque Mediterranean coast; beautiful pastoral countryside, fragrant lavender fields; historic towns and cities that have inspired artistic expression – these are just some of the elements of this warm and friendly region. Provence was at the forefront of Impressionism, Fauvism and Cubism – three movements that served to define contemporary art as we know it. The three young artists who travelled to Provence were able to see what Vincent Van Gogh and Henri Matisse saw when they painted some of their most famous works. Next year is also the Year of Cézanne in Provence, who was a native of Aix-en-Provence. Avant-garde painters in Nice featured Yves Klein, who founded with Arman l’Ecole de Nice in the 1960s.

The Young Talents Program is made possible thanks to the generous patronage of the Marc and Eva Stern Foundation and Mr. Lionel Sauvage. Sponsorship is provided by the Alsace, Brittany, and Provence Regional Tourist Boards; Air Tahiti Nui; the Marseille Chamber of Commerce, Rail Europe.

Full profiles of each student artist and school, and photos of each participating region are available upon request. Interviews with the participating students are also available.

http://www.absolutearts.com/artsnews/2006/02/22/33714.html

Canada's Women's Hockey!

Hockey Cana-duh

Hockey Cana-duh
By BILL LANKHOF -- Toronto Sun
February 21, 2006

Don't look now, but there may be slight crack in that gold medal the Canadian women's hockey team won yesterday.

Not that it's dampened the celebration. Yet.

At the Brampton arena, Sue Fennell, commissioner of the National Women's Hockey League, was grinning till it hurt; 13 of the players on Team Canada play in her league. "I'm so proud of the girls," she said amidst the whooping as fans at the arena bar toasted Cherie Piper and Jayna Hefford like they were the second coming of the Wendel and Dougie show.

Sandra Lorett, a hockey mom, brought her three sons and daughter, Susie, 10, "because I wanted them to experience something special; something they'll remember."

Not sure how much Susie will remember about the hockey but, decked out in her Brampton Canadettes team jersey and Team Canada hat, she was a TV star. "I've done four ... no, five interviews," she said, smiling shyly. She has been playing hockey since she was six. Someday she wants to be just like Jayna. Yesterday, all the attention just made her tummy ache.

Justine Blainey-Broker, who a generation ago had to go to court to win a place on a boys' team, says, "this is the best Canadian team. Ever. They're more mature. There's a confidence; a good cockiness. It intimidates other teams."

All around the tables, bliss and beer flowed equally.

Then, Fennell dropped the other boot -- right in Hockey Canada's butt. Fennell charged Hockey Canada is hurting development of the sport in Canada and is responsible for its failure to improve internationally. Fennell is critical of Hockey Canada for imposing a limit of two international and two American players on each of the league's eight teams.

"People criticize women's hockey and say there are only two competitive countries. Unless you're Canadian, after university, you've got nowhere to play. The girls want to play here. But, Hockey Canada makes us play under the same rules as midget hockey. We don't need those rules.

"We want an exemption, just like the NHL, so the best players in the world can play in our league. Hockey Canada doesn't tell the Maple Leafs whom they can, and cannot sign. Women's hockey has to grow and right now Hockey Canada isn't allowing it."

If the NWHL goes ahead with its threat to become a rogue league, Fennell realizes Hockey Canada could try to blacklist players. "That's the big stick they could try to use, but I don't think it would work," she says.

What irks Fennell is that the NWHL, with teams from Vancouver to Quebec, including four in the Toronto area is a main feeder for Hockey Canada -- as well as sending another five players to the U.S. team -- "but when it comes to Hockey Canada they treat us like we're invisible."

League teams play a regular 36-game schedule. "But every four years (Hockey Canada) expects our players to move to Calgary ... carding money doesn't cover all their costs even ... and sing Kumbaya. We provide training for the players and help with expenses and they cherry-pick our players. How much does Hockey Canada put into this? Zero. When you go to their website we don't even exist."

Fennell says the league isn't looking to Hockey Canada for money; just respect and recognition that they have the right to use all of the best players in the world. "Either Hockey Canada lets us use more imports or we go independent. I don't know if it will be one year or two, but it's going to be soon. We want to be just like the NHL."

BATTLE

So, is Hockey Canada killing the goose that laid the golden egg? Blainey-Broker sees Fennell's battle as not much different than her own quest to find a place to play a generation ago. "I went to court to play hockey against boys because I wanted to be better," Blainey-Broker, now a Brampton chiropractor, said. "The players know if they want to play at the highest level this (NWHL) is where they need to come.

"If the best international players were allowed to come here, the other countries wouldn't have so much of a struggle in the Olympics. That has happened with players like Miriam Baechler (Switzerland) and Sari Crooks (Finland) who played here and went back and made their teams better.

"It's worth happening, it just needs to happen more."

Hockey Canada might want to listen. After all, you know what they say about a woman scorned ...

http://slam.canoe.ca/Slam/Columnists/Lankhof/2006/02/21/1454586-sun.html

Goyette opens the doors of the Hockey Hall of Fame

Goyette opens the doors of the Hockey Hall of Fame

 
February 21, 2006

 
Montreal, Quebec - There has never been a woman hockey player inducted into the Hockey Hall of Fame.  But after receiving incredible support from across the country,  Danielle Goyette’s induction is on it’s way.  Olympian Nancy Drolet, a team mate from the beginning of Goyette’s hockey adventure, spearheaded the nomination.  The support came from everywhere: the sporting community, media, politicians, business, educational institutions and the general public.
 
‘‘During the opening Ceremony, my eyes filled with tears when I saw Danielle enter the stadium with the Canadian Flag’’ said an emotional Drolet.  ‘‘She was paving the way, once again, not only for women’s hockey, but this time, for the entire Canadian Delegation and country’’  She added that ‘‘Canada couldn’t choose a better athlete to represent them’’  Nancy Drolet believe that Goyette deserves to open the doors of the Hockey Hall of Fame the same way she opened the doors in the Olympic Stadium.
 
The 2006 Women’s Hockey Olympic event had it’s historic moment with the victory of Sweden against the USA, but this induction could be another of those historic moment because the three-time Olympic Medallist and seven-time World Champion could become the  first woman hockey player to join this select club.  Danielle is widely recognized as one of the best hockey player in the world.  Critics have her in the same calibre as Richard, Lafleur and Lemieux but on the women side.
 
At the Hockey Hall of Fame, hockey fans can look at an International Women’s Hockey section, but it’s pales against the official induction into the Hockey Hall of Fame.  Twenty years from now, who will remember the flag bearer of Canada at the 2006 Winter Olympic Games in Torino, Italy?  The induction of Danielle Goyette into this sacred hockey institution could underline the life commitment of this amazing athlete.
 
Hockey fans, you can add your name to the thousands of people who support the nomination of Danielle Goyette, just call 450-654-6808 or leave your name and hometown by e-mail at: isupportgoyette@hotmail.com .You can also leave your reference letters or supportive comments by e-mail or send it by mail at: I support Goyette, 1114 Rue De Rotterdam, Repentigny, Quebec, CANADA, J5Y 3M2

http://www.sportsfeatures.com/index.php?section=pp&action=show&id=29664

LAKE CHAMPLAIN QUADRICENTENNIAL COMMISSION UNVEILS STRATEGIC PLAN

LAKE CHAMPLAIN QUADRICENTENNIAL COMMISSION UNVEILS STRATEGIC PLAN

Tuesday, 21 February 2006


LAKE CHAMPLAIN QUADRICENTENNIAL
COMMISSION UNVEILS STRATEGIC PLAN.

While the Lake Champlain Quadricentennial is still nearly three years away, the Lake Champlain Quadricentennial Commission has been hard at work in planning an appropriate commemoration of 400 years of history and culture in the Lake Champlain region. The Quadricentennial Commission has completed work on the first phase of its strategic plan, and on Friday unveiled it publicly for the first time at the Vermont State House.

The Quadricentennial Commission, created by Governor Jim Douglas, has so far been laying the groundwork for planning for the Quadricentennial. In looking ahead to 2009, the Commission has looked back at what was done for previous commemorations of Lake Champlain's anniversary in 1909 and 1959. It has also received public input at a series of meetings, and has been working closely with similar groups in New York and Quebec. "Lake Champlain is one of the most important natural, cultural, and recreational resources that Vermont has and we want to design a commemoration that speaks to every aspect of that," said Tourism and Marketing Commissioner Bruce Hyde, who was appointed Chair of the Lake Champlain Quadricentennial Commission by Governor Jim Douglas. "All of our work to date has been leading up to producing this strategic plan so that we'll have a very good guide for how the Quadricentennial will unfold in 2009."

The Quadricentennial will mark the 400th anniversary of the arrival of the explorer Samuel de Champlain in 1609. However in 2009, the focus of the Quadricentennial will be much broader, with an emphasis on promoting the rich natural and cultural heritage that is connected with the Lake Champlain region. The Quadricentennial will also be significant because

it will coincide with the date of full implementation of Governor Douglas' Clean and Clear Action Plan. A major component of the plan is to accelerate the clean up of Lake Champlain and its tributaries from 2016 to 2009, to coincide with the Quadricentennial. "We've already received a great deal of input so far on what folks would like to see as part of the Quadricentennial," Hyde said. "We've used

that to help create the draft strategic plan and now we would like the public to look at it again as a more complete plan and vision, and get

their feedback. The Quadricentennial is something that we want all Vermonters to be proud of and participate in, and a key element of that will be gathering their input and getting them involved in the process."

Copies of the strategic plan are available from the Vermont Department of Tourism and Marketing and the Lake Champlain Basin Program.

http://champlainislander.com/index.php?option=com_content&task=view&id=1265&Itemid=58

March on Quebec a disaster but helped colonial cause

March on Quebec a disaster but helped colonial cause
BY CHARLES STEPHEN / For the Lincoln Journal Star, NE

(“Through a Howling Wilderness: Benedict Arnold’s March to Quebec, 1775” by Thomas A. Desjardin, St. Martin’s Press, 240 pages, $24.95.) In 1759 the English defeated the French at Quebec City and took control of the territory the British and French empires had fought over for more than a century. When the American revolution began a few years later, the presence of British troops to the north, in Montreal and Quebec, worried General George Washington, then encamped outside Boston, so he authorized an 1,100-man assault on Quebec City, and chose Benedict Arnold to lead it.

This highly readable book tells the story of that ill-begotten adventure, which from its beginning to its end is a tale of disaster after disaster. Using contemporary diaries and other written material, Desjardin, who is a historian who works for the State of Maine, tells us how it was. He credits an earlier book, “March to Quebec,” an edited volume by early 20th century writer Kenneth Roberts, for providing him with the details of the routes taken and the diary accounts. As a boy, I leafed through the Roberts book in my father’s library, but never grasped the whole story.

To march through the roadless Maine wilderness and arrive at Quebec City before the winter set in required a mid-September departure of ships from Newburyport in northern Massachusetts to the mouth of the Kennebec River in Maine; but winds and storms delayed the departure and some of the ships floundered and never made it. Then there were small boats to build along the way so the soldiers could paddle up the river, but all was hastily planned, and the boats were built with green wood and that caused trouble. Then there was the matter of rough and imperfect maps of the territory ahead, and then the food ran low, and many men got sick and some died, and a group returned to Massachusetts, and then the rains came and caused much flooding which the small boats could not handle, and everything took longer than planned. The hills became mountains and were most difficult to cross while hauling boats up and down. Miserable weather and horrible traveling conditions predominated, and it was early November before Quebec City came in view. Some rejoiced that their days in the wilderness were behind them, but there was little to rejoice over. The author writes:

They were now less than half the number who had sailed from Newburyport six weeks earlier, and those who remained hardly resembled the physical model of soldierly bearing. With little food, scarce clothing, virtually no gunpowder, and without enough guns to arm each man, for the first time the men could see how daunting a fortress they had come to assault. They had survived their terrible wilderness journey, but for what?

Ahead lay the fortress and the British garrison that had been expecting them (it was hard to keep the presence of hundreds of soldiers a secret from Natives and assorted hunters from Quebec). In the end, the assault on Quebec failed, but even in failure, it aided the colonial cause, as Britain thereafter stationed thousands of troops there, even while the real battles for American independence were taking place far away.

Charles Stephen is co-host of "All About Books," heard weekly on NET Radio.

http://www.journalstar.com/articles/2006/02/22/sunday_am/doc43f38449160be749115807.txt

A love story after all

A love story after all

A Strong West Wind A Memoir Gail Caldwell Random House: 228 pp., $24.95
By Susan Salter Reynolds
Susan Salter Reynolds is a LATimes staff writer.

February 19, 2006

WHAT can we expect of memoir? If this has always been an open-ended question, it seems especially so now. "We build our stories, like houses on the high mesa, with whatever is at hand," Gail Caldwell suggests in "A Strong West Wind," the story of her escape from Amarillo, Texas, her coming-of-age in the 1960s and her relationship with her father. Somewhere in this process, Caldwell (like so many well-intentioned memoirists) loses control of her story, but in the end, a channel opens, a pathway to the unconscious is unblocked and something other, something unexpected, rushes forth.

Why buy a ticket to such an epiphany? Three reasons: First, Caldwell, whose 20 years of writing book reviews for the Boston Globe earned her a Pulitzer Prize for distinguished criticism in 2001, was saved by literature. ("A Strong West Wind" is not a recovery memoir, but the author, like all souls, has teetered on more than one brink.) Second, she has been a restrained, humble critic for most of her working life, putting the books she reviews first and her voice second, an increasingly rare and fascinating feat. Third, she has come to terms with her parents and her past, which means there is wisdom to be gleaned.

In 1981, at the age of 30, Caldwell left Texas in an old Volvo, headed for Cambridge, Mass., with "an Oriental rug, a beat-up German typewriter, and a quart of Jack Daniel's" in her trunk. "I suppose I thought I was hitching a ride on the narrative that would save me," she explains. "Surely you had to leave home to write, and to have something to write about, and surely you had to go East." That may be true, but growing up in Texas meant that Caldwell was not afraid of a good story; she didn't then, and still does not, possess the Easterner's debilitating irony. For all her years as a critic and her Pulitzer, Caldwell still has a kind of breathlessness when she describes Berkeley in the 1960s, her father in uniform, the beauty of the Catholic Mass, the romance of the writer's life or her hometown library back in Amarillo.

In Texas, a state she both loved and had to leave, it was "difficult not to feel beholden to some larger design." Caldwell's handsome, larger-than-life father came from a long line of Panhandle farmers; like many men in the family, he fought in World War II. "Poverty and war were the ruthless truths of my parents' generation," she writes, matter-of-factly. "[I]f you survived one, it was likely that the other was waiting in the wings." Her beautiful mother, meanwhile, was "the small-town Texas version of Rosie the Riveter." On both sides, the examples set by rebellious women and men who left Texas to make it in the wide world gave shape and focus to Caldwell's growing discontent. And the reading didn't help.

One could argue (as self-appointed censors often do) that Caldwell's voracious reading — beginning with war stories like Herman Wouk's "Youngblood Hawke," then progressing to Betty Smith's "A Tree Grows in Brooklyn," Thomas Wolfe's "Look Homeward, Angel," D.H. Lawrence's "Lady Chatterley's Lover," Mary McCarthy's "The Group" and the work of Philip Roth and Jack Kerouac — helped lay the groundwork for the angst, soul searching and rebellion that pried her (for worse but mostly better) from her father and eventually, Texas.

Certainly, the growth of Caldwell's restlessness parallels the increasing turmoil in 1960s America, fueled by a war that made chasms out of cracks in the social landscape, setting politicians against citizens and children against parents. "[O]ne toppling begat another," Caldwell writes as her consciousness begins to open, giving way to an awareness of world events. It's a subtle shift, but it brings perspective to the telling of her life. She looks around and sees a Texas "so white it hurt your eyes." She goes back to the University of Texas to do graduate work in American studies, where she is warned by a teacher she admires, in "a tone so dry he could start a brush fire with it," to avoid sweeping prose and not "overdo it."

In the early 1970s, Caldwell has her first taste of feminism. She's spent her life, she realizes, trying to please men — her father as well as her bad-boy Amarillo boyfriend, Travis. "Feminism," as she puts it, "redirects the narrative. It was when the story, for a million protagonists, finally stopped being about somebody else." Somewhere around this time, the story of Caldwell's relationship with her father stops being his story and starts being hers. Understanding him becomes a way to understand herself. "The father instructs," she writes, "the child ingests, until memory itself becomes the long way home."

From here, "A Strong West Wind" veers back, almost exclusively, into that relationship, as if Caldwell's father were, finally, a mirror in which she might divine "what sort of identity [she] was reaching toward." She pores over letters written during the war years from her father to her mother. She tries to understand why her Uncle Roy, who fled Texas to become a successful lawyer, killed himself. The more she unearths, the more she marvels at her father's silence and at the power of war to alter forever the course of a life. Many of us have parents whose lives were similarly disrupted, affecting their behavior and their hopes for their children, leaving us with gaping mysteries to solve. Why did they drink so much? Why did they work so hard? Why didn't they communicate more easily? These are just a few of the questions we ask.

"Each of us has these cloisters where the old discarded dreams are stored, innocuous as toys in the attic," Caldwell comments. "The real beauty of the question — how do we become who we are?— is that by the time we are old enough to ask it, to understand its infinite breadth, it is too late to do much about it."

True, but not true. At the end of "A Strong West Wind," Caldwell's father lies dying in a veterans' hospital, watched over by a fellow soldier who developed various soft-tissue cancers from exposure to Agent Orange. Caldwell knows exactly how much her father means to her, how much she needed to disappoint him and how much his identity was formed by the war in which he fought. In 2003, when he dies, she is 52, with a clearer mind for reading, a keener eye for noticing and at least one character in her life fully loved.

I wonder if Caldwell knew when she started that "A Strong West Wind" would be so much about her father. The book pours into that tributary with a momentum that would swamp any carefully drawn outline or chronology. The result is something authentic, something pure.

**

From A Strong West Wind

IT was around this time that my father began what I dismally thought of as our Sunday drives. As kids, my sister and I had been bored but tolerant when we had to tag along on his treks; my father's route was aimless, and in the Panhandle, there were few destinations to choose from. But now his itinerary was to chart the path of my dereliction, and that meant getting me alone in the car so that we could "talk": about my descent into wildness, my imminent doom, my mother's high blood pressure. Thus incarcerated, slouched in the shotgun seat with my arms folded against my chest, I responded to his every effort by either staring out the window or yelling back. I don't remember a word I ever said. What I still feel is the boulder on my heart — the amorphous gray of the world outside the car window, signaling how trapped I felt, by him and by the hopeless unawareness of my years. We usually wound up on the bleak outskirts of Amarillo, and I can see us now against that long horizon, an angry father and his angry daughter, having lost our way.

latimes.com/Los Angeles Times
http://www.calendarlive.com/books/bookreview/cl-bk-reynolds19feb19,0,6105438.story?coll=cl-bookreview

The Huguenot Society of the Founders of Manakin In the Colony of Virginia

The Huguenot Society of the Founders of Manakin In the Colony of Virginia

Huguenots began coming to Virginia as early as 1620. In 1700, four ships arrived at the mouth of the James River and the Rappahannock, east of present-day Richmond, Virginia. French Huguenots, having fled religious persecution, had lived in England and done services for the king. They were granted lands in the New World for a permanent home where they had the freedom to worship as they pleased. West of Richmond, many founded a colony on the site of a village deserted by the Monacan Indians. This is a society of the descendants of that colony and French Protestants who came to Virginia before 1786 [see history of the society].
The society headquarters and library are located beside the Manakin Episcopal Church on the original glebe lands in Manakintown.

http://manakin.addr.com/

Immigrant Britain

The Sunday Times
February 19, 2006

Focus: Immigrant Britain

...“If you are an immigrant in any country you always work harder to become a part of the society and the business community,” said Aslam. “Coming from a poor background, I have always been very frightened of going back to the old days and not moving forward.”

BRITAIN has long been reliant on the entrepreneurial spirit of immigrants. Companies such as Marks & Spencer, the retailer, and NM Rothschild and Cazenove in the City have their origins overseas.

“The very experience of dislocation and exile can be a powerful force for innovation,” said Susie Symes, director of the Museum of Immigration and Diversity. “London is a leading player in the world’s financial markets in large part because of the bankers and financiers who came here as immigrants.”

The museum, tucked away in a side street in east London in a house built almost 300 years ago as a residence for a wealthy Huguenot silk trader, has witnessed the influence of successive waves of immigrants on the British economy.

Huguenot merchants and Jewish tailors have plied their trades in the area, and a walk through Banglatown — as the criss-cross of streets around the museum is known — requires running a gauntlet of Bangladeshi restaurateurs who stand on the pavements touting for custom.

What is true of Brick Lane in London is also true of Pollokshields in Glasgow and Manchester’s “Curry Mile” in Rusholme — all areas where ethnic minorities have congregated and flourished....

http://business.timesonline.co.uk/article/0,,8209-2046957,00.html


---------------
Museum of Immigration and Diversity

19 Princelet Street

Built in 1719 this 'brick messuage' became the home of the Ogier family, who had escaped from persecution in France. They entered the silk weaving trade and prospered mightily.

As most Huguenots moved on, the elegant Georgian houses were sub-divided into lodgings and workshops. At 19 Princelet Street the attic windows were altered to let in more light for weavers to work, but later occupants of the house followed other trades and professions, including Mrs Mary Ellen Hawkins who used it as an industrial school, and Isaiah Woodcock who was a carver and gilder.

'This building - it is quite the most amazing found object..'
Kinsi Abdulleh, artist from Somalia

http://www.19princeletstreet.org.uk/about.html

ALTERNATIVE ROCK CULTURES: Wild Wanda Jackson

ALTERNATIVE ROCK CULTURES: Wild Wanda Jackson

The self-described 'Fujiyama Mama' of '50s rockabilly was a hard-headed, bare-knuckled antithesis to the era's prevailing gender expectations.

by Iain Ellis
PopMatters, IL
[17 February 2006]


Wanda Jackson performing with Elvis Costello, one of the most vocal lobbyists to get Jackson inducted into the Rock & Roll Hall of Fame.

With its macho poses and locker-room humor, '50s rockabilly was largely a private boys' club. Females, of course, played an important role within the subculture, assigned either as the adoring screamers who bolstered the male performers' egos, or as the mythical dreamy romantics who lay on their beds staring at their rebel-idols staring back at them from the posters on their walls. Thus, when the teenage Oklahoma country singer, Wanda Jackson, at the encouragement of her beau, Elvis Presley, adopted the raging rockabilly style in 1956, she revolutionized not only the musical form, but also the role of women — particularly white women — within the rock 'n' roll world. That she aimed to participate using the same renegade methods as contemporary bad boys, rather than compromising the form to the demure femininity of her gender-peers, makes her contributions all the more shocking and radical.

Like her primary influences, Elvis Presley and Gene Vincent, Jackson forged her sound out of her country roots and merged it to an R&B beat. Her voice, gravel-throated and assertive, had little connection to the Doris Day-type politesse of her contemporaries; it had more in common with loose-cannon shouters like Jerry Lee Lewis and Little Richard. However, to describe Jackson as just a maverick female singer is to understate her revolutionary role. Aside from her distinct voice, Jackson also played guitar with competence and swagger, and wrote most of her own material — if only because there were so few songs from the rockabilly genre that posited a female narrative point-of-view.

Her material from 1956 to the end of the decade provides a catalogue of some of the most subversive material of the era — and the funniest. In her book on stand-up comediennes, Performing Marginality: Humor, Gender, and Cultural Critique (Humor in Life and Letters Ser) (Wayne State University Press, April 2004), Joanne R. Gilbert discusses a number of female postures and roles within the profession. Among them, "the bawd" and "the bitch" roles are particularly applicable to the work of Jackson. Bawdy female blues singers like Bessie Smith and Ethel Waters had trailblazed this humor back in the '20s and '30s, but rarely had white women ventured into the sordid world of sexual innuendo. The establishment had deemed such humor to be understandable within the "decadent" black underclass, but it was not a style befitting an upright white lady, particularly one of southern Christian stock. For Jackson to be flirting with such saucy stuff was to challenge norms, subvert the status quo, and turn hierarchies on their heads.

Her first single, "I Gotta Know" (1956), was a case in point. Honing her Elvis-style hiccup vocal, Jackson satirized the prevailing male hits of the day, songs that posited either romantic illusions or "cool" boasting. Rather than passively wallowing in these conceits, or swallowing their deceits, Jackson set to de-bunking them with brutal "response" lyrics. "When you're on that floor, you're cool, man, cool / But when it comes to loving, you need to go to school," snarls Queen Wanda in a scornful put-down. Such in-house humor had long existed in the combative jazz world but it was rare within rock circles — at least, on records. Indeed, such "bitch" insult humor was way ahead of its time for female rockers, prefiguring the punkettes and riot grrrls of decades later.

Besides deflating male self-aggrandizement and ego-driven myths, Jackson's humor also implicitly poured scorn on the prevailing female roles and attitudes of the time. Historian David Halberstam, in his series The Fifties (Ballantine Books; Reprint edition, 1994), spoke of the hypocrisy and repression that lay uncomfortably over gender and sexuality during this decade. Just as men were frustrated with the "grey flannel suit" world that had emasculated them after World War II, so women, too, though subscribing to the official line of contentment and normalcy, felt stifled and suffered an unspoken void. Betty Friedan would soon give the condition a name with The Feminine Mystique.

Likewise, the sexuality of women was a socially repressed topic, but its silence did not mean that sex had disappeared; it had merely been kept under wraps. Hence, just as Grace Metalious's 1956 barn-burner, Peyton Place, had blown the lid off of this socially-subscribed secret (in book form then later on TV), so Jackson did likewise within rock 'n' roll. Her outward demands for sexual fulfillment and outlandish demands for how she wanted it usurped traditional gender expectations, and, as with Peyton Place, scandalized observers. In "Cool Love" (1957) Wanda insults then instructs: "You been playing it cool / I been playing a fool / Now don't you give me that cool love / Give me the kind I need." Long before Madonna, there was Wanda!

"Fujiyama Mama" (1958) was Jackson's signature song. An international hit and enduring cult classic, its lyrical references brought rockabilly to Japan, where it has remained since as a vital genre — for both male and female musicians and fans. "I drink a quart of sake, smoke dynamite / I chase it with tobaccy and then shoot out the light," wails the Fujiyama Mama in her most bawdy of boast songs. Gravitating to "bitch" revenge humor, she then growls, "Well, you can talk about me, say that I'm mean / I'll blow your head off baby with nitroglycerine."

As displayed in her earlier single, "Hot Dog That Made Him Mad" (1956), Jackson was a woman not to be messed with, and should you step on her high-heeled shoes, she would respond by any means necessary. In "Hot Dog" the means is self-assured mockery: "He demanded to know just where I'd been / But I really put him in his place / Instead of an answer, I laughed in his face." Here, the sexual autonomy of Madonna meets the "bitch" assaults of Roseanne, creating an intimidating identity the very antithesis of '50s female conventions.

Considering the constraints of the time on women's images and identity, Jackson must be considered as one of the more subversive and shocking of the '50s rock humorists. Her lyrical themes not only defied the expectations put upon her gender, but within the specific field of humor, few comediennes dared step so brazenly into such inflammatory territory.

As might be expected from her outsider status and audacity, Jackson never attained the mainstream rock prominence of the male contemporaries she so admired. But as with many of the finest and most radical artists, popularity does not define the essence of the art. History has proven to be more accommodating to Jackson's work than was the shell-shocked audience who initially heard her. Critic Nick Tosches recognized her importance — as well as the fact that she was too hot to handle during the '50s — by including her in his Unsung Heroes of Rock 'n' Roll book.

The other Elvis (Costello) has also been a tireless advocate on her behalf, writing letters to the Rock & Roll Hall of Fame demanding her induction. Contemporary female alt-country figures like Neko Case, Tanya Tucker, and Rosie Flores have often recognized their debt to Wild Wanda, whether through tribute songs or in their own feisty independent styles. A born-again Christian today (the fate of many a '50s rockabilly rebel), Jackson continues to perform on the nostalgia circuit, reminding new generations, through her strident songs, that subversive humor and rock rebellion in the '50s were not the sole preserve of the more celebrated canon of male iconic performers.

* * *

The above essay is an excerpt from a forthcoming book about rock-related artists who use(d) humor as a primary instrument of rebellion.

http://www.popmatters.com/music/columns/ellis/060217.shtml

Guide to the seduction of a New World

Guide to the seduction of a New World

By Jackie Wullschlager
Published: February 22 2006 02:00
Financial Times

Good Americans go to Paris when they die, bad ones stay in America, joked Oscar Wilde, a quip that both satirised the transatlantic idyll of bohemian Montmartre and predicted the fate of the American artists in it. The National Gallery's gorgeous, luminous Americans in Paris is a stunner from first to last but, for all the intrigue of fresh works by lesser-known names, three artists tower above everyone else, and they alone are the ones whom 19th-century Paris accepted during their lifetimes and made immortal afterwards: James Whistler, Mary Cassatt and John Singer Sargent.

So well integrated into artistic Paris were this trio that we think of them as honorary Europeans. Whistler's "Arrangement in Grey and Black No 1", depicting his mother, is the most famous American portrait but lives in the Musée d'Orsay, reigning supreme among the symbolists there as "un peinture de convalescence", in the words of J.K. Huysmans. Sargent's "paugh-traits", too, are chronicles of the privileged Europe that dis-appeared with the first world war, while Cassatt, close friend of Degas, was the sole foreigner and sole woman to exhibit with the impressionists. Her starry painting here of a tea-drinker in salmon-pink tulle with lavender gloves so exquisitely sums up the French leisured class that Huysmans singled it out for its "fine odeur d'élégances parisiennes".

Yet put these artists in context, as expatriate Americans whose story is the subject of this intelligent, far-ranging show, and you see that it was the meeting of Old World with New that conferred their distinct flavour and tonal range. Cassatt, in what is almost a mini-retrospective - enhanced by a display of herJapanese-influenced prints in the Sunley Room - emerges fascinatingly as an impressionist who developed her own American idiom, balancing immediacy and a bold pictorial design indebted to Degas' cropping, framing and powerful diagonals, with a Bos-tonian grace, ladylike but vigorous. A father sunk in an armchair with his son perched alongside, their dark suits fused into a black mass emphasising their affection as they read a paper together; the flushed cheeks and pale back and shoulders, reflected in a mirror under a chandelier's sharp glare, of the eager theatregoer peering from her loge; the pause in conversation in "The Tea", one woman holding her cup with cocked finger as she averts her eyes before answering her friend, in an intimate atmosphere heavy with the weight of a shiny silver tea service and the confining pattern of striped wallpaper: unerringly, Cassatt distils the subtleties and pleasures of social moments with the chaste, east coast precision of Henry James.

Cassatt, like many artists here - a third were women, shaping this show's domestic emphasis - arrived in Paris in the 1860s. Many of her compatriots came from provinces with no art schools and the opening, focused on Sargent's lively, darting portrait of the hypnotic Professeur Carolus-Duran and ThomasHovenden's Bohéme-like "Self-portrait of the Artist in his Studio", with dashing moustache, pink cravat and violin, beautifully evokes their intoxication with the trappings of atelier and classroom. Yet more rapturous are the impressionist scenes of everyday life into which the new arrivals flung themselves. Childe Hassam's "April Showers, Champs Elysées" and "Along the Seine, Winter", have the empty foregrounds, dramatic perspectives and staccato brushstrokes of Pissarro and Caillebotte. The decorative trellis of leaves, treetrunks and slats of a bench in Maurice Prendergast's "The Luxembourg Gardens", and his jewel-like panel of seven scenes of girls floating through the park, "Sketches in Paris", recall Bonnard's delicate surfaces. Sargent's early virtuoso painting of promenading lovers, "In the Luxembourg Gardens", its flickering, purple twilight dotted with stabs of red - darkening flower beds, the woman's fan, the man's flaring cigarette - is heartbreakingly beautiful: a precocious contemplation of time and memory.

A handful of the newcomers took what they needed from Paris - weightiness, form - and returned home to forge the beginning of a characteristically American style, uncompromisingly realistic and emphasising wide-open spaces: Winslow Homer's tumbling dark sea and heavy, loping figures in "A Summer Night"; Thomas Eakin's macho river scene "Starting out after Rail". But they are exceptions: mostly the insecure Americans fell into a homage-and-imitation of Monet and Renoir that turned conservative when (for they rarely stayed long in Paris) transported home to Philadelphia or Boston. The result was a nostalgic, sun-drenched impressionism that persisted extraordinarily long in America and today offers a frisson of almost illicit,counter-historical joie de vivre. The light playing on the frothy pink dress and awakening features of Frank Benson's 17-year-old daughter "Eleanor" as she contemplates a shimmering Maine garden, for example, was painted in 1907, year of Picasso's "Demoiselles d'Avignon"; "Allies Day", quivering skyscraper-stage of impressionistic red, white and blue flags, signifies - note the tricolore - Hassam's lasting debt to Monet, but dates from 1917, by which time Europe had already worked through cubism.

Blazing above this derivative mêlée like fireworks, the individualists Whistler and Sargent turn on a conscious negotiation with European tradition, and their contrasting responses form the thrilling central tension of this show. Whistler, older by 20 years, was the pioneer. Radically simplified seascapes such as "Harmony in Blue and Silver: Trouville", and portraits of his mother and of his girlfriend in "Symphony in White", have the flat, strict surfaces and desolate loneliness of 20th-century American painting - anticipating not only abstraction, as their aesthete titles suggest, but also Hopper and even Warhol. James mused on Whistler's "thin empty lovely American beauty" and Don de Lillo noted of "Arrangement in Grey and Black" that tiny, pinched old Anna Whistler in black, staring at nothing, is "a figure lifted out of her time into the abstract arrangement of the 20th century, long before she was ready". Yet she is also rooted in Velázquez, the hero Whistler shared with Sargent.

"Madame X", the monumental portrait of the notorious southern planter's daughter Madame Gautreau, was Sargent's res-ponse. As haughty as any Velázquez monarch, her head crowned with a tiara shaped as a crescent moon - symbol of the huntress Diana - and wearing a sweeping décolleté black gown to offset what the painter called her "uniform lavender or blotting paper colour" skin, this American social and sexual predator turns disdainfully from the viewer. Sargent has caught every nuance of her ambivalent position in Paris: jarring accent, jangling nouveau manner.

Where Whistler the outsider questioned the grand European portrait, Sargent the outsider embraced it - with a fervour that no knowing home-grown European artist, at a time when the tradition was clearly bankrupt, could have managed. That is Sargent's brilliance and his limitation, but it is the dazzle that holds sway here. His greatest portrait of all, "The Daughters of Edward Darley Boit", makes a rare trip across the Atlantic and is alone worth the price of a ticket. In an opulent but cool Paris interior, the girls are dwarfed by the enormous blue Chinese vases in the family's rented hôtel particulier. The youngest, in luscious white, sits on a rug with her doll, suffused by sunlight. The next child, smocked in more sober cream, stands at the painting's edge as if wanting to flee. The older girls at the back are in shadows that tone down their white dresses; one sulks, the other has a faraway, emotionally absent look. Beautiful, wealthy and destined for a sadness that Sargent has intuited - none married and two later suffered mental illness - they look like lost orphans: homesick innocents abroad, sacrificed to their parent's dream of Paris, and a metaphor surely for the clash of American innocence and European experience that fuels Sargent's oeuvre and is the subtext of every work in this wonderful show.

'Americans in Paris', National Gallery, London, to May 21, tel 020 7747 2885. Then Museum of Fine Arts, Boston, and Metropolitan Museum, New York.

http://news.ft.com/cms/s/f07e13fc-a347-11da-ba72-0000779e2340.html

Mother Tongue Day

Mother Tongue Day
Language enriches culture

By the Editor
Published on the web by Daily News on February 22, 2006
South Africa

While some members of the animal kingdom may have developed communications systems, mankind alone, it seems, has set itself apart with the ability to use language as a way to express feelings and information and to set these down for all to read and understand.

Yesterday was Mother Tongue Day, a day set aside to commemorate all languages in their cadence of sound, their richness of writing whereby a few words can plumb the depths of human emotion or paint a picture of lives spent thousands of years ago, or teach even the most complex of concepts.

Language forms the very basis of culture, passing beliefs, rituals and behaviour from one generation to the next leaving a firm historical basis for issues such as religion.

Thus the promotion of one's mother tongue is a vital ingredient to maintaining the many rich and colourful cultures of a country as diverse as this one, in which there are 11 official languages and many others not officially recognised.

For historical reasons English has become the most widely used language for business and science, but in KwaZulu-Natal, isiZulu is by far the most used language and both should be taught in schools and used equally within the province.

That is not to say the other languages should be ignored. Those who use other languages as their mother tongue, be it Afrikaans or Hindi, Telegu or San should have every opportunity to study and use their language as a constitutional right.

It should be of great concern of those who honour language as the greatest communication medium that many children of today can barely string a sentence together in any language, have lost interest in their culture, especially among the Indian community, and those that bother to practise religion, do so on a superficial level with little idea of the ancient principles on which religion is founded.

Without the rich diversity of dynamic language usage, South Africa will be a poorer land.

http://www.dailynews.co.za/index.php?fSectionId=535&fArticleId=3126091

'Brokeback' Shirts Fetch Six Figures

'Brokeback' Shirts Fetch Six Figures

The two iconic shirts from the final scene of "Brokeback Mountain," which was nominated for eight Academy Awards, sold for a staggering $101,100.51 to a Hollywood collector, after an auction on eBay on Monday night. In the Ang Lee film, and the Annie Proulx short story on which it is based, the shirts symbolize the thwarted love of the ranch hands Jake and Ennis. They were dirty from sweat and blood, and tucked one inside the other. The Los Angeles collector Tom Gregory won the bidding, which quickly reached the tens of thousands of dollars from an initial price of $9.99. "It's a great prop; it's the ruby slippers of our time," Mr. Gregory said in an interview. "It represents the love that would never go away no matter how much the world tried to push it away." He said he would leave the shirts, donated by Focus Features, on the hanger they share and frame them either for his home, or for a gay and lesbian foundation with which he is connected. The proceeds from the auction will benefit the Variety Children's Charity Auction. SHARON WAXMAN

http://www.nytimes.com/2006/02/22/arts/22arts.html

Toledo's king of the night

Toledo's king of the night
Kip Diacou adapts to trends, and prospers

By GARY T. PAKULSKI
Toledo BLADE BUSINESS WRITER
Article published February 19, 2006
Bijou.

Prime Time.

Peyton Place.

Heads & Tails.

Meet Market.

Over the past 35 years, Kip Diacou has watched some bets pay off in the winner's circle and others disappear on the backs of nags.

"I think we hit a winner this time," the Toledo nightclub king proclaimed in a recent interview from behind neat stacks of adding machine slips on the desk of his Secor Road office.

The subject is a nightclub at Reynolds Road and Heatherdowns Boulevard that has struggled the past two years to find a successful concept. For people in the surrounding southwest Toledo neighborhood, it has become something of a sport to watch club signs come and go: Prime Time, Meet Market, Embers.

The latter incarnation, catering to a middle-age crowd, was replaced by the current Venue after just three months.

"The place is getting really, really busy," claimed Mr. Diacou, an immigrant from Cyprus whose given name is Kypros but who is known as Kip to everyone.

At 61, Mr. Diacou is northwest Ohio's biggest nightclub operator with a string of eight clubs, most featuring live music.

Holdings of his firms, Kip's Inc. and Kip's Enterprises, include the Venue; Club Soda, with a pop music format on Secor Road; country bars Nashville's, Alexis Road, and Bootlegger's, South Byrne Road; the downtown Club Bijou, with a rock format; Sylvania Avenue sports bar Six Pack; and the Lighthouse Cafe and Turtle Club, a pair of restaurant/bars near the Toledo Zoo.

Unlike many of the people who performed the music, Mr. Diacou's career survived the rise and fall of disco and numerous other entertainment transitions.

When John Travolta helped usher in the disco craze with the movie Saturday Night Fever in 1977, Mr. Diacou opened Studio 1 at Secor Road and Dorr Street; during the urban cowboy fad in the early 1980s, he started Dallas V on Reynolds Road.

Over the years, he's served up folk, punk, heavy metal, hair bands, and dance.

In the process, he has become wealthy.

He has a six-acre spread in upscale Springfield Township and owns about three dozen rental homes and commercial properties scattered around the metro area.

He has traveled to Hong Kong and many nations of Europe including Greece.

The only thing he will say about the money he has made in the local nightclub industry:

"For me, it has been a very profitable business."

When, in the late 1990s, a predecessor of Mercy Health Partners began eyeing a club he owned on West Sylvania Avenue for what would become St. Anne Mercy Hospital, Mr. Diacou agreed to sell the property. It fetched $1.2 million, Lucas County records show.

His bottom line is strong enough that when neighbors of Club Soda, in West Toledo, began to complain about noise from customers, he slowly bought up surrounding residences.

Now, many are occupied by his tenants. "If they complain, I evict them," he joked.

He is stocky and round-faced, with an easy laugh.

An ex-Marine who grew up the son of a diner owner, Mr. Diacou doesn't smoke and years ago gave up drinking - "except for an occasional glass of wine with dinner," he explained through a thick Greek accent.

For work, he dresses casually. On the day of an interview, he wore blue jeans and a denim shirt open at the collar.

"He's a survivor," said Jon Stainbrook, a musician and onetime club promoter for Mr. Diacou.

"People start bars all the time. How many of them last? It's a cutthroat and difficult business. If you can make a nightclub a success, you're lucky. Kip has done it over and over."

Mr. Stainbrook credits the nightclub operator's old-world work ethic.

Mr Diacou has a big heart, the promoter added, but he's not a pushover. And because he provides one of the few steady venues locally for bands, musicians are reluctant to cross him.

"He's one of those guys that wields a heavy stick," the promoter said. "But he's Kip. He's got a monopoly."

Jodi Bury has worked as a secretary in Mr. Diacou's office for 15 years. She met her husband, Brad, a local drummer, when his band, Scoobie Snaks, performed at one of the firm's clubs.

Mr. Diacou is "like a dad," she said.

When the club proprietor gets angry, "it's not for long."

"We don't take it seriously," she added with a laugh.

"Are you looking for a raise or what?" Mr. Diacou shot back. Ms. Bury is one of 150 people he employs.

Mr. Diacou's latest triumph is Six Pack, which is also his first foray into sports bars.

When renovations began on the vacant single-story office building on West Sylvania Avenue between Secor and Douglas roads, neighbors were curious because it is an older neighborhood without much new commercial construction.

But since opening day in November, crowds have packed the place, drawn by big-screen plasma TVs, a young crowd, and spiffy surroundings.

"I opened the place for me and my friends and now we can't get a seat at the bar," Mr. Diacou said with a laugh.

"There is a huge market for clean sports bars," he said. He is not only talking about sanitation but a good ventilation system that keeps a bar from becoming the sort of smoke pit abhorred by many non-smokers.

He spent $250,000 to renovate the building, which he owned.

Now, he plans to open an additional six-pack of Six Packs over the next two years.

Mr. Diacou opened his first club on Laskey Road in the early 1970s with a $3,000 loan from his father. Called Peyton Place Lounge after a hit night-time soap opera that launched the careers of actors Ryan O'Neal and Mia Farrow, the 100-seat club was always busy, Mr. Diacou recalled.

Mr. Diacou's father, the late Steve Diacou, came to America by himself and worked for several years in a family-owned hot dog joint at Summit and Cherry streets. Later, he started Steve's Place on Matzinger Road.

Kypros arrived with remaining family members in 1962 at age 17. His introduction to the bar business came after graduation from the former DeVilbiss High School, Toledo. He worked as a bartender at Four Seasons and the Tender Trap.

After a stint in the Marine Corps, he began opening bars.

His clubs, most of which he has owned for years, shift names and formats frequently. Mr. Diacou's philosophy is "Every couple of years you have to change them."

A more recent addition to his stable, in 1999, was the former Frank Unkle's restaurant, a large place on the Maumee riverfront near the Toledo Zoo that Mr. Diacou converted to the seasonal Lighthouse Cafe and the Turtle Club.

All of his clubs, he said, are performing well except for the downtown rock bar: Club Bijou. "That's the only one that's a little slow," he said.

Local officials are eyeing the area around the Superior Street bar as a possible site for an indoor sports arena, although a final decision hasn't been made.

After 35 years, Mr. Diacou said he still enjoys the nightclub business.

To keep up with music trends, he reads industry trade magazines and pays attention to the music scene.

"I don't do what I like," he said. "I do what makes me money. I like jazz and Greek music. I can't open up a jazz club in a Greek bar."

But it is not a stress-free life.

Turning to a cabinet behind his desk, he waves his hand with a look of disgust over a six-inch stack of lawsuits.

"Two people get into a fight and whoever gets his nose broke sues the bar," he complained. "The bar has got to be the baby-sitter of the world. I'm always in court. I'm always in litigation."

He employs a full-time lawyer to handle the suits.

However, he has no quarrel with stricter drunk-driving law, saying that his bouncers sometimes forcibly take away keys from customers who are drunk and call them a taxi. "We just can't get people drunk and send them on the expressways. We're very conscious of overindulging."

He denied any problems with employee theft, which industry experts say is a major problem in the bar business. Yet he conceded he has taken preventive measures, including the use of overhead cameras and investigators posing as customers.

Although most bands that perform in his clubs are local, over the years he has brought big names to Toledo. The list includes Kid Rock, Marilyn Manson, and Hootie and the Blowfish.

Many of his clubs are open only on Thursday evenings and weekends. He visits half the clubs on Friday and the remainder on Saturday.

"When I walk into one of my establishments and it's packed, this is all the wine and beer I want to drink," he said. "I'm looking at these people when the places are real, real busy and I'm loving it."

His advice to people thinking about opening a nightclub?

"Be ready to sacrifice. Be ready to work 15 hours a day. Don't be a drinker. You can't drink on the job.

"And wait until I get out."

Contact Gary Pakulski at:
gpakulski@theblade.com
or 419-724-6082.

http://toledoblade.com/apps/pbcs.dll/article?AID=/20060219/BUSINESS03/602180326

Learn about explorers, who through their trials made our lives better

STORY TIME
Learn about explorers, who through their trials made our lives better
Debbie Shoulders
Clarksville Leaf Chronicle, TN 
Educator Debbie Shoulders focuses on children's literature. Write her at The Leaf-Chronicle or e-mail at shoulded@k12tn.net.
Excerpt:

Lewis and Clark opened up the west with their explorations but were aided on the way by a Shoshone woman, Sacajawea. "I Am Sacajawea, I Am York — Our Journey West with Lewis and Clark" (Walker and Co., $16.95) written by Claire Rudolf Murphy describes a first person account of the exploration by Sacajawea and York, a slave of Meriwether Clark.

The American Indian woman tells how she was taken from the Shoshone when she was 12 and sold to Charbonneau, a French Canadian trader. York begins life in Kentucky as field hand who is give by the "Master" to his son.

He notes, "On this long journey west to find a route to the Pacific Ocean, I am the only black man."

Charbonneau is asked to send Sacajawea so that she can help buy horses. She is sent even though she is pregnant. Her son, Pompy, is born before the trip begins and he travels with his mother. York helps the young mother by swatting mosquitoes and singing to the baby. York shares how smart Sacajawea is by saving their supplies during a strong gust of wind.

The journey continues as Sacajawea describes the contributions of York and alternates with York's detailed account of Sacajawea.

The Nez Perce are comforted by the presence of an American Indian and share much needed food. They marvel at York whom they call a "Burnt Man." When the team reaches the ocean, Lewis asks for a vote to determine where the winter fort should be built. An American Indian woman and a slave are allowed to be part of the process.

"I am York. She is Sacajawea. For this one moment we are free."
http://www.theleafchronicle.com/apps/pbcs.dll/article?AID=/20060221/COLUMNISTS06/602210308/1024

New in Paperback: American Ghosts

New in Paperback

"American Ghosts," by David Plante (Beacon). Plante, the author of more than a dozen novels, embarks on a journey of self-discovery, exploring his family heritage (French Canadian), his sexuality and his writing life.

Woman Makes First Appearance Since Face Transplant

Woman Makes First Appearance Since Face Transplant

By ARIANE BERNARD
and CRAIG S. SMITH
February 6, 2006



Pascal Rossignol/Reuters
Isabelle Dinoire, the woman who received the world's first partial face transplant, at a press conference on Monday in Amiens, France.

AMIENS, France, Feb. 6 — Isabelle Dinoire, the Frenchwoman who received the world's first partial face transplant, appeared before a roomful of reporters here on Monday, speaking in a slurred voice about her ordeal and thanking the doctors and the donor who have given her a new nose, mouth and chin.

"Since the day of the operation, I have a face like everybody else," said Ms. Dinoire, 38, seated on a dais with her doctors in a meeting room of the hospital where the transplant was performed in November. Though her lower lip hangs pendulously, exposing her lower teeth, and her perpetually open mouth barely moves as she speaks, Ms. Dinoire said she had begun to gain feeling in her transplanted skin.

The news conference was meant to ease public curiosity about the transplant and to show the world that the innovative post-transplant treatment was working. Her lower face barely moves and she speaks with difficulty — her "s" sounds coming out as "sh," — but the thin scar surrounding the transplant is barely visible at a distance. At one point during the news conference, she drank water from a plastic cup.

Dr. Jean-Michel Dubernard, who is in charge of her immunosuppressive treatment, said there was still a danger that Ms. Dinoire's body would reject the transplant and that her medication had already been adjusted to suppress signs of rejection that appeared 18 days after the operation. But he said that he had asked the French health authorities for permission to carry out five similar operations in the future.

"We want to launch these new techniques to give hope to other people all over the world," Dr. Dubernard said.

Ms. Dinoire described how she awoke to discover her horrible disfigurement after her black Labrador chewed off the lower part of her face while she was unconscious from taking sleeping pills last May. Some media reports said it was a suicide attempt, though she was not specifically asked about that on Monday.

"On May 27, after a very disturbing week and with lots of personal worries, I took drugs to forget," Ms. Dinoire said, adding that she passed out and fell against a piece of furniture.

"When I woke up, I tried to light a cigarette and didn't understand why it wouldn't stay between my lips," she said, her face slack and emotionless. "That's when I saw the pool of blood and the dog beside it."

Ms. Dinoire said she went to look at herself in a mirror and "couldn't believe what I was seeing — it was too horrible."

Her lips were gone, along with her chin and much of her nose, leaving her teeth and part of her lower jawbone exposed, her doctors said. She called her mother, who lived nearby, and an ambulance took her to the local hospital. The doctors there transferred her to the care of Dr. Bernard Devauchelle, a renowned maxillofacial surgeon at the university hospital in Amiens.

Ms. Dinoire's torn facial muscles contracted, leaving her unable to open her mouth more than a few millimeters and forcing her to eat all of her food puréed. Even after rigorous physical therapy, she could open her mouth only about three-quarters of an inch by the time the transplant was performed.

"Now, I just open my mouth and eat," she told the reporters assembled for her news conference, during which she occasionally smiled with her eyes, her peripheral facial muscles tugging her mouth into the hint of a smile.

Ms. Dinoire's doctors said it would be months before they would know how much motor control she would develop in the transplanted part of her face. But Ms. Dinoire said that "being able to show emotions through my face" was already the best thing about her transplant and that she hoped to eventually be able to smile and grimace.

She said the stares she received, even when wearing a surgical mask, were the worst thing about her disfigurement and that she did not leave her room in the hospital for a month and a half after her injury.

"Little by little, the nurses and doctors explained to me their transplant project and restored my confidence in myself," she said, adding that the hardest part was waiting for a donor, not knowing when one would be found.

Now she said she is able to go out among the public without drawing much attention, though she said she continued to stay in the hospital because of the harassment she has received from the news media.

She said she had not spent very much time with her two daughters, ages 13 and 17, but that she was satisfied with their reaction to the transplant. She said she hoped to return to live with them and eventually to begin working again.

She said the transplant had been a long ordeal, but that "in the end, I never really suffered."

She defended her decision to resume smoking within weeks of the transplant, something remarked upon by the news media.

"Anyway, I never stopped smoking," she said, adding that she regrets only the trouble the news of her smoking caused.

She thanked the family of the donor and apologized for the media scrutiny that the family had endured as a result of the transplant. The 46-year-old woman whose face Ms. Dinoire received reportedly committed suicide in Lille, not far from Amiens.

"Despite their pain, their mourning, they agreed to give a second life to people in distress," Ms. Dinoire said. "Thanks to them, a door to the future is open to me and to others."

Ariane Bernard reported from Amiens for this article and Craig S. Smith from Paris.

The New York Times Company
http://www.nytimes.com/2006/02/06/international/europe/06cnd-face.html?ex=1140757200&en=b45d13baae427eac&ei=5070

Boat operators sought for St. Croix tours

DOWNEAST

Boat operators sought for St. Croix tours
Tuesday, February 21, 2006 - Bangor Daily News

CALAIS - The National Park Service has reopened its search for experienced boat operators to host ranger-narrated cruises around St. Croix Island, an International Historic Site that was home in 1604 to the first French settlement in North America.

The boats would leave the Robbinston boat landing and travel near the island while a ranger discusses the island's history. The park service hopes to launch the tours this summer.

"The purpose of the Request for Proposals is to solicit proposals from individuals or organizations who want to work in cooperation with the park service to provide quality interpretive experiences that would not be available without the use of motorized boats," Meg Scheid, park ranger at St. Croix, said recently.

A similar request was conducted in December, but no boat operator responded.

"The deadline passed and we had no applications," Scheid said. "It's possible with the busy holiday season that folks missed our announcement, or didn't have time to meet the deadline. We'd like to give this a second try, for two reasons: The cruise would reinforce the park service's commitment to build partnerships within the community, and contributes to the region's efforts to develop sustainable tourism."

The island is south of Calais' downtown and is visible from U.S. Route 1. The park service's goal is to help make the island a centerpiece for the city's tourism efforts.

In 1604, French explorers led by Pierre Dugua, Sieur de Mons and Samuel de Champlain landed on St. Croix Island. They arrived on two galleons and three smaller ships. The resulting settlement included 12 to 15 small buildings. The island was one of the first settlements in North America.

During the harsh winter of 1604-05, nearly half the 79-man expedition died of scurvy, malnutrition and exposure. The French abandoned the island the next year and moved to Port Royal, Nova Scotia.

For years the park service has been developing a mainland park across from the island. It installed stately bronze statues along a trail. The statues are symbolic not only of the settlers, but also of members of the Passamaquoddy Tribe who helped them. There also is a bronze replica of the settlement.

"The site's rich history deserves interpretation," Scheid said. "Yet its fragile environment and culturally sensitive resources compel the park service to limit visitation to the island. In addition to the park's mainland interpretive trails, I can't think of a better way to protect, interpret and explore the history of St. Croix Island than to implement a boat cruise that approaches the island the way Champlain and Dugua did in 1604 - on the water."

Boat operators would be allowed to charge passengers a fee.

Any person or organization can participate in the competitive process, as long as the requirements specified in the Request for Proposals are met.

Applications will be evaluated by a panel on the criteria included in the Request for Proposals. Historical, interpretive and logistical data on the tours also is included.

To obtain a copy of the Request for Proposals, contact Acadia National Park at 288-3338, ext. 0, or fax the park at 288-8813. Questions can be directed to Scheid at her St. Croix office, 454-3871.

The Request for Proposals is open for 30 days and proposals will be accepted until 4:30 p.m. Friday, March 17, at park headquarters, P.O. Box 177, Eagle Lake Road, Bar Harbor 04609.

http://www.bangornews.com/news/templates/?a=129422

Is `French fact' still relevant to Liberal party?

Is `French fact' still relevant to Liberal party?
For 100 years, francophones, anglophones have taken turns to lead party,

By Bruce Hicks
Toronto Star
Feb. 21, 2006. 01:00 AM

For more than 100 years, the tradition of the Liberal Party of Canada has been to alternate the leadership between a francophone and an anglophone.

This has been a conscious tradition since Sir Wilfrid Laurier, the election of whom the Liberal party claims in its own history was "a clear demonstration that the Liberal party accepted the equal partnership of the English and French in Canada."

The first leader of the Liberal party, when it appeared on the scene in 1873, was Alexander Mackenzie, who variously represented the Ontario ridings of Lambton and York East and was leader until 1880. He briefly formed a government for five years. Mackenzie was followed by another Ontario Anglo, Edward Blake, who was leader until 1887 and for whom power was elusive.

Laurier was the first francophone leader of the Liberals and this gave him the ability to capitalize on the antipathy that had developed between francophone voters (inside and outside Quebec) and the Conservative party over the execution of Louis Riel and the Manitoba schools question.

Laurier became the first francophone prime minister of Canada in 1896.

After Laurier, the Liberals elected William Lyon Mackenzie King (anglo), Louis St. Laurent (franco), Lester B. Pearson (anglo), Pierre Elliott Trudeau (franco), John Turner (anglo), Jean Chrétien (franco) and Paul Martin (anglo).

The next leader of the party, if the tradition that lasted the entire 20th century is followed, should be a francophone.

The tradition of alternating between anglophones and francophones has more recently been extended to the post of governor general. Starting with Vincent Massey in 1952 until Michaëlle Jean today, as long as Canadians have had their own governors general, they have alternated the post between the two linguistic groups.

This is not the same as alternating between Quebec and the rest of Canada.

Roméo LeBlanc held the governor general's post as a francophone between 1995 and 1999, but was very much a New Brunswick native, a province he represented in the House of Commons and in the Senate.

Does it make sense that these sort of traditions should continue to be followed today?

The best argument for the importance of ensuring francophone representation at the highest echelons of government was articulated by the Royal Commission on the Organization of the Government of Canada (the Glassco Commission) in 1960.

It found that the "number of French Canadians holding key positions in the government administration is insignificant" and suggested that this was a never-ending cycle.

Until French Canadians were represented throughout government, no young person would ever enter university with the hope of pursuing a career in public service.

Another royal commission and two generations later, Canada can claim to have had the most successful affirmative action program in human history.

Francophones are now found at every level of the public service of Canada and there are currently more than 260,000 students from Quebec enrolled in university programs covering every conceivable discipline, offering career and leadership potential for Canadian public service far into the future.

Interestingly, Chrétien's supporters unsuccessfully argued during the Liberal leadership campaign of 1984 that the tradition of alternating between a francophone and anglophone leader was no longer relevant to a modern bilingual Canada.

Does it still make sense 20 years later? Modern Canada is multicultural, after all.

The latest appointments to the post of governors general have respected the English-French tradition while at the same time expanding the representational role of this office, first to gender and then to specific ethno-racial groups. The two need not be mutually exclusive.

Furthermore, we still don't have French-English harmony. Polls suggest that the Parti Québécois is likely to win the next provincial election and its new leader, André Boisclair, is clever and charismatic.

Boisclair has committed to holding a referendum in his first term, and that debate over Quebec secession will be considered an internal matter. While the rest of Canada (and an anglo Prime Minister from English Canada) might have something to contribute, for many Quebec voters there will be a perception that this is interference.

There is also the baser question of electoral success. The Liberals have been unable to break the electoral lock the Bloc Québécois has over rural Quebec.

So, while symbolic representation may not be needed anymore for the incorporation of francophones, there are still questions that Liberals need to ask themselves: Is French mother tongue and cultural heritage key to electoral success in Quebec? Is Quebec residency required to speak to Quebecers and to effectively speak for Canada?

Clearly, despite the progress Canada has made toward equality, the English-French tradition is still the proverbial "elephant in the (Liberal) room."

Bruce M. Hicks is currently doing doctoral research at the Université de Montréal.

http://www.thestar.com/NASApp/cs/ContentServer?pagename=thestar/Layout/Article_Type1&c=Article&cid=1140475844628&call_pageid=968256290204&col=968350116795

Calumet Club to laud Chamber president

Calumet Club to laud Chamber president

Wednesday, February 22, 2006
By DESIREA WAKEFIELD
Correspondent
from the Kennebec Journal

AUGUSTA -- It's been just about a month since Peter Thompson, the president of the Kennebec Valley Chamber of Commerce, received a service award from the Chamber.

Now he's getting another one, from Le Club Calumet, which has selected Thompson for its Outstanding Citizen Award.

The award, presented annually since 1965, is "all about community involvement and what someone has done in the community to be deserving," said Ray Fecteau, the chairman of the awards event.

Le Club Calumet's mission is to promote Franco-American heritage in Maine's capital city. Founded as a men-only club in 1923, the club's membership voted last year to admit women.

The club now has 840 members.

Thompson, of Readfield, will be honored at a ceremony March 25 that will include a banquet and speeches from past Outstanding Citizen Award recipients.

"I'm very honored and extremely pleased," Thompson said Tuesday.

"People who have received the award in the past are people I have looked to for leadership qualities. To be selected amongst them is a great honor."

In January, the Chamber's board of directors thought it was time to recognize Thompson for all that he does, so they presented him with their own award.

"He has missed innumerable dinners at home and time with his family while he takes care of our business, while also being one of the most dedicated and proud fathers I have ever known," said John Christie, the outgoing chairman of the Chamber's board of directors.

The award from the Chamber didn't have an official name, but it came with a great prize: an all-expense-paid Caribbean cruise for him and his family.

Desirea Wakefield is a Kennebec Journal intern. She can be reached at 623-3811.

http://kennebecjournal.mainetoday.com/news/local/2458265.shtml

Mardi Gras parades, by city

Mardi Gras parades, by city


Published: Feb 19, 2006

Abita Springs
• Feb. 18 - PUSH MOW, Abita Springs, 10 a.m.

 

Baton Rouge:
• Feb. 11 - KREWE OF GUS YOUNG/BREC MARDI GRAS, (225) 925-9698 or (225) 378-7917. Parade rolls at noon at the corner of Acadian Thruway and Winbourne Avenue.
• Feb. 11 - KREWE OF JUPITER, (225) 977-9681 or (225) 978-9350  or http://www.kreweofjupiter.com. Parade rolls at 6:30 p.m. downtown. This krewe was formed in January, 2003, to provide Baton Rouge with a nighttime New Orleans-style co-ed Mardi Gras krewe.
• Feb. 17 - KREWE OF ARTEMIS, (225) 293-1266 or http://www.kreweofartemis.net. Parade rolls at 7 p.m. beginning at Casino Rouge downtown. This is Baton Rouge’s first all-female Mardi Gras parading krewe.
• Feb. 18 - KREWE OF DIVERSION, (225) 698-3127. Boat parade rolls at noon, beginning one mile east of La. 16 bridge on the Amite River, at Head of Island just south of Baton Rouge. The parade ends at Hill Top Inn on Diversion Canal. Free supper Friday night for all boat drivers and dock owner entries.
• Feb. 18 - SPRINT MARDI GRAS MAMBO, (225) 382-3596 or http://wwwmardigras-mambo10k.com. Event at 8 p.m. at SoGo Live/Belle of Baton Rouge Casino.
• Feb. 18 - KREWE MYSTIQUE DE LA CAPITALE, http://www.krewemystique.com. Parade rolls at 3 p.m. downtown. This krewe celebrates 30 years of parading in Baton Rouge. Family-oriented and fun for all ages. Floats number 27 so far.
• Feb. 18 - KREWE OF ORION, (225) 675-5899 or http://www.kreweoforion.com. Parade rolls at 7 p.m. at Casino Rouge downtown.
• Feb. 19 - MYSTIC KREWE OF MUTTS, (225) 201-9839 or http://www.mystic-krewe-of-mutts.org.
Parade starts at 1 p.m. at North Boulevard and Third Street downtown.
• Feb. 19 - WESTMINSTER/PINE PARK, (225) 925-8047. Parade rolls at 2 p.m. in the neighborhood off of Jefferson Highway, beginning on Drusilla at Westminster school. Grand marshal is Mayor Kip Holden.
• Feb. 24 - KREWE OF SOUTHDOWNS, http://www.southdowns.org. Parade rolls at 7 p.m. in the Southdowns neighborhood off of Perkins Road. Theme is “Goin’ Back to New Orleans.”
• Feb. 25 - SPANISH TOWN, (225) 343-8378 or http://www.spanishtownparade.com. Parade rolls at noon, beginning at the State Capitol downtown. Theme is “FEMAture Evacuation.”

 

Covington
• Feb. 18 - OLYMPIA, Covington, 6 p.m.
• Feb. 28 - LIONS, Covington, 10 a.m.
• Feb. 28 - KAACEE, Covington, follows Lions.

 

Denham Springs
• Feb. 18 - KREWE OF DENHAM SPRINGS, (225) 665-8608. Parade rolls at 3 p.m. beginning at Denham Springs High School. Theme is “Fiesta Fever.”

 

Livonia
• Feb. 26 - LIVONA MARDI GRAS, (225) 637-3105 or (225) 603-0680. Parade rolls at 1 p.m. beginning on the corner of U.S. Hwy. 190 and La. Hwy. 78 in Livonia. Theme is “Louisiana Lives On.”

 

Mandeville
• Feb. 17 - EVE, Mandeville, 7 p.m.
• Feb. 24 - ORPHEUS, Mandeville, 7 p.m.

 

Maringouin
• Feb. 25 - KREWE OF MARINGOUIN, (225) 625-3388. Parade rolls at 1 p.m. on Landry Street. Theme is “Krewe of Maringouin Celebrates Jazz.”

 

Metairie
• Feb. 12 - LITTLE RASCALS, Metairie, 11 a.m.
• Feb. 17 - ATLAS, Metairie, 6:30 p.m., http://www.nola.com
• Feb. 17 - EXCALIBUR, Metairie, 7 p.m.
• Feb. 18 - ALADDIN, West Bank, noon.
• Feb. 18 - CAESAR, Metairie, 6 p.m.
• Feb. 19 - RHEA, Metairie, 3:45 p.m.
• Feb. 19 - CENTURIONS, Metairie, 4:15 p.m.
• Feb. 19 ALLA, West Bank, noon
• Feb. 22 - THOR, Metairie, 7 p.m.
• Feb. 24 - AQUILA, Metairie, 7 p.m.
• Feb. 24 - KNIGHTS OF JASON, Metairie, 7:30 p.m.
• Feb. 25 - ISIS, Metairie, 6 p.m.
• Feb. 26 - ADONIS, West Bank, noon.
• Feb. 26 - CORPS DE NAPOLEON, Metairie, 5:30 p.m.
• Feb. 27 - ZEUS, Metairie, 6:30 p.m.
• Feb. 28 - CHOCTAW, West Bank, noon.
• Feb. 28 - ARGUS, Metairie, 10 a.m.
• Feb. 28 - ELKS JEFFERSON, Metairie, follows Argus.
• Feb. 28 - JEFFERSON TRUCKS, Metairie, follows Elks.

 

New Orleans
• Feb. 11 - KREWE DU VIEUX, French Quarter, 7 p.m., departs from the Den of Muses. http://www.nola.com
• Feb. 18 - PONTCHARTRAIN, Uptown, 6:30 p.m., http://www.nola.com. The traditional Uptown route travels down Napoleon Avenue to St. Charles Avenue and Canal Street.
• Feb. 18 - SHANGRI-LA, Uptown route, follows Pontchartrain.
• Feb. 18 - PYGMALION, Uptown route, follows Shangri-La.
• Feb. 18 - SPARTA, Uptown route, follows Pygmalion.
• Feb. 18 - PEGASUS, Uptown route, follows Sparta.
• Feb. 19 - CARROLLTON, Uptown route, noon
• Feb. 19 - KING ARTHUR, Uptown route, 1:15 p.m.
• Feb. 19 - BARDS OF BOHEMIA, Uptown route, 2:30 p.m.
• Feb. 19 - BARKUS, French Quarter, 2 p.m.
• Feb. 23 - BABYLON, Uptown route, 5:30 p.m.
• Feb. 23 - CHAOS, Uptown route, 6:15 p.m.
• Feb. 23 - MUSES, Uptown route, 6 p.m.
• Feb. 23 - HERMES, Uptown route, 6 p.m.
• Feb. 23 - KREWE D’ETAT, Uptown route, follows Hermes.
• Feb. 23 - MORPHEUS, Uptown route, follows Krewe D’etat.
• Feb. 25 - IRIS, Uptown route, 11 a.m.
• Feb. 25 - TUCKS, Uptown route, follows Iris.
• Feb. 25 - ENDYMION, Uptown route, 3:30 p.m.
• Feb. 26 - OKEANOS, Uptown route, 11 a.m.
• Feb. 26 - THOTH, Uptown route, follows Okeanos.
• Feb. 26 - MID CITY, Uptown route, 2 p.m.
• Feb. 26 - BACCHUS, Uptown route, 5:15 p.m.
• Feb. 27 - PROTEUS, Uptown, 5:15 p.m.
• Feb. 27 - ORPHEUS, Uptown, 5:45 p.m.
• Feb. 28 - ZULU, Uptown route, 8:30 a.m.
• Feb. 28 - REX, Uptown route, 10 a.m.
• Feb. 28 - ELKS ORLEANS, Uptown route, follows Rex.
• Feb. 28 - CRESCENT CITY, Uptown route, follows Elks.

 

New Roads
• Feb. 28 - COMMUNITY CENTER CARNIVAL CLUB, (225) 638-4035 or http://www.newroadsmardigras.com. Parade starts at 11 a.m. in New Roads. This is the state’s oldest parade outside of New Orleans. Theme is “A Salute to New Orleans.”   
• Feb. 28 - NEW ROADS LIONS, (225) 638-3311 or http://www.newroadsmardigras.com. Parade rolls at 1:30 p.m. beginning on Main Street in New Roads. Theme is “Holidays on Parade.”

 

Pearl River
• Feb. 12 - PEARL RIVER LIONS CLUB, Pearl River, 1:15 p.m.

 

Port Allen
• Feb. 26 - KREWE OF GOOD FRIENDS OF THE OAKS, (225) 344-5940. Parade rolls at 1 p.m. in Port Allen, and passes down North and South Jefferson avenues from Rivault Park to Louisiana Avenue. Theme is “Countries of the World.”

 

Slidell
• Feb. 12 - PERSEUS, Slidell, 1 p.m., Mid-Town Square Shopping Center. http://www.nola.com
• Feb. 18 - MONA LISA & MOON PIE, Slidell, 7 p.m.
• Feb. 19 - DIONYSUS, Slidell, 1 p.m.
• Feb. 24 - SELENE, Slidell, 6:30 p.m.

 

St. Amant
• Feb. 11 - KREWE OF ST. AMANT BOAT PARADE, (225) 698-3971. Parade rolls at 12:30 p.m. at the Canal Bank Club on the Diversion Canal. Visit http://www.kreweofstamant.com for details.

 

St. Bernard
• Feb. 19 – KNIGHTS OF NEMESIS, St. Bernard, 1 p.m.

http://www.2theadvocate.com/news/2301711.html

Passions to collide at film studies’ French festival

Passions to collide at film studies’ French festival
Tate to show weekly movies

Contributed By Lauren Elmore
Published , February 20, 2006, 06:00:01 AM EDT
The Red and Black Publishing CO., INC

Many students, like Julie Yeomans, have never seen a French film before.

“I never see any French movies advertised,” said Yeomans, a freshman from Watkinsville. “I usually don’t make it to most of the American films. How will I get out to the few French ones?”

Her problem is in the process of being solved.

Since Jan. 30, Richard Neupert, head of the film studies department, has hosted the month-long French Film Festival at the Tate Theater.

Tonight and the following Monday at 8 p.m., students can view a new French film for $1. The French language films are shown with their English subtitles.

FRENCH FILM FESTIVAL

Tonight: “L’esquive” (“Games of Love and Chance”)
Feb. 27: “Les Choristes” (“The Chorus”)
When: 8 p.m.
Where: Tate Center Theater
Cost: $1

For those who previously avoided supposedly artsy French films, Neupert said French films usually are not all that different from American films.

Neupert has chosen to bookend the film series with two more approachable “Saturday night films,” as he calls them.

The films, “Bon Voyage” and “Les Choristes,” are ones the average French moviegoer would watch for light entertainment, just as Americans go see romance comedy and action films, Neupert said.

Festival veteran Erin Shirey, a sophomore from Alpharetta, said one of last year’s films, “Carnages,” was as enjoyable as an English language film.

“(It was) kind of like ‘Love Actually,’ except the thing that connects everyone is a (dead) bull,” Shirey said. “It was amazing.”

Students looking for more of a challenge will enjoy Neupert’s other choices.

From the genre-bending art film “Notre Musique” to the socially conscious “L’esquive,” the French Film Festival contains a mix of French culture and cinematic technique.

The Festival has been a highlight of the University’s cultural scene for the past five years.

Working with the French American Cultural Exchange, which partially funds the event and provides a list of 25-30 films to choose from each year, Neupert selects five films that capture the trends and innovations of the French cinematic landscape.

With recognizable hits such as “Amelie,” past festivals have attracted more than 1,200 viewers per year.

“Every year, students are stunned by the turnout,” Neupert said. “French and film studies majors often have no idea that so many peers share their interests.”


http://www.redandblack.com/vnews/display.v/ART/2006/02/20/43f9139f89998

Caron Family Reunion, Acadian Festival, Madawaska, ME



Caron Family Reunion
Acadian Festival, June 28 to July 2, 2006
Madawaska, Maine

Dear Caron cousins,

We take great pleasure in inviting all the descendants of Robert Caron, the first of our ancestors to settle in the New World, to the Caron Family Reunion on June 28 to July 2 2006 in Madawaska, Maine.

We are sponsored by the Madawaska Historical Society in our endeavors to bring our dispersed relatives together. Since this celebration is being held in conjunction with the annual Acadian Festival, all Caron activities will be held in Madawaska.

In order to facilitate the planning of these events, we solicit your inputs in filling out the forms contained on this website by March 15, 2006. If you can't make it to the event, please send us the completed genealogical form for the completion of the genealogy book. Also available on this website is a list of accommodations in the area.

Since it is impossible for us to reach every Caron descendant, especially the women and children who no longer bear the Caron name, we ask that you share this information with anyone we may have missed and/or send us names and addresses.

We look forward to hearing from you soon and seeing all of you in June 2006.

Jeannette Caron-Parent, President

http://www.caronreunion.com/home.html

The Birth House

Birth of a novelist



Scots Bay’s Ami McKay is Knopf’s new face of Canadian fiction
By JODI DELONG


Ami McKay thumbs through a scrapbook in her Scots Bay home office. (JODI DELONG)

Watery winter sunlight is streaming in through the windows in Ami McKay’s writing studio, catching on the warm orange walls and filling the room with heat and light. McKay is drinking tea, and leafing through the pages of a scrapbook she recently received back from the designer who created the cover for The Birth House.

This remarkable work of fiction is published by Knopf Canada through their New Face of Fiction program, which boasts amongst its alumni such names as Ann-Marie MacDonald (Fall on Your Knees), Gail Anderson-Dargatz (The Cure for Death by Lightning) and Beth Powning (The Hatbox Letters).

Set in Scots Bay in the years leading up to and including the First World War, The Birth House follows the life of young Dora Rare, who becomes an apprentice to Marie Babineau, the community’s midwife. But medical "progress" is intruding in the form of an arrogant young doctor, Gilbert Thomas, whose modern ideas about painless childbirth collide with the earthy wisdom and practical knowledge of these women’s healers and helpers. Dr. Thomas is determined to turn women away from their long history of having midwife-assisted births, and begins a steadfast plot to diminish Dora’s trustworthiness in the eyes of her neighbours when she takes up the post following Miss Babineau’s death.

This conflict between modern science and traditional wisdom laces its way through the story. Some community women side with Dr. Thomas while others recognize the need to have control of their health and the right to choose how they want to have their children born.

Like many of us, McKay had kept journals, written poetry and short stories since she had been a child, but "had kept them secret forever." In her case, a thank-you note to a woman she didn’t know triggered a series of events that serendipitously led to her beginning the long road to authorship. In 2000, after a series of life events led her from Chicago to Nova Scotia to marry a longtime friend, she decided to write a note to the Oprah Winfrey show, about a book she had read while recovering from a terrible car accident several years earlier. This note led to an appearance on the Oprah show, focusing on when bad things happened to good people.

"I learned from that accident that you can’t just put things off; you’ve got to do it now because you probably won’t do it next week or next year. So I walked away from that experience determined to devote myself to my writing. I knew that I needed to get out and tell stories in my own way."

Telling those stories began with a few CBC Radio documentaries, including Daughter of Family G, which won an Excellence in Journalism medallion at the 2003 Atlantic Journalism Awards.

Ami and her husband Ian McKay live with their two sons in Scots Bay, a small rural community overlooking the upper Bay of Fundy. The house they bought and moved into in 2000 (it was love at first sight) had been a birth house for many years early in the 20th century. The community’s midwife, Mrs. Steele, had opened a room in her home so that women could come to her, have their babies and be able to rest up for a few days before returning to their families.

When the McKays found themselves expecting their second child, women in the community began telling Ami stories about the birth house. Intrigued, she tracked down Mrs. Steele’s daughter, who was nearly 90 and living in a nursing home not far away. The stories that Ami and this woman shared inspired her, not only to have a midwife-assisted birth herself but also to learn more about midwifery and women’s health issues. It wasn’t very long after Jonah was born that she began the initial writing of what ultimately became The Birth House.

"All the history I learned, the stories, the house, added up to this incredible story that wouldn’t leave me alone," McKay says. Initially she thought she’d write a nonfiction book, but as her research went on, she decided to knit the material she collected into a novel instead. Part of her motivation was to talk about women’s lives at a time that is quickly being forgotten, when the age of shipbuilding was winding down, and life in rural communities was changing as tradition and modernity collided.

Upon acceptance to the mentorship program offered by the Writers Federation of Nova Scotia, McKay was paired up with Richard Cumyn, fiction editor for the Antigonish Review and an accomplished writer of fiction. For nine months they worked together, meeting occasionally, and at the end of that time McKay had a rough draft. On Cumyn’s suggestion, she decided to look for a literary agent, although she didn’t know of many writers who had or even could get an agent. With her determined resolve, however, she read prefaces and acknowledgements of novels by authors she liked and made note of their agents, and came up with a short list of 15.

Ultimately, she ended up with Helen Heller, a well-known Toronto literary agent, although their first conversation was a bit daunting. At that time, The Birth House had two main characters; one of whom the agent thought simply didn’t work. Heller promised McKay, however, that if she would rewrite the draft, eliminating that character, that she’d work with her — and she also warned that this rewriting wouldn’t be easy.

McKay went at the rewriting with determination, no small task considering she and her husband Ian (who she proudly calls "my first reader" of everything she writes) home-school their two sons, and Ian also works from home doing freelance web design work.

Still, after another 12 months the rewriting was done, and Ms. Heller was thrilled at the results, and knew who might be interested.

Knopf Canada picked up the book in the fall of 2004, and before very long McKay found out that she would be one of the New Faces of Fiction for 2006. It’s a particular delight to her that in this 10th anniversary of the program, The Birth House is the only title being promoted.

While many authors will create either a fictional community or else change the name of a real community they set their stories in, McKay never considered doing this.

"Geographically, this place is like no other, and to change its name was to do a disservice to the community," she says. "People have been very generous in sharing their lives and their stories, and I’ve been honoured to listen and reflect some of what I learned. I didn’t want to capture one person or an individual character, but I wanted to capture the heart of the community so I’ve used family names that founded Scots Bay. The names I didn’t change in any way, however, are those veterans who were killed in World War 1; I mentioned them in the novel as a tribute to the sacrifice they made."

It’s not surprising that McKay would send the designer of her book a scrapbook of items that connect in some way both to her life and to the novel.

"I have this vision of this book being a literary scrapbook," she explains, "reflecting the way a woman lives her life. She collects bits and pieces through the day, and at day’s end, you can piece her life together by looking at what was in her pocket. I wanted these pieces of ephemera, so I have journal entries, and letters, and recipes and advertisements, and all those little tiny things that add up to a life."

The writing is as clean as a Fundy breeze, as warm and welcoming as a shaft of sunlight piercing through a fog. McKay’s characters are gritty, humourous, determined, stubborn, and very real.

As a reader, I enjoy novels that feel alive and real to me, with fully formed characters and plotlines. When I come to the end of a novel and feel both pleasure at having read it and regret at having finished it, this is a good thing. The Birth House is a novel to reread time and again, to share with friends, give to others, and read yet again.

Since the initial sale of The Birth House to Knopf Canada, McKay has been delighted, if a bit overwhelmed, to see the book’s rights purchased in the United States, the United Kingdom, Germany and Holland.

An excerpt of the novel will appear in the March issue of Chatelaine, and McKay will be on a book tour through Canada during the late winter and spring.

The Birth House is being launched in Nova Scotia on Feb. 15 in Wolfville at the Acadia Cinema. Tickets to the reading and reception are available from the Box of Delights Bookstore (542-9511) with all proceeds going to The Midwifery Coalition of Nova Scotia.

The Birth House
by Ami McKay
http://www.thebirthhouse.com/
(Knopf Canada, hardcover, 368 pages, $29.95)

http://www.herald.ns.ca/Books/483807.html

Playboys stoke Cajun music fire

Playboys stoke Cajun music fire

By JONATHAN TAKIFF
takiffj@phillynews.com 215-854-5960
Posted on Fri, Feb. 17, 2006

They've been 19 years at the game, winning great acclaim for their frisky playing (sure to get you up and moving) and otherworldly, folkloric material.

Still it remains a delicate dance for Steve Riley and the Mamou Playboys to stay on top of the Cajun music scene, especially with the purists, allowed accordionist Riley and his fiddle-playing cohort David Greely, in a chat prompted by their dance concert tonight in Norristown for Allons Danser.

"The reason we still have French-speaking people and traditional Cajun music in Louisiana is that Cajuns don't naturally accept new things," said Greely with a laugh. "They tend to be stubborn, artistically. So performing for them is sort of like a dance. A musician is the leader. You gotta lead well and be strong and convince the audience that this is the way we're going to go. Most of the time, we've gotten pretty good and they go with us. But sometimes, when we introduce something new, they'll tell us they don't care for it - by emptying the dance floor."

Added Riley, "We'll still keep playing the song, though. Eventually they come back."

Singing anything in English is the No. 1 no-no for Cajun musicians, even with younger fans.

Kicking it up a notch with Brazos Huval's basse, Kevin Dugas' baterie and Sam Broussard's guitares electrique et acoustiques is acceptable, so long as the Mamou Playboys' blend doesn't start to sound overtly like pop or rock music, the way its Creole cousin zydeco gets sometimes.

Introducing a totally new, original song won't court favor nearly as well as digging up and adapting an ancient French poem - a favorite Greely pursuit. And what the crowd really wants to hear are traditional Cajun tunes from the repertoires of musical saints Dewey Balfa (with whom Riley apprenticed), Iry Lejeune, D.L. Menard and Aldus Rogers.

"Some of our songs can be traced back 400 years," said the fiddler man.

Their long history as an oppressed people is what makes the Cajuns so stubborn, said Riley, whose family roots reach back to the 1600s. Originally French migrants to Nova Scotia, where they were known as Acadians, these colonists were kicked out of Canada when the British took over, and flocked to Louisiana in 1765.

"There they became acquainted with black people, the Creoles, and started hearing their music full of blues and syncopated rhythms. The Cajun people started adapting that and mixing it with their own sounds, and that's how Cajun music came alive," said Riley.

A movement to "Americanize" Cajun youth almost wiped out their distinctive culture in the 1930s and '40s.

"There was this big push when education came to Louisiana," shared Greely. "These kids grew up speaking French, living in isolation down on the farm. Teachers told them it wasn't real French, that no one else in the world could understand it. Kids were punished for speaking French on the school grounds. Because of ridicule, it came to represent ignorance. It wasn't until World War II, when soldiers going off to war in France found out they could communicate perfectly, that they realized how they'd been lied to. That started the cultural push back."

The southwestern Louisiana town of Lafayette, home to the Mamou Playboys, and surrounding areas remain the stronghold for Cajun culture today.

"The way we celebrate Mardi Gras is also quite different than you'd see elsewhere," said Riley. Quite a sight, he shared, are the masses of masked celebrants marching on foot or riding horses through the countryside, begging for charity from farm owners and chasing down chickens to be served up in a holiday gumbo.

"When you see something like that, you think, 'It really is another world - like a country within a country - over here.' "
Steve Riley and the Mamou Playboys, Holy Saviour Club, 436 E. Main St., Norristown. Dance lesson, 7:30 p.m., live music at 8:30 p.m. $20. Cajun food available. More information at www.allonsdanser.org.

http://www.philly.com/mld/dailynews/living/13894051.htm

$100,000 missing in Wallagrass; Town manager charged with theft

$100,000 missing in Wallagrass; Town manager charged with theft
Saturday, February 18, 2006 - Bangor Daily News

WALLAGRASS - The only employee of an Aroostook County town with a population of 560 has been charged with felony theft. Officials said Friday some $100,000 is believed missing.

Town Manager Bonnie Lamarre, 48, was summoned Friday to appear in Superior Court in Caribou on March 23.

Catherine Francke, an assistant district attorney, said Kenneth Michaud, an Aroostook County deputy and police chief in neighboring Fort Kent, has been investigating.

Lamarre could not be reached Friday.

Michaud said Friday that the bank accounts involved - the town's and Lamarre's personal accounts - are all in Fort Kent.

The charge, according to Michaud, alleges Lamarre deprived the town of the money.

Francke said the investigation was in its initial stages. She said she has discussed the investigation with Michaud but has not received a written report about it.

James Gagnon, first selectman at Wallagrass, would not discuss the situation Friday.

He said an emergency meeting of the town's Board of Selectmen was planned Friday night.

Lamarre had been manager of the town just south of Fort Kent since 2000.

Wallagrass was organized as a town in 1986.

According to the March 2005 town report, Lamarre is town manager, tax collector, treasurer, clerk, registrar, overseer of the poor and E-911 addressing officer.

The town has an annual tax commitment of $347,000 and a total budget of approximately $450,000.

In 2003, the town collected $275,580 in property taxes and $110,000 in excise tax. It received a state revenue share of $40,000, highway block grants of $13,000, and homestead exemption payments from the state of $19,000. It was overseeing a septic system grant of nearly $20,000.

The town's total valuation is $20.8 million.

According to an audit report in last year's annual report, the town is insured against risks through the Maine Municipal Association risk pool.

http://www.bangornews.com/news/templates/?a=129327

First to Warn of Impending Population Collapse

Canadian National Newspaper First to Warn of Impending Population Collapse

By Terry Vanderheyden
Monday February 20, 2006

TORONTO, February 20, 2006 (LifeSiteNews.com) – Canada’s National Post is the first major Canadian news source to sound the alarm over the nation’s impending population crisis. It is publishing a four part series on the fertility crisis. In part one, a front-page feature appearing Saturday titled , A childless culture, Anne Marie Owens warns of a future “where senior citizens drastically outnumber babies, schools will be replaced by old-age homes, neighbourhoods of single-family dwellings will make way for smaller condos and townhouses, and playgrounds will become disused relics of the past.”

“A dramatic decline in fertility in recent decades, combined with an ageing population, has the potential to transform every aspect of Canadian society, from schools and housing to social attitudes toward family,” warns Owens. “The sound of children's chattering voices, once common, will be rarely heard.”

“Baby-making may come to be regarded no longer as the private prerogative of consenting adults, and more an act of national duty,” Owens adds. “This is what a childless Canada would look like. But it is not the science-fiction vision of a far-off future. In less than a decade, seniors will outnumber children in Canada; in just 15 years, deaths may outnumber births.”

Although LifeSiteNews.com has been sounding the alarm for years, it is rare for mainstream sources to acknowledge the demographic nightmare looming on our horizon. Even rarer is the proposal that Canadian parents be encouraged to have more children.

Although Owens acknowledges that immigration is unlikely to remedy the decline, she reiterates the tired excuse that encouraging childbirth is a “politically incorrect” solution, as claimed by demographer Rod Beaujot. He states that “If you start encouraging childbearing, you’re meddling in people’s lives.”

To her credit, Owens adds the perspective of McGill University professor Avi Friedman, who maintains that the only solution is monetary incentives to parents to encourage childbirth. Quebec, incidentally, is the only province so far that has seen the writing on the wall and done just that. It has offered baby bonuses of $500 for the first child, $1,000 for the second and $7,500 for the third and for each subsequent child, which helped to bolster the birthrate.

However, European nations that have tried to turn around their plummeting birthrates have found financial incentives produce only short term results. A 2004 Family Research Council report on the total failure of numerous European strategies to generate at least a replacement birth rate level points especially to deeply ingrained social and cultural conditions, including rejection of religion, that go more to the heart of the problem.

Read the full on line version of the column:
http://www.canada.com/nationalpost/news/story.html?id=13e220...

See Family Research Council report:
The Failure of European Family Policy
http://www.frc.org/get.cfm?i=PL04L01

See related LifeSiteNews.com coverage:
Quebec to experience most rapid demographic decline of all industrialized countries
http://www.lifesite.net/ldn/2005/oct/05102501.html
Population Implosion Drives Quebec To Offer Child-Birth Incentives
http://www.lifesite.net/ldn/2003/mar/03031702.html

No Mention of Most Obvious Solution to Canadian Fertility Decline in Report Urging Change to Immigration Policy
http://www.lifesite.net/ldn/2004/aug/04081005.html


http://www.lifesite.net/ldn/2006/feb/06022003.html

A childless culture

A childless culture

 
Anne Marie Owens, National Post
Published: Saturday, February 18, 2006
Saturday, February 18, 2006
National Post 2006


Canadian families do not make babies like they used to. A dramatic decline in fertility in recent decades, combined with an aging population, has the potential to transform every aspect of Canadian society, from schools and housing to social attitudes toward family. In this, the first of a four-part series, the National Post examines the far-reaching implications of the fertility crisis.

- - -

In a future Canada, where senior citizens drastically outnumber babies, schools will be replaced by old-age homes, neighbourhoods of single-family dwellings will make way for smaller condos and townhouses, and playgrounds will become disused relics of the past.

The sound of children's chattering voices, once common, will be rarely heard.

Baby-making may come to be regarded no longer as the private prerogative of consenting adults, and more an act of national duty.

This is what a childless Canada would look like. But it is not the science-fiction vision of a far-off future. In less than a decade, seniors will outnumber children in Canada; in just 15 years, deaths may outnumber births.

The country's population is in decline, and unless massive immigration or an overhaul of reproductive attitudes and policies compels a radical turnaround, Canada will soon reflect a lopsided and never-seen-before demographic reality where the young are drastically outnumbered by the old.

It is not that the greying of Canada has come as a surprise. For nearly 20 years, demographers and economists alike have been making projections based on the burgeoning pool of ageing Baby Boomers.

What many didn't see coming, however, was an accompanying decline in fertility levels, which has been dramatic, persistent -- and coincidentally timed so as to deliver a double-whammy to Canada's population growth.

By the year 2015, for the first time in the history of Canadian population statistics, there will be more people over the age of 65 than under the age of 15. Even the normally staid national bureau of record-keeping, Statistics Canada, declared, "This would be an unprecedented situation in Canada," when it announced late last year the critical turning point in a population projections report.

These projections, which were shaped by various growth scenarios, predicted fertility rates ranging from a low of 1.3 babies per woman to a high of 1.7 babies per woman. That puts Canada in line with the growing roster of nations beset by declining fertility: France, 1.9; Australia, 1.7; Germany, 1.3; Italy and Spain, 1.2, Japan, 1.2; Korea, 1.1.

Only the United States is conspicuous among its industrialized neighbours for a fertility rate that continues to remain above what is known as replacement level, with 2.01 babies per woman. The main reason for this difference seems to be in the fertility rate among women aged 24-29, which has been cut almost in half in Canada and many of the other nations with declining fertility, but which remains virtually unchanged in the U.S., where more traditional values prevail, says demographer Alain Belanger, the demographer behind Statistics Canada's latest projections.

What's most interesting is that the most serious decline in fertility is affecting those whom the nation would most like to see as parents. The highest-paid, highest-educated women are forgetting about motherhood entirely or seriously reducing their number of desired offspring in what has been called a revolution in fertility.

Linda Duxbury, an Ottawa academic who has been at the forefront of research into work-life balance and the impact of various workplace initiatives, has found that higher-income, professional women aren't marching with their feet to protest the dearth of truly family-friendly policies; they are responding pragmatically by first delaying child-bearing and then having only one child or remaining childless.

Other researchers have noted the disconnect between intention and reality when it comes to child-bearing, with the majority of women still indicating in surveys that their desired number of children is two, but then, for various reasons, their reality of family life is limited to either one offspring or none.

Margaret Somerville, founding director of the McGill Centre for Medicine, Ethics and Law, says the most profound impact of this decline in fertility may be in changing attitude. She sees the trend toward delaying or avoiding child-bearing as just another aspect of society's drift toward a culture of "intense individualism," where children are seen more as "a desirable thing to have, rather than as new individuals to repopulate the world."

In a culture driven largely by the rights of adults to reproduce on their own timeline, to have access to the technology that affords reproduction at later ages, to limit reproduction in order to better pursue a career path, what may have fallen by the wayside is the consideration of the greater good for society, Prof. Somerville says.

"Whenever we start talking about children and about families, we focus on the adults' rights to have children or to not have children -- we don't talk about our society and what it needs, whether it needs children."

Rod Beaujot, an expert in demography, helped bring together a group of academics to investigate options out of a shared concern that no one was conducting the research necessary to guide Canadian public policy in this critical area.

"There's always been this sense that we can fix this problem through immigration and avoid any population decline that way, but that isn't necessarily going to resolve it," says Prof. Beaujot, who teaches sociology at the University of Western Ontario.

He says that when the concern is the age structure -- the balance or imbalance between old and young -- immigration may not provide a solution, unless the government is prepared to target immigrants for their likelihood of reproducing.

"If you start encouraging childbearing, you're meddling in people's lives. There are pitfalls to going down this road," he says.

"There isn't much attention being paid to this by the federal government ... This is going to get into politically difficult territory."

The academic network, called the Population Change and Public Policy Research Cluster, is examining the population-based fallout on everything from the labour market and productivity, to such seeming intangibles as social cohesion and acceptance of ethnic diversity.

"This cluster will help provide the context for important policy discussions on the future of Canada," says the network. "At stake are the long-term interests of our society, including its very reproduction and the diversity that it manages to incorporate."

Just as significant in its implications for changes in society is the flip-side of this fertility crisis: Who is having babies in Canada? Nunavut's birth rate is projected to remain well above replacement level, at almost three babies per woman, and is consistently the highest in the country in a baby boom led largely by young, single aboriginal women; the visible minority population is projected to increase dramatically in the next decade, thanks largely to higher fertility levels among some groups of immigrants and to the younger age structure of these immigrant groups.

By the time Canada celebrates its 150th anniversary in 2017, one out of every five people will be a visible minority, the highest proportion since records have been kept.

According to ethno-cultural projections released by Statistics Canada last year, the country's visible minority population is projected to increase by between 56% and 111% between 2001 and 2017, while the rest of the population is only expected to increase by between 1% and 7% in the same period.

If Canada looks to immigration to offset the combined impact of an ageing population and declining fertility, it may have to consider such potentially fraught immigration policies as campaigns targeting ethnic and cultural groups known for high fertility rates and awarding more points on immigration applications to those with young families, Dr. Beaujot says.

And even if politicians managed to enact such politically incorrect policies, he says there's no guarantee that people known for their high fertility in their home countries won't alter their "reproductive behaviour" once they assimilate into Canadian life.

Avi Friedman, a McGill University professor who considered this demographic change for his book Peeking Through The Keyhole, says the most likely policy response to declining fertility will be monetary encouragement to have children.

He says that something will have to be done to alleviate the societal impact of producing a generation of pampered only-children, who are aware almost from birth of their special status.

"If you check housing today you will notice a very interesting phenomenon -- we have smaller families but larger homes. We're increasing the level of comfort," says Prof. Friedman, who teaches architecture and whose book examines how our neighbourhoods and houses will reflect the coming demographic change.

He envisions a future where these fewer children are showered with the more plentiful resources of their families and afforded more "comforts" in their daily living, and where neighbourhoods are filled with a blend of "life-cycle" homes equipped to support people as they age, large "bi-generational homes" big enough to accommodate families and ageing parents, homes for the multiple family dwellings favoured by some ethnic groups, and clusters of condos or townhouses where good friends congregate in their old age.

"Even if you just look at housing alone, and the communities in which we live, there are going to be significant changes from this," Prof. Friedman says. "It is going to dramatically change the way we live."


http://www.canada.com/nationalpost/news/story.html?id=13e220f0-b53a-4a38-bca9-66481d9b8f89

Scholarship Awards for Maine Immigrants

Keiko Takahashi Scholarship Awards for Maine Immigrants and International English Students 

ROCKLAND (Feb 19): Penobscot School, a center for language learning and cultural exchange since 1986, is pleased to announce the annual Keiko Takahashi Scholarship Fund dedicated to providing funds for adult immigrants in Maine and students from other countries, in order that they may attend the 2006 summer English Immersion Program of Penobscot School. The deadline for submission of Maine applications is March 15, 2006. The deadline for international applications is February 28, 2006.  

Keiko Takahashi was a dear friend and long-time supporter of Penobscot School, and wife of Bay Bigelow, Ex-Chairman of the School’s Board of Trustees. Keiko passed away after a long illness in November 2003. To honor Keiko, the School established the scholarship fund in her memory. Keiko's life is an inspiration and offers criteria to the scholarship selection process - a love of learning, the desire to know another culture from the inside, an eager willingness to contribute to one's community, an openness to people and cultures different from one's own, and a positive attitude in meeting challenges and adversity. This year, a scholarship will be awarded to two Maine immigrants and two international English students who wish to attend Penobscot School’s English Immersion Program.  

Former Executive Director of the School, David Clough noted, “We are both proud and pleased to take this step in reaching out to Maine’s growing immigrant community. It is our sincere hope that we can contribute, in a significant way, to making the challenges faced by newcomers to our great state of Maine, more manageable through the acquisition of language skills and by increasing cultural awareness.”

Penobscot School offers three-week summer English immersion courses for adults who have an intermediate level of English, and year-round made-to-order English language training at all levels for individuals, families and businesses.  A scholarship provides for all the program needs of a student at the start of the three weeks of summer classes. This includes tuition, textbooks, transportation for any class trips and activities, all meals, room and board with a home stay host family, and transportation between classes and activities at Penobscot School and the home stay location. The monetary value of a single scholarship is $2,100. The English Immersion Program is now in its 18th year, and, to date, over 500 students from 48 countries have participated.

The dates for 2006 are:

* Saturday, July 8 through Saturday morning, July 29
* Saturday, August 5 through Saturday morning, August 26

For more information about the English immersion programs and how to apply, refer to the website at http://www.languagelearning.org/english.html#summerenglish.  To request a scholarship application, write to Victoria Scott at vscott@languagelearning.org. If you wish to make a donation to the Keiko Takahashi Scholarship Fund, please contact Julia Schulz, Co-Founder and Interim President of Penobscot School, at 207-594-1084, or by email at english@languagelearning.org.

=========================

Victoria A. Scott
Director of Communications
Penobscot School
28 Gay Street
Rockland, Maine 04841 USA
TEL: 207-975-3316
FAX: 207-594-1067
www.languagelearning.org
vscott@languagelearning.org

Monday, February 20, 2006

Today's posts

If article does not appear in listing at the right, click on the date and conduct a search. Bon lecture!

archives/2006_02_20

2006/02/salut-bon-jour.html
2006/02/ice-hotel-quebec-canadas-first-lesbian.html
2006/02/no-condos-at-convent.html
2006/02/douglas-kennedy-great-us-writer-who.html
2006/02/march-on-quebec-disaster-but-helped.html
2006/02/rural-life-museum-acquires-oldest.html
2006/02/panel-hispanic-population-growth-can.html
2006/02/america-remembers-grace-metalious.html
2006/02/maple-sugar-festival-feb-22-26-nanaimo.html
2006/02/learning-valuable-lessons-she-coleman.html

"Salut! Bon Jour!"

My name is Sue Bernier. I live in North Smithfield, RI (suburb of Woonsocket) and am active in numerous Franco-American organizations in the communities of both North Smithfield and Rhode Island.

Was the charter president in 1984 of Les Dames Richelieu du RI, served as regional governor for 6 years and now in my 7th term as regional secretary.

Am also co-founder of "Parlons Français" ( a group that was organized after the showing of Ben Levin's "French Awakening". We meet the second Thursday of each month in the Woonsocket Library with between 30-50 people attending. We speak French, read articles in French and play games. We have had as many as 80 people attending some of our get-togethers. No fees - just fun for people who want to reacquire their language.

Am also a host of a French radio/internet show 8:30-9:30AM every Sunday on WNRI 1380AM here in Woonsocket or on the web at www.wnri.com. Just click on the "listen online" button.


Fete of the French
JOSEPH B. NADEAU, The Call Staff Writer
09/14/2003
Woonsocket, R.I.

WOONSOCKET -- The sounds of old Woonsocket could be heard again Saturday as the annual French Farmer’s Market offered visitors to River Island Park a taste of French Canadian language, food and entertainment.

As he sat near the park’s band stand to hear the French Canadian group Boréal Tordu perform traditional Quebecois and Cajun music, George Gaulin, 72, of Logee Street, couldn’t have been happier.

"Oh I love this. We follow this music all over," Gaulin said.

Gaulin and his wife, Germaine, have attended Cajun festivals in Charlestown and Warwick in Rhode Island and also around New England while pursuing their passion for the fast-paced, foot-stomping rhythms.

"We love it so much, she has CDs and plays at them the house with spoons in her hands," he said.

The wooden spoons to which Gaulin referred are used by aficionados of Cajun music to keep time with the players’ guitar, fiddle and bass notes.

At times Saturday, members of the audience were invited onstage with the band to tap along with their spoons and small hand drums.

"It’s cool," Spencer Drane, 10, of Blackstone, said, while watching the performance with his grandmother, Jacqueline Emidy, 72, also of Blackstone. "You don’t really get to hear it a lot," he said.

Emidy was also enjoying the performance and said the family likes Cajun enough to go the big festival every year in Charlestown.

"I think it’s great to listen to," Emidy, a French Canadian, said of the traditional music.

The music wasn’t the only French Canadian flavor up for sampling at the market. A group of volunteers from the sponsoring Northern Rhode Island Council of the Arts manned a concession stand in the park serving up tourtière -- French Canadian pork pie from Janet’s Catering on Mendon Road, pea soup and the ever popular "dynamite," a mix of hamburger, tomatoes and green peppers served on a split roll.

You could also find a booth serving "pommes frites," and freshly-picked vegetables from Cook’s Valley Farm in Wrentham.

At the booth set up by Club Richelieu’s Les Dames Richelieu du Rhode Island, Ida (Ethier) Connolly, the group’s vice president, doled out fruit salad while President Roxanne Menard of Woonsocket chatted in French to Genevieve Fortin, a college student from Quebec working on a French language project at the University of New York at Albany.

Fortin and her professor, Cynthia Fox, visited the festival to catch up with some of the local French speakers they worked with as part of the two-year-long research project on French Canadians in New England.

"They speak French much better than I do," Fox, a French Language professor said while listening to Fortin and Menard’s French conversation.

Fox has been working with Jane Smith, a professor at the University of Maine, to document the use of French in eight New England communities including Woonsocket.

"It’s an attempt to document who still speaks French, where do they speak it, and how they feel about it," Fox said.

While far less French is spoken in Woonsocket than was spoken 30 years, Fox said French is enjoying a small revival among French Canadians who want to find their roots.

A film by Ben Levine, "Réveil’’ that documents the "Waking Up" movement was to be shown Saturday at St. Ann’s Cultural Arts Center on Cumberland Street, she noted.

Her own work in the area has been made easier by people’s enthusiasm for their French heritage, Fox said.

"It’s great to see people out and it’s great to hear French being spoken and the dances going on," she said.

It’s what made her come to work in Woonsocket in the first place, she added.

"Les gens de Woonsocket sont très chaleureux et accueillants (the people of Woonsocket are very warm and welcoming)," she said.

Menard said she also enjoyed having a day to celebrate her French Canadian background.

When she first arrived in Woonsocket, Menard said she spoke no English nor did her children.

"My children were brought up in French and they were my little Frenchmen," she said.

Of course once her children went to school that all changed quickly. "It doesn’t take too long and they are saying this in English and that in English," she said.

Suzanne B. Bernier, 62, the host of a French language program "Salut! Bon Jour!" Sunday mornings on WOON starting at 8:30 a.m., said the market helps call attention the history and culture of local French Canadians.

"It teaches people who we are and brings us back to our roots," she said.

Listening to Boréal Tordu perform made her think of her own family’s music nights at home years ago.

"My father would play the guitar and the harmonica, my grandfather played the violin, and my grandmother played the piano. They would play right there in the parlor and we would sing and dance until 11 at night," she said.

Her family lived in a six-family apartment building back then, but none of the other families ever complained about her family’s performances, she said. "They were enjoying it too," she said.

The Call 2006
http://www.zwire.com/site/news.cfm?BRD=1712&dept_id=24361&newsid=10162964&PAG=461&rfi=9

Ice Hotel Quebec-Canada’s First Lesbian Wedding

Ice Hotel Quebec-Canada’s First Lesbian Wedding

PRWeb
The Ice Hotel Quebec-Canada is hosting its first lesbian wedding of two American ladies in its world famous Ice Chapel during March, 2006. It is the second time in its six year history that the Ice Hotel is hosting a same sex marriage. Last year two gentlemen from England were united in wed lock and ever since then there has been an increasing demand.

(PRWEB) February 20, 2006 -- The Ice Hotel Quebec-Canada is hosting its first lesbian wedding of two American ladies in its world famous Ice Chapel during March, 2006. It is the second time in its six year history that the Ice Hotel is hosting a same sex marriage. Last year two gentlemen from England were united in wed lock and ever since then there has been an increasing demand.

www.icehotel-canada.com

The Ice Chapel has accommodated over 75 weddings in previous years and expects over 30 during its sixth season.

Newly weds and their guests come from around the world to celebrate their special event in one of rarest chapels. The Ice Hotel offers three different types of wedding: A Magical Wedding, An Exotic Wedding, and an Idyllic Wedding all designed to provide a fairytale-like wedding.

The Ice Chapel has been featured in such magazines as Brides and will be featured on Destination Bride.com after CEO and author Lisa Light has spent an enchanting evening in the near future.

A couple from Mexico, who have never seen snow, is also getting married at the Ice Hotel this March. They won a contest amongst many enthusiastic participants organized in a joint effort between the Ice Hotel and Eres Novia magazine.

"The Ice Hotel has always been proud to open its doors to everyone," stated Jacques Desbois, CEO of the Ice Hotel. "The Ice Hotel is a celebration of diversity in a winter setting."

January 6th to April 2nd, 2006, celebrate Ice Hotel's sixth season. It is an ephemeral and majestic place to rediscover yearly.

For more information:
Sylvain Auclair
Communications and Marketing Agent
1-418-875-4522
Toll free (CAN/USA): 1-877-505-0423 ext. 110
e-mail protected from spam bots
Trackback URL: http://www.prweb.com/pingpr.php/RmFsdS1Mb3ZlLVByb2YtU3F1YS1IYWxmLVplcm8=

http://www.prweb.com/releases/2006/2/prweb348061.htm

No condos at convent

No condos at convent
Quebec steps in to aid Carmelites. Conservationists welcome new status, protecting grounds as well as buildings


The convent at Carmel and Drolet Sts. will be classified a historic monument, saving it from becoming a condo project.
Photograph by : GORDON BECK, THE GAZETTE
 
ALAN HUSTAK
The Montreal Gazette
Sunday, February 19, 2006


Heritage activists in Montreal are applauding the Quebec government's intention to declare a century-old Carmelite convent in the Plateau district a historic property.

Culture Minister Line Beauchamp announced Friday that the province plans to classify the property a Quebec historic monument, making it eligible for government funding and preventing it from being turned into condominiums.

"Preserving the religious nature of the site is without a doubt the best way of assuring that the integrity of the property is protected," Beauchamp said.

The nuns put the property at the corner of Carmel Ave. and Drolet St., on the market three years ago.

They were offered $5.5 million but, after protracted negotiations with prospective developers and complaints from heritage and conservation groups, decided not to sell.

Friday's announcement allows the Carmelites to continue their mission in the heart of the city with financial support from the province.

"The government is forging new ground with its announcement in terms of how we treat property, including gardens, green spaces and even trees - something which we have never done before," said Helen Fotopulos, mayor of the Plateau Mont Royal borough.

"Its not just the stone walls around the garden or the buildings that are being saved, but a whole natural environment in the heart of the city."

The convent, chapel and cloister garden were built in 1895 to house the order, founded by Teresa of Avila in 16th-century Spain.

Heritage Montreal made the application to have the property declared a historic site almost two years ago.

"It has taken a while, but we're glad that it's moving ahead," said Dinu Bumbaru, executive director of Heritage Montreal.

"Nothing has been confirmed yet, so we are looking forward to reading the legal language in the minister's announcement. But it is significant in that it recognizes not just architectural features, but the whole ensemble, which could lead to long-range city planning which prevents the area from being boxed in and surrounded by high-rises."

The announcement is subject to public hearings. Once the building is classified, the Carmelites will be eligible for government grants that will enable them to maintain the property.

The Carmelites have been in Montreal since 1875 and, unlike many other religious orders, continue to attract novices. Their convent in the Plateau is filled almost to capacity; the average age of the nuns is 58.

ahustak@thegazette.canwest.com
The Gazette (Montreal) 2006

http://www.canada.com/montrealgazette/news/montreal/story.html?id=e14e6ed1-0cfa-43ee-b455-740d99f33c7c&k=803

Douglas Kennedy -- A great U.S. writer who fled a Grisham image

Douglas Kennedy -- A great U.S. writer who fled a Grisham image

01:00 AM EST on Saturday, February 18, 2006
The Providence Journal
by Jean Lesieur

PARIS
IT IS ONE of the biggest enigmas of today's literature, or, shall we say, book business. Why do Americans ignore one of their best authors, Douglas Kennedy: a writer with Gustave Flaubert's talent for digging deep into our souls and John Grisham's ability to make us turn the page?
His latest novel, State of the Union, a thriller of love, treason, politics, and small-town boredom staged in Nixon's and today's America, has been on English best-seller lists since October. It has sold over 200,000 copies in France, where it will probably be one of the year's top-selling novels. It appears in 15 languages, among them Russian, Polish, Swedish.
"Can you imagine?" says Kennedy, over a triple espresso in a fashionable Paris restaurant. "I'm a hit in Bulgaria and I'm not even distributed in my own country.
"I'm a very happy man," he says, "and a very happy writer, but I must admit, of course it hurts."
Douglas Kennedy, a 51-year-old New Yorker who now lives in Paris, London, and Gozo (an island between Malta and Sicily), would not be the first Europeanized American to be snubbed by his countrymen. But, unlike some of those unsung and misunderstood artists (most of whom deserve to remain so), he is not the obscure intellectual, accessible only to the leftist Left Bank bourgeois or a few Upper West Side New Yorkers.
Nor is he the professional outcast celebrated by Europeans for being cursed by those "stupid white men" -- the "fascist-leaning" mob on the other side of the pond. He passionately dislikes George Bush and the religious right (he's a Unitarian), but he's no Michael Moore with a word processor.
He is not an activist; he is an artist.
"He is very much an American novelist," says Antony Harwood, the British literary agent who represents Kennedy. Francoise Triffaux, his French publisher and an expert on U.S. literature, says, "He has beautifully polished the eminently American art of knowing how to tell stories."
Kennedy can slip into the soul of a woman. He is Hannah, in State of the Union. She's a college student in the 1960s who, despite her anti-war Bostonian parents, remains politically indifferent. She marries a medical student; they move to Maine, have a kid. A young friend of her father's stumbles upon her. She has a moment of -- what? Unconsciousness? Excitement? Passion? Lust? Madness? Boredom? Existential anguish? Freedom? She has a very human moment that, 35 years later, haunts her.
Nothing unusual, apparently, except for a life flicking out -- which makes for an extraordinary read.
"There is a whole world hidden out there in every single family," says Kennedy. "You don't really know your parents, nor the people living close to you. When you find out a little bit about them, your whole life is suddenly changed."
Kennedy's life has changed several times. He spent his childhood on New York's Upper West Side before it was fashionable. The jazz was good at the West End Café, but there was a single-occupancy-only hotel around the corner. Not a bad childhood, though, between a Catholic father and a Jewish mo